Tag Archives: Christopher Ash

Showstoppers

Showstopper! The Improvised Musical

★★★★

Garrick Theatre

Showstoppers

Showstopper! The Improvised Musical

Garrick Theatre

Reviewed – 7th December 2020

★★★★

 

“showcases impeccable talent, commitment and a glorious sense of humour”

 

Showstopper! The Improvised Musical uses audience suggestion to create a new musical every single night. This makes for a difficult review, as despite last night’s ‘A Change of Direction’, a piece about ‘out of work’ actors finding performances in their day to day lives, being brilliant, it will never be seen again. That being said, it is clear that there is an envious amount of talent on stage; from the musicians, who improvise each song and manage to keep in tempo and melody with the actors, to the actors themselves, who pull off such an impressive range, they truly blow you away.

Entering the theatre after the UK’s second lockdown would have been a treat enough, but Oscar Thompson (sound designer) collated an uplifting array of musical theatre anthems and the audience, despite being socially distanced, is immediately uplifted and ready to have some fun. On the front of the stage there is a large, branded banner, asking audience members to text in ideas for what the musical could be about tonight, as well as favourite musicals that they’d like the cast to style their improvisation to. With a ring of a red phone that lights up centre stage, it’s clear we’re ready to begin.

From the outset of the show, when an unnamed person (performed by Dylan Emery) answers the phone to a mysterious producer, the humour in the show is set alight. Emery announces that he is delighted to be finally asked to put on a musical after such a long period of ‘theatre drought’ and comically says that he will have it ready in 75 minutes without a problem. Emery’s intelligent and relevant humour works beautifully as he effortlessly engages with the audience throughout the show. He begins reading out the audience’s suggestions; what they have texted into him for musical ideas and themes. When the audience has decided (through cheering for their favourite title) the improvisation begins.

A standout performance was given by Justin Brett, whose charm and charisma was effervescent. However, an astounding level of skill was displayed by each person on the stage. The actors and musicians transition with ease between operatic numbers in the style of Phantom of The Opera, to making up rap on the spot so that they might imitate Hamilton. This show is particularly brilliant if you’re musical theatre knowledge is expert; if you know the stylings of Sondheim, to the opposite on the spectrum SIX, each impression is faultless. I worry that this might have been lost on first time musical theatre goers, but the cast and band’s ability would be impressive still. A highlight in the show occurred when the actors didn’t in fact get everything perfect; their panicked stares as it became clear they were running out of things to say was embraced by the other cast members and was celebrated with hilarity.

At various moments throughout the show, Emery will suddenly stand, freezing the cast and announcing a development he’d like to enforce (usually taken from the most outrageous message he’d received in from the audience) to ensure that the cast are keeping to a story arc and structure. This works perfectly should the cast begin to go off subject or reach a dead end in their improvisation. The only criticism I would have is that the cast on occasion don’t fully listen to Emery’s direction and so there is a tendency to labour the point a little, but perhaps they were buying themselves time to think in response to one of Emery’s daring requests!

All in all, this musical showcases impeccable talent, commitment and a glorious sense of humour. It was clear that no one on the stage was taking themselves too seriously, which is hugely welcome by a world starved of live entertainment.

 

Reviewed by Mimi Monteith

Photography by Geraint Lewis

 


Showstoppers! The Improvised Musical

Garrick Theatre – various dates until March 2021

 

Previously reviewed at this venue:
Brainiac Live! | ★★★★ | August 2019
Rip It Up – The 60s | ★★★ | February 2019
Bitter Wheat | ★★★★ | June 2019
Noises Off | ★★★★ | October 2019
Potted Panto | ★★★ | December 2020

 

Click here to see our most recent reviews

 

The Snow Queen

★★★★

Park Theatre

The Snow Queen

The Snow Queen

Park Theatre

Reviewed – 6th December 2019

★★★★

 

“a little bit of magic and a whole lot of fun”

 

If you are looking for a fun family show for Christmas this upbeat and hilarious reworking of the Snow Queen story is for you. Writer Charles Way has adapted the Hans Christian Anderson favourite into a lively and engaging romp of an adventure, following Gerda on her quest to free Cei from the wicked Snow Queen. On the way she grows in courage and strength, finding herself as well as her friend. Christopher James Ash’s joyful musical mash-ups had the children in the audience on their feet, dancing along, caught in the atmosphere and loving it.

Ayesha Casely-Hayford is a sweet and charming Gerda, initially prone to panic attacks, and becoming resourceful and brave as her journey progresses. Esmonde Cole’s Cei is a teenager messing up at school and looking for more in life. Their friendship felt real, and like something worth fighting for when Gerda’s father forbids them to see each other. The father is played by Justin Brett, who also plays Daffodil and Bae the reindeer. His preening and beautifully camp Daffodil was definitely one of the comedy highlights of the show, and he brings the reindeer, a beautiful and magical creature of the forest, ably to life. The snow queen enters with a powerful soprano outburst as Frances Marshall revels in her evil character, and the other three cast members, Matt Cavendish, Paula James and Sarah-Louise Young, play their multiple roles with gusto. James’ Princess Frederica and her sidekick played by Young were a TOWIE delight and Cavendish danced and bashed people with gay abandon in the forest.

All this activity took place in Gregor Donnelly’s imaginative set and Richard Williamson’s lighting that showed us stars, the northern lights and the passing of the seasons, with added atmosphere from James Nicholson’s sound design. Abigail Anderson, the director, has worked with her company to make a little bit of magic and a whole lot of fun.

 

Reviewed by Katre

Photography by Manuel Harlan

 


The Snow Queen

Park Theatre until 4th January

 

Last ten shows reviewed at this venue:
Intra Muros | | April 2019
Napoli, Brooklyn | ★★★★ | June 2019
Summer Rolls | ★★★½ | June 2019
The Time Of Our Lies | ★★★★ | August 2019
The Weatherman | ★★★ | August 2019
Black Chiffon | ★★★★ | September 2019
Mother Of Him | ★★★★★ | September 2019
Fast | ★★★★ | October 2019
Stray Dogs | | November 2019
Sydney & The Old Girl | ★★★★ | November 2019

 

Click here to see our most recent reviews