Tag Archives: Ashley Driver

RED

★★★★★

Chickenshed Theatre

RED

Chickenshed Theatre

★★★★★

“fills the audience with joy, curiosity, and genuine wonder”

Red reimagines the familiar tale of Little Red Riding Hood, inviting us to dig deeper into the grey areas between villain and hero. Supported by the passion of over 200 performers, this vast, ambitious musical adaptation redefines the story as an exploration of identity, perception, and the courage it takes to truly see beyond the obvious.

Directed by Michael Bossisse, Bethany Hamlin, Cara McInanny and Jonny Morton, Red becomes a vibrant quest of self-discovery: a teenage girl, angry at the world yet unknowingly supported by it, embarks on an unexpected journey with her siblings. Along the way she learns that ancient myths may hold more truth – and more lessons – than she ever imagined.

The writers, Dave Carey, Ashley Driver and Sebastian Ross, deliver a wholehearted, humorous script that bursts with emotional truth and fills the audience with joy, curiosity, and genuine wonder. This is a grand, communal celebration of what it means to be together, to be different, and to belong.

From the moment the show begins, the stage welcomes us into an inclusive performance world, with main characters and actors interpreting in sign language. What initially appears to be a simple set reveals itself as a transformative marvel: first a train, then a bustling village, then elegant dining halls and winding pathways. Andrew Caddies’ combined set and lighting design is magical – producing images that feel both fairytale and otherworldly. The stage doesn’t just change, it “shape-shifts”.

Emma Gale’s beautifully crafted costumes carry us seamlessly between these worlds. Despite the rapid pace of the show, transitions appear effortless; the costumes seem to breathe with the story, adapting to every shift in tone and place.

In every scene, we witness breathtaking ensemble dance and movement pieces. Everywhere you look, there is another story unfolding, another set of eyes drawing you deeper into the world. How many people can you fit on a stage dancing? At Chickenshed, the answer is always: more. And the more there are, the more astonishing it becomes. Yet above all the spectacle, the most exceptional moment of the production is witnessing the entire ensemble becoming one moving body – a single organism pulsing with unity, purpose and heart. When the ensemble moves, the whole theatre breathes with it.

The production features a fully original score, performed live onstage. Under the musical direction of Dave Carey and Phil Haines, the music becomes the heartbeat of the show – magical, lyrical, and deeply connected to everyday life with multiple genres. Each song fits into the narrative like a perfect piece of Lego, building the world one note at a time.

The cast’s energy is boundless. Every performer, from lead to ensemble, gives everything – hearts open, souls shining, ready to perform not just for the audience at Chickenshed, but for the world.

While it’s impossible to single out only a few, standouts include Grandma (Cara McInanny) with her unhinged, fearless commitment; the Wolf (Michael Bossisse), whose warm and effortless acting brings new layers to the iconic figure; Chester the Butler (Sebastian Ross), who charms with perfect comedic timing; and one of the signers, Mouse O’Hehir, whose quirky, magnetic presence and beautiful movement add a captivating extra dimension.

Red holds you from start to finish. It’s a story about the power of unity, the search for authenticity, and the way we discover ourselves through the support of others. Lush with imagery, bursting with imagination, energy and heart – it’s a must-see show made by many, for many, and about all of “us”.



RED

Chickenshed Theatre

Reviewed on 27th November 2025

by Nasia Ntalla

Photography by Mark Field


 

Previously reviewed by Nasia:

MAYBE I SHOULD STOP | ★★★★ | DRAYTON ARMS | November 2025
DEATH BELLES | ★★★½ | OLD RED LION THEATRE | October 2025

 

 

Red

Red

Red

Snow White

Snow White

★★★★★

Chickenshed Theatre

Snow White

Snow White

Chickenshed Theatre

Reviewed – 5th December 2019

★★★★★

 

“a unique experience of entertainment, enlightenment and warmth”

 

Another year and another Chickenshed Christmas extravaganza! This time, we are thrown into the 1960s; society is tossing aside its coat of conformity, young people are asserting their individuality and music and fashion are colourful, vibrant and defiant. Snow White resents her shallow, affluent life in the Regent’s Park mansion, and the elite parties thrown by her stepmother. A ‘has been’ fashion model, Jane de Villiers is jealous of her for having the looks she, herself, has lost and for the love her banker husband shows for his daughter. To remain ‘the fairest of them all’, she instructs her security guard to kill Snow White. Of course (as we all know the plot) he doesn’t; she flees to the Scottish Highlands where she meets the Magnificent Seven, a commune of outsiders who feel they don’t belong but have found love, friendship and happiness together.

Within the structure of the narrative, writer and director, Lou Stein, with a small student collective, develops 60s themes, shapes strong principal roles and form teams and clans to enable a huge cast to participate, benefit and enjoy. And whether it is the youngest ‘Sixties Swinger’, the smallest ‘Mirror’ or the oldest Sprite’, they do this with intoxicating energy, enthusiasm and commitment. Cara McInanny is a wonderfully down to earth and sympathetic Snow White, her narcissistic stepmother is played with frighteningly malignant nerve by Sarah Connolly and, as the down-trodden husband, Jonny Morton gives a remarkably strong performance. All three sing beautifully with confidence and ease. Nathaniel Leigertwood plays Jason the security guard, with just the right ingenuousness and as Bobby The Buster, Will Laurence leads his mobsters into trouble with great aplomb. A mirror with charisma, Ashley Driver also integrates the signing into the show, along with two of the ‘Seven’, Sarah Jones and Bethany Hamlin, drawing the whole audience into the action. Dave Carey’s varied musical numbers spread across the many genres of that time. Not only reminiscent of the Beatles he also gives us a taste of Pink Floyd, reggae and ‘Hair’, the musical.

The set, by William Fricker, incorporates artistic designs of the decade with the looking-glass motif in a stunning combination of simplicity and practicality – monochrome, geometric patterns and circles and a wall of assorted mirrors which double up as screens for projections of 60s London life. Fricker’s costumes touch on the various styles of the era (including the Dr. Seuss-esque Psychedelic Sprites), devises dazzling mirrors and cleverly keeps Snow White’s colour scheme to the popular blue, yellow and red. The lighting by Andrew Caddies gives an additional layer of richness to the visual brilliance of the production.

There may be some magic formula to juggling the logistics of putting on a show with four casts of 200 but I imagine it comes down to dedication, experience and a lot of hard work. One could perhaps point out the somewhat accelerated ending, that the band occasionally drowns the singing or question where the Psychedelic Sprites really fit into the tale, but it hardly seems relevant. ‘Snow White’ gives everyone the chance to feel part of something while expressing their own potential. For the audience, it is a unique experience of entertainment, enlightenment and warmth.

 

Reviewed by Joanna Hetherington

Photography by Steve Gregson

 


Snow White

Chickenshed Theatre until 11th January

 

Previously reviewed at this venue:
One Flew Over The Cuckoo’s Nest | ★★★ | April 2018
Mr Stink | ★★★★★ | July 2018
Jekyll & Hyde | ★★★★ | September 2018
A Christmas Carol | ★★★★★ | November 2018
Christmas Tales | ★★★ | December 2018
Monolog 2 | ★★★ | February 2019
100% Chance Of Rain | ★★★ | March 2019
Feel The Love | ★★★★ | July 2019

 

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