Tag Archives: Danny Kaan

WHY AM I SO SINGLE?

β˜…β˜…β˜…β˜…

Garrick Theatre

WHY AM I SO SINGLE? at the Garrick Theatre

β˜…β˜…β˜…β˜…

“an incredibly fun, comedic and beautifully heart-warming show that everyone can enjoy”

Toby Marlow and Lucy Moss’s β€˜Why am I So Single?’ debuts in the West End, following the writers’ extremely successful β€˜Six’. This new musical cleverly follows a meta portrayal of the pair exploring the issues of their love life and by proxy their own personal issues. The two best friends – under the pseudonyms β€˜Nancy’ and β€˜Oliver’ – sit in Oliver’s flat after being given the task of writing their next big fancy musical, and after various discussions of their failed dates decide that’s what the musical should be about. Through the medium of many a big fancy musical number, the conclusion of their failed love lives is far more heart-warming than one would expect.

The show opens with its meta framing of the narrative, with the writers talking to us directly through the characters. They state that all stories in the show are based on true events but with all people given different names. Set designer Moi Tran and costume designer Max Johns deserve so much credit for the way the stage moves from having literal set pieces and then ensemble actors seemingly transition to replace them. This was extremely enjoyable to watch and added a lot of fantastic comedic elements – my favourite being whenever the leads interacted with the human rubbish bin. The whole design of the show makes you feel like you’re at a party throughout – with the lighting (Jai Morjaria) primarily being a mix of pink and purple washes that change in time with the music.

The performances throughout the show are stellar and every single cast member is extremely committed. The ensemble shine throughout in both their musical and comedic performances. A mention has to go to Noah Thomas who plays Artie – an extremely strong performance that showed care and empathy for the leads while also telling them the truth when they need to hear it. One of his numbers is also a fantastic tap routine and a great tap routine is always a pleasure to watch. But, of course, the stars of the show are Jo Foster as Oliver and Leesa Tulley as Nancy. Both are incredibly powerful artists and were a pleasure to watch on stage. Foster particularly shines in the number β€˜Disco Ball’, where they really are giving the audience everything and it’s such a privilege to be able to see such beautiful vulnerability on stage. Tulley’s performance also shows off her incredible vocal range and talent, and her solo β€˜Lost’ brought many people in the audience to tears.

One of my favourite numbers was β€˜Meet Market’ – not only a great song with fantastic routines on stage, but also great commentary on the dehumanising nature of dating apps. There were some songs that I felt weren’t necessary and took focus away from the main plotline. The main one I took issue with was a song about a bee, which seemingly is only in the show for the sake of one word play based joke. Unfortunate because two and a half hours already feels quite long for this show, so when the number played at the end of Act 1, I did begin to get quite restless.

β€˜Why am I So Single?’ is an incredibly fun, comedic and beautifully heart-warming show that everyone can enjoy. Musical theatre millennial fans will particularly enjoy the many show references and referrals to Friends. And with the West End musical scene sticking with its theme of even more movie musicals, it’s great to see something new and fresh bringing heart and soul into the theatre.


WHY AM I SO SINGLE? at the Garrick Theatre

Reviewed on 10th September 2024

by David Robinson

Photography by Danny Kaan

 

 

 

 

Previously reviewed at this venue:

BOYS FROM THE BLACKSTUFF | β˜…β˜…β˜… | June 2024
FOR BLACK BOYS … | β˜…β˜…β˜…β˜… | March 2024
HAMNET | β˜…β˜…β˜… | October 2023
THE CROWN JEWELS | β˜…β˜…β˜… | August 2023
ORLANDO | β˜…β˜…β˜…β˜… | December 2022
MYRA DUBOIS: DEAD FUNNY | β˜…β˜…β˜…β˜… | September 2021

WHY AM I SO SINGLE?

WHY AM I SO SINGLE?

Click here to see our Recommended Shows page

 

DORIAN: THE MUSICAL

β˜…β˜…Β½

Southwark Playhouse Borough

DORIAN: THE MUSICAL atΒ  Southwark Playhouse Borough

β˜…β˜…Β½

“George Renshaw as Harry Wotton gives a show stealing solo performance”

Oscar Wilde seems to be having a bit of a moment. There is a production of The Importance of Being Earnest upcoming at the National Theatre, and The Picture of Dorian Gray was recently staged with Succession star Sarah Snook bagging an Olivier for her performance. Now the Southwark Playhouse is putting on a musical adaptation of Dorian Gray.

In this version, with book and direction by Linnie Reedman and music & lyrics by Joe Evans, Dorian is an overnight online sensation, taken in by the music industry who promise him his youthful beauty can live forever through his music. There are some oblique references to the 27 club of famous musicians who died young and versions of Wilde’s original characters who inadvertently guide Dorian towards his eventual end.

The main challenge with this adaptation is that, conceptually, it just doesn’t work. A musical set in the modern era, that purports to explore how social media affects our perception of beauty can’t just throw in a couple of references to Dorian having gone viral on YouTube, cocaine fuelled industry parties, or things being ‘all over the newspapers… and also social media’. Equally the costume and set (Isabella Van Braeckel), are more Victorian gothic than modern, although the set is successfully reminiscent of a recording studio – multiple Moroccan carpets strewn across the floor, LPs and guitars on the walls and piled with books and bric-a-brac. The story needs greater integration of the contemporary themes it claims to explore in the adaptation to pull it off – or else a straight 19th century adaptation would do.

More heinously though, to evoke the spirits of some of rock and pops greatest talents – Jim Morrison, Jimi Hendrix, Kurt Cobain, Amy Winehouse – the music and lyrics have got to attempt to match. At a minimum, the music has to lean more ‘pop’ than musical theatre. But all the music is drab and dull, seemingly inspired more by the gothic musicals Phantom of the Opera or Sweeney Todd, but without any of the musicality or lyricism of Lloyd-Weber or Sondheim.

The casting unfortunately doesn’t help matters. Alfie Friedman as Dorian Gray has a very musical theatre voice, with plenty of vibrato, opening the show with a number about living forever that has the potential for a pop-rock ballad inspired by Queen’s, but is instead memorable only in its blandness. There are some exceptions of course. George Renshaw as Harry Wotton gives a show stealing solo performance of Where the Yellow Roses Grow, a highlight of the second act with his intelligent interpretation of the tune. Gabrielle Lewis-Dodson and Megan Hill as Sybil/Fabian Vane are also strong vocalists and being much needed comic relief, particularly in the second act.

Overall, Dorian: The Musical gives sixth-form production energy due to the safe but bland musical numbers, some odd directorial choices, and the half-baked β€˜contemporary’ setting. Saved from the abyss by some stand out performances, including a superb guitar solo from a member of the live band, this piece will most appeal to Wilde superfans rather than the masses.


DORIAN: THE MUSICAL at Southwark Playhouse Borough

Reviewed on 10th July 2024

by Amber Woodward

Photography by Danny Kaan

 


 

More shows reviewed at Southwark Playhouse venues:

THE BLEEDING TREE | β˜…β˜…β˜…β˜… | June 2024
FUN AT THE BEACH ROMP-BOMP-A-LOMP!! | β˜…β˜…β˜… | May 2024
MAY 35th | β˜…β˜…β˜…Β½ | May 2024
SAPPHO | β˜…β˜… | May 2024
CAPTAIN AMAZING | β˜…β˜…β˜…β˜…β˜… | May 2024
WHY I STUCK A FLARE UP MY ARSE FOR ENGLAND | β˜…β˜…β˜…β˜…β˜… | April 2024
SHERLOCK HOLMES: THE VALLEY OF FEAR | β˜…β˜…Β½ | March 2024
POLICE COPS: THE MUSICAL | β˜…β˜…β˜…β˜… | March 2024
CABLE STREET – A NEW MUSICAL | β˜…β˜…β˜… | February 2024
BEFORE AFTER | β˜…β˜…β˜… | February 2024
AFTERGLOW | β˜…β˜…β˜…β˜… | January 2024
UNFORTUNATE: THE UNTOLD STORY OF URSULA THE SEA WITCH A MUSICAL PARODY | β˜…β˜…β˜…β˜… | December 2023

DORIAN

DORIAN

Click here to see our Recommended Shows page