Tag Archives: Axel Scheffler

Stick Man – 3.5 Stars

Stick Man

Leicester Square Theatre

Reviewed – 21st October 2018

β˜…β˜…β˜…Β½

“the whole cast consistently kept a sparky energy and played well to the audience”

 

Stick Man, one of Julia Donaldson and Axel Scheffler’s many much-loved children stories, is now enjoying a stage adaptation by Freckle Productions, in a show that lifts the charm and appeal off the page and delivers it to families across a sizzling forty five minute romp.

The plot sees the titular Stick Man (Jack Benjamin) taken on a perilous adventure after being swept away from his stick family by a dog (Kate Malyon, also playing everything from a swan to a very aggressive schoolgirl) during a jog in the park; he keeps getting used and abused in different scenarios until he ends up in need of some serious help to be reunited with stick wife and children. Euan Wilson rounds out the cast, chiefly providing music (composed by Benji Bower) on all manner of instruments that provides a gleeful timbre to the action on stage. The interplay between Wilson on the saxophone and Malyon’s swan was particularly enjoyable, although the whole cast consistently kept a sparky energy and played well to the audience.

Stick Man employs a number of everyday objects in its design (Katie Skyes) that allows for the cast and director Mark Kane to let them ooze creativity when used in performance, such as a roll of blue wallpaper wrapped between two cast members acting as a river, or using umbrellas to depict a raging ocean. The results are visually delectable, and keep the audience constantly engaged as to what innovative use of regular paraphernalia will be utilised next.

The style of the show takes a number of cues from pantomime, featuring a chase through the audience, a game of catch with a beach ball, and – yes – even a β€˜they’re behind you’ moment. This works wonders to invite the audience into the story, and it is telling that the sections which did not feature any participation are the ones where the audience grew restless, giving the feeling that Stick Man should have embraced a few more opportunities to include the audience.

The source material has some issues if you’re looking closely, such as that the entire journey Stick Man goes on doesn’t see him learn anything or change, and there’s no especially interesting lesson to take from the story. Crucially, however, by and large the children adored it, and were uncontainably engrossed by the show’s end. Parents looking for an alternative to the usual panto this Christmas will find a lot on offer here.

Reviewed by Tom Francis

Photography by Paul Blakemore

 

Leicester Theatre

Stick Man

Leicester Square Theatre until 6th January

 

Previously reviewed at this venue:
Murder, She Didn’t Write | β˜…β˜…β˜… | February 2018
Sh*t-faced Shakespeare:Β The Merchant of Venice | β˜…β˜…β˜…β˜… | April 2018
Sh*t-faced Shakespeare’s Romeo and Juliet | β˜…β˜…β˜…β˜… | June 2018
Murder She Didn’t Write | β˜…β˜…β˜…β˜… | September 2018
Sh*t-faced Showtime:Β OliverΒ With a Twist! | β˜…β˜…β˜… | September 2018

 

Click here to see more of our latest reviews on thespyinthestalls.com

 

 

Review of The Gruffalo’s Child – 4 Stars

Gruffalo

The Gruffalo’s Child

Lyric Theatre

Reviewed – 24th November 2017

β˜…β˜…β˜…β˜…

“the catchy songs get stuck in your head for hours after you’ve left the theatre”

 

Tall Stories’ latest production of The Gruffalo’s Child is heart-warming and the perfect family show for the run up to Christmas. The musical is adapted from Julia Donaldson and Axel Scheffler’s book, and is the sequel to The Gruffalo. The story continues on from the first instalment, and this time follows the journey of the Gruffalo’s child, played by the wonderful Sophie Alice. She goes on a quest to find the Big Bad Mouse, and along the way meets all the characters we recognise from The Gruffalo: the snake, the owl, the fox and of course, the clever mouse.

Gruffalo

The cast is made up of only three actors, but their energy fills the stage. They work extremely well together, and are perfectly in sync in all their actions. The show utilises a lot of physical theatre and this is only successful because of how well the actors work together. Catriona Mackenzie brings the character of the mouse alive, also acting as a narrator throughout. Sophie Alice as the Gruffalo’s child, captures the childlike energy of the character. Andrew Mudie is particularly impressive, playing four completely different animal characters, each with his own distinct accent and personality. He easily seizes the audience’s attention, even the youngest of children, and engages everyone in audience participation.

Composers Jon Fiber and Andy Shaw did a great job of transforming the short storybook into a musical. The music and lyrics are simple, but fitting to the show, and the catchy songs get stuck in your head for hours after you’ve left the theatre. Whilst some of the content can be considered a little dark, with the young Gruffalo threatening to eat all of the animals she meets, this is true to the original story and helps move the narrative along.

The set (Isla Shaw) is very simple, consisting of a few trees and rocks that get moved around the stage to create new settings, placing the entire focus on the fantastic trio of actors. There is the perfect balance of audience participation, and the show is interactive enough to keep young children entertained throughout. With a running time of only 55 minutes, Olivia Jacobs’ direction deliversΒ a very fast paced, delightful one act show. The Gruffalo’s Child is perfect for anyone looking to take their children for a Christmas treat, especially if they are fans of The Gruffalo books.

 

Reviewed by Charlotte Cox

Photography by Toby Mitchell for Tall Stories

 

 

 

THE GRUFFALO’S CHILD

is at The Lyric Theatre until 7th January 2018

 

Gruffalo

 

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