Tag Archives: Charlotte Brown

IT’S A PLAYCEPTION

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The Hope Theatre

IT’S A PLAYCEPTION at The Hope Theatre

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Its a Playception

 

“A perfect demonstration that you don’t always need high production value if you have a good idea”

 

Sirenna and Elise are putting on a play about two women putting on a play about two women putting on a play. It’s their first venture together, and they really have no idea what they’re doing. They know they’re being ripped off by the venue, they know they don’t know anything about marketing and they know that if they don’t completely sell out, they’re going to lose a lot of money and face. But they’ve decided to go ahead all the same.

The play itself is a continuous story about the lead-up to putting on a play (about the lead-up to putting on a play and so on), but often we’re uncertain whether we’re watching the play or the play within the play, as are Sirenna (Olivia Baker) and Elise (Evangeline Duncan). In a confusing babble trying to work out which they’re talking about, Elise cuts in, β€œIs this the play? Wait…this is real life. Right?”

And the requirements for the play with the play continuously effect the play itself. After a discussion with the β€œvery attractive but generally unhelpful” technician (Josh Redding), for example, who demands they not use real coffee in the play (β€œno liquids on stage”) they appear in the next scene holding empty coffee cups, pretending to drink.

Baker and Duncan create a very believable friendship, built on a seemingly genuine love and respect for one another which is expressed through seemingly stupid things, such as excitement over matching coffee orders, or entire conversations about why one another’s outfits are so great. Similarly, bubbling tensions are shown in minor quibbles and sideways glances. The characters seem so whole that I was quite surprised to see the actors didn’t go by the same name.

The play’s concept being set in a theatre, there’s not much required in the way of scenery or props – just a couple of coffee cups and mobile phones and we’re away! A perfect demonstration that you don’t always need high production value if you have a good idea.

It’s a Playception will not have you up all night trying to work out what it all means – there’s no ever-lasting spinning top to make you feel like you’re losing your mind. That being said, the central concept is fun and, though a silly idea in theory, very cleverly and wittily executed.

 

Reviewed by Miriam Sallon

Reviewed – 8th September 2019

 


It’s a Playception

Hope Theatre until 9th September

 

Last ten shows reviewed at this venue:
Alternativity | β˜…β˜…β˜…β˜… | December 2018
In Conversation With Graham Norton | β˜…β˜…β˜… | January 2019
The Ruffian On The Stair | β˜…β˜…β˜…β˜… | January 2019
Getting Over Everest | β˜…β˜…β˜… | April 2019
Thrill Me: The Leopold & Loeb Story | β˜…β˜…β˜…β˜…β˜… | April 2019
Uncle Vanya | β˜…β˜…β˜…β˜… | April 2019
True Colours | β˜…β˜…β˜…β˜… | May 2019
Cuttings | β˜…β˜…β˜…Β½ | June 2019
The Censor | β˜…β˜… | June 2019
River In The Sky | β˜…β˜…β˜… | August 2019

 

Click here to see our most recent reviews

 

Lemons Lemons Lemons Lemons Lemons
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Barons Court Theatre

Lemons Lemons Lemons Lemons Lemons

Lemons Lemons Lemons Lemons Lemons

Barons Court Theatre

Reviewed – 9th May 2019

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“an unusual, darkish romcom with thoughtful messages and ideas to discover”

 

If we were only allowed to speak 140 words a day, who would we save them for and what would we say? How would we manage without small talk or singing along to our favourite songs? In β€˜Lemons…’ (not to waste words) writer, Sam Steiner, creates a stifled world of confined expression and prompts us to consider the implications on both a personal level and as a society. Oliver and Bernadette, musician and lawyer, meet in the romantic setting of a cat graveyard, fall in love and soon move in together. As the relationship develops, the bumps appear; she is jealous of his ex and he finds her work hard to accept. Sometimes they talk about it, sometimes they don’t. When the Government passes the β€˜Quietude Bill’ they realise what it will mean to lose what they have always taken for (140) granted.

Steiner builds the narrative with a string of short, non-chronological dialogues, following the journey of the pair’s communication from dreamy beginnings to when β€˜I love you’ becomes a habit. He suggests, perhaps a little unimaginatively, alternative ways they might communicate in the future and demonstrates how they waste their word limit as hurtful ammunition. The script is carefully linked throughout with random numbers referring to the daily ration and the β€˜Westminster’ theme clearly makes itself heard. But the action wavers between β€˜their’ story and the political outside world, not quite focusing on either and not reaching a culminating point.

The strong chemistry between Jemima Murphy’s precise, crafted acting and Charlie Suff’s natural stage presence engages the audience emotionally and director, Hamish Clayton, creates a cinematic effect, punctuating the fragmented scenario with choreographed set changes and accompanying lighting (Gregory Jordan) and sound (Charlotte Brown). However, the uniformity and repetition produces a linear form, lacking overall shape, and the constant soundscape (with the exception Madness’ Baggy Trousers) pushes the audience into the corresponding moods rather than being drawn in by the actors. It only becomes theatrically dramatic, apart from a couple of political outbursts from Oliver, when they decide to spend their last five minutes of carefree conversation telling each other what has really been on their minds.

Although it feels ironed out and in need of a few creases, β€˜Lemons…’ is an unusual, darkish romcom with thoughtful messages and ideas to discover. Less explicit programme notes would allow everyone their own interpretation of analogies as, in the end, more than a political statement about freedom of speech or the tenuous parallel of Brexit, it incites us to reflect on our own ability and fear of putting our hearts and souls into words.

 

Reviewed by Joanna Hetherington

Photography by Β Maximilian Clarke

 


Lemons Lemons Lemons Lemons Lemons

Barons Court Theatre until 27th May

 

Previously reviewed at this venue:
The Big Things | β˜…β˜…Β½ | April 2018
Owls | β˜…β˜…β˜… | July 2018
Sex Magick | β˜…β˜…β˜… | October 2018
The Fatal Eggs | β˜…β˜…β˜…β˜…β˜… | April 2019

 

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