Tag Archives: Danny Kaan

A Very Very Bad Cinderella

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The Other Palace

A VERY VERY BAD CINDERELLA at The Other Palace

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“Neil Hurst and Jodie Prenger’s writing is wild and lewd but is equally sharp, and intelligently plays with words”

If you’ve been in the news this year, or are a showbiz personality of any sort, or even merely a major player in a current West End musical, you should be advised to steer clear of β€œA Very Very Bad Cinderella”. Unless you’re some sort of masochist. None of the above escapes the scattershot onslaught of bawdy jokes and devil-may-care references that are loaded into this most unseasonal of seasonal pantomimes. Thrown out into the audience like sweets, not everyone will catch the in-jokes, and a great many go over our heads.

The musical theatre world is well and truly ransacked. The main casualty that lies in its wake is political correctness. Despite the obligatory use of a snow machine at this time of year, this is not a show for snowflakes. It doesn’t take itself seriously, and the audience are invited (no – make that β€˜forced’) to follow suit. To say that this is an β€˜alternative’ take on β€˜Cinderella’ is a bit of an understatement. Okay, it’s hanging onto the basic plotline for dear life, and the stock characters are there – we have Cinderella, of course, and Buttons and Prince Charming. But gone are the Disney, cutesy names for the β€˜Ugly Sisters’; instead, we have Fanny and Vajayjay. You can see where this is going now?

May Tether plays Cinderella, and like the show’s title itself, is channelling a certain other Cinderella who also acquired the prefix β€˜bad’. The whole show is a parody, and Tether lampoons with affection and with tongue in cheek. Although the script advocates that tongues are destined for rather more unsavoury parts of the anatomy. Yes, it is that sort of show. That is not a dig, however. Neil Hurst and Jodie Prenger’s writing is wild and lewd but is equally sharp, and intelligently plays with words. We are occasionally reminded of the likes of the Two Ronnies, for example, particularly during a very clever soliloquy in which the titles of every well-known musical are strung together to form a witty and breathless anecdote.

Keanna Bloomfield switches between Buttons and Prince Charming, drawing attention to the writers’ neglect in allowing for costume changes. Budgetary constraints and the producers’ limitations and lack of foresight are also frequently shared with the audience. Maybe spread a little too thin, but the comedy is thickened if you are acquainted with the behind-the-scenes machinations of theatre in all its variety. Genres are crossed with gay abandon as the β€˜Ugly Sisters’ lead us headlong into the world of Cabaret and Drag. A captivating duo they are the wicked Queens of the night. Veronica Green’s Fanny is deliciously spicy (I never, ever thought I’d be writing that in a review). Matched by Imelda Warren-Green’s pouting, sourpuss Vajayjay (come on now, concentrate!), the self-declared β€˜fab-u-lous’ pair are a comic act that draw the biggest laughs. If the show were to be streamed for general release you wouldn’t catch much of what is said due to the number of censoring beeps required.

There is a narrative thread, just in case we can’t keep up, provided by an uncredited, on-screen presence whose deadpan delivery alludes to the show being β€˜very very bad’ indeed. Yes – it is β€˜bad’ and β€˜wicked’ and β€˜sick’. But these are all huge compliments if you’re referring to the urban dictionary. It is a very very fun night out. Prepare to be offended and delighted in equal measure. Oh, and be wary of where you sit, unless the idea of wearing a face mask pulled out from Fanny’s undergarments appeals to you. There – that should get you scrolling for the booking page if nothing else.


A VERY VERY BAD CINDERELLA at The Other Palace

Reviewed on 6th December 2023

by Jonathan Evans

Photography by Danny Kaan


 

Previously reviewed at this venue:

Trompe L’Oeil | β˜…β˜…β˜… | September 2023
Dom – The Play | β˜…β˜…β˜…β˜… | February 2023
Ghosted – Another F**king Christmas Carol | β˜…β˜…β˜…β˜…β˜… | December 2022
Glory Ride | β˜…β˜…β˜… | November 2022
Millennials | β˜…β˜…β˜… | July 2022

A Very Very Bad Cinderella

A Very Very Bad Cinderella

Click here to see our Recommended Shows page

 

Sleeping Beauty Takes a Prick!

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Charing Cross Theatre

SLEEPING BEAUTY TAKES A PRICK! at Charing Cross Theatre

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“a fabulously silly night out of innuendo, double entendres and tongue twisting rhymes”

Pantomime is one of Britain’s most enduring Yuletide traditions. Its origins go back to 16th century Italian Commedia dell’Arte although, as with most Christmas traditions, it was much improved upon by the Victorians. You can see the century’s old traditions of gender swapping in the grand old dames and evidence of when performers weren’t allowed to speak in its physical comedy. He’s Behind You!, a new production company from the team behind pantos of yore at Above The Stag theatre, take panto to the next logical conclusion, turning the camp up to 11 with a no holds barred, totally gay panto in ‘Sleeping Beauty Takes a Prick!’

Welcome to Slutvia! A lesser-known eastern European state, home to Prince Charming and Queen Gertrude who are welcoming their first born baby and now heir to the throne to the nation’s Sluts. This is all much to the dismay of Prince Camembert, Prince Charming’s sassy younger brother who is now out of the line of succession. Prince Camembert’s curse, that a prick will kill the young boy before he comes of age, is modified by the fairy godmother so that he will only croak if pricked from behind. Skip forward to days before the prince turns 21 and, of course, hilarity ensues.

It’s an uproarious production, satirically written by Jon Bradfield and Martin Hooper but largely carried by the comedic performances of Matthew Baldwin as the fabulous Queen Gertrude, whose difficulty for remembering names and catch phrase of β€˜don’t correct me’ got funnier each time, and Chris Lane as the villainously bitchy Prince Camembert.

“Costumes by Sandy Lloyd and Robert Draper are impressively extravagant”

The whole cast are enthusiastically panto with surprising musical chops. Daisy the distracted Fairy Godmother, played by Jordan Stamatiadis, and Myrtle/Maria, played by Nikki Biddington, both have strong vocal performances – surpassing expectations for a panto of this scale. The real surprise vocally however, is Matthew Gent as Josef/Jonas whose sweet lovelorn duet with Nikki Biddington is revealing of his West End credentials.

The original music and lyrics by Jon Bradfield are a real highlight and the show could have benefitted from more. The opening number, ‘Welcome to Slutvia’, really sets the tone for what’s to come; an interlude in the song ‘At the Races’ sending up ‘Cats’ really tickled the musical buffs in the audience; and ‘Meet Me in the Garden’ at the end of the second act, sets up the most squirm inducing moment of the show.

Costumes by Sandy Lloyd and Robert Draper are impressively extravagant, especially for Queen Gertrude in their Art Deco glamour and, occasionally, ability to spray bodily fluids. David Shields’ set also seems to spare no expense with an inordinate number of scene changes. Where set and props are lower budget they are intentionally the butt of the joke, all in the spirit of panto.

If you’re looking for a fabulously silly night out of innuendo, double entendres and tongue twisting rhymes without kiddies throwing lightsabers about, this show will hit the spot.


SLEEPING BEAUTY TAKES A PRICK! at Charing Cross Theatre

Reviewed on 29th November 2023

by Amber Woodward

Photography by Danny Kaan

 

 

Previously reviewed at this venue:

Rebecca | β˜…β˜…β˜…β˜… | September 2023
George Takei’s Allegiance | β˜…β˜…β˜…β˜… | January 2023
From Here To Eternity | β˜…β˜…β˜…β˜… | November 2022
The Milk Train Doesn’t Stop Here Anymore | β˜…β˜…β˜… | October 2022
Ride | β˜…β˜…β˜…β˜…β˜… | August 2022
Vanya and Sonia and Masha and Spike | β˜…β˜…β˜… | November 2021
Pippin | β˜…β˜…β˜…β˜… | July 2021

Sleeping Beauty Takes a Prick!

Sleeping Beauty Takes a Prick!

Click here to see our Recommended Shows page