Tag Archives: Danny With A Camera

THE RIVER

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Greenwich Theatre

THE RIVER at the Greenwich Theatre

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“each actor was incredibly committed and the chemistry between them was fantastic”

Jez Butterworth’s The River returns to London at the Greenwich Theatre. A play about a man who takes his girlfriends to a lovely country cabin by a river. Yet he is seemingly haunted by … something?

The show begins with a scene featuring The Man (Paul McGann) and The Woman (Amanda Ryan). They share romantic exchanges before he convinces her to go out fishing with her. After which The Man returns with The Other Woman (Kerri McLean), and their relationship and conversations appear no different. This partner swapping occurs throughout the play, suggesting that The Other Woman is one of potentially many previous partners The Man has taken to the lodge.

It has to be said that the cast, under the strong direction of James Haddrell, were brilliant. I was consistently engrossed in their characters as each actor was incredibly committed and the chemistry between them was fantastic. I could not, however, tell you what the moral or meaning of this story is though – which left me unsatisfied. Throughout the whole show, various mirroring scenes between The Man and the two women occur. In all of them I felt like I was just waiting for them to get to the point. As if we were searching through The Man’s psyche (of which the women are just tools to help do so) via the medium of his dating life, but never actually getting anywhere. He never opens up to his partners and never tells them the truth. He’s searching for something in these women, but we don’t know what. Perhaps that is the point that I am just missing. Maybe the point is he doesn’t know what he’s looking for and he is unsatisfied. That is why we don’t get answers.

McGann’s naturalistic performance of the man is subtle yet nuanced. He wonderfully shifts from loving to anxious to investigative in a matter of moments, and he was key in holding my attention throughout the show. The atmosphere of the theatre was also incredibly accurate. Julian Starr’s sound design is lovely in the way that the subtle noises of the natural world are played constantly – from the occasional cricket to the melody of the river moving. Emily Bestow has designed an incredibly detailed set that fits with the naturalistic style: a fishing cabin (where at one stage, a fish gets gutted) full to the brim of life and the world of The Man.

The best part of The River is the incredibly strong and dedicated performances throughout. It’s unfortunate that they are let down by what I would describe as a repetitive and unsubstantial plot line.


THE RIVER at the Greenwich Theatre

Reviewed on 3rd October 2024

by David Robinson

Photography by Danny With A Camera

 

 

 

 

 

 

Previously reviewed at this venue:

VINCENT RIVER | β˜…β˜…β˜… | June 2023
AN INTERVENTION | β˜…β˜…β˜…Β½ | July 2022
BAD DAYS AND ODD NIGHTS | β˜…β˜…β˜…β˜…β˜… | June 2021

THE RIVER

THE RIVER

Click here to see our Recommended Shows page

 

DIVA: LIVE FROM HELL!

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King’s Head Theatre

DIVA: LIVE FROM HELL! at the King’s Head Theatre

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“There is much to enjoy in this camp morality tale about the true cost of being a Diva”

Diva: Live from Hell! is a dark musical comedy directed by Joe McNeice with musical direction by Debbi Clarke. The show follows Demond Charming (Luke Bayer) as he recounts his sordid tale, forced to perform the show for all eternity in hell. Adding to Charming’s discomfort, he plays all the characters and entertains solo on stage, taking his anger out on the band and audience. Bayer is a superb talent, debuting the score with technical prowess and presence, revelling in the delightfully evil character portrayal.

Bayer performs the various characters with consistent distinctions and switches between them with ease, from awkward stage manager Ally Hewitt to relaxed jock Evan Harris. Carrying on their characterisation through their singing voice, sometimes duetting with himself in an impressive display. As more characters are introduced we learn about the events leading to Charming’s damnation. Throughout Desmond is malicious and disparaging about fellow members of the Ronald Reagen high school drama club, revealing a conniving insecure wannabe star. Bayer makes no attempt to redeem Desmond, President of drama Club, with all the trappings of a catty student thespian; complete with pettiness and ego. The dissection of showbiz ambition and the nasty edge of teen drama queens is funny as much as it is biting; Desmond is in the 7th circle of hell for a reason. His story evokes a message of self-acceptance, responsibility and the importance of introspection. We watch Charming’s descent from grace as he embraces the label of Diva.

 

 

Surrounded by the infernal band, Desmond performs from a hellish vaudeville-esq stage, complete with red ringleader jacket in the opening number β€œI’m coming live from Hell”. The songs are catchy, well paced and distinct (Alexander Sage Oyen) with as much dancing (Anna Hale) as a solo performer can provide (yes there is Tap). A bank of lockers set the story in a timeless school somewhere in America (set and costume design by Pip Terry). There are ample references to American musical theatre legends like Patty LuPone and Kevin Klein, with send ups of iconic sequences and coming of age Highschool dramas. Some jokes and references fall into a niche category, but not distractingly so.

The tale is full of sound and fury with touches of seriousness. Nora Brigid Monahan writes a compelling humorous story with a bitchy, melodramatic and effeminate, Desmond who insists his feelings towards his attractive rival are entirely plutonic, going ballistic at the suggestion he has suppressed feelings. The setting of Hell is foreboding and dramatic, with Desmond satirising his life with gleeful lines β€œHave you read the script? Who are you, Lea Michelle?” and β€œI like to think I’m making Ronald Reagan proud”. There is much to enjoy in this camp morality tale about the true cost of being a Diva.


DIVA: LIVE FROM HELL! at the King’s Head Theatre

Reviewed on 6th June 2024

by Jessica Potts

Photography by Danny With a Camera

 

 


 

 

Previously reviewed at this venue:

BEATS | β˜…β˜…β˜… | April 2024
BREEDING | β˜…β˜…β˜…β˜… | March 2024
TURNING THE SCREW | β˜…β˜…β˜…β˜… | February 2024
EXHIBITIONISTS | β˜…β˜… | January 2024
DIARY OF A GAY DISASTER | β˜…β˜…β˜…β˜… | July 2023
THE BLACK CAT | β˜…β˜…β˜…β˜…β˜… | March 2023
THE MANNY | β˜…β˜…β˜… | January 2023
FAME WHORE | β˜…β˜…β˜… | October 2022
THE DROUGHT | β˜…β˜…β˜… | September 2022
BRAWN | β˜…β˜… | August 2022

DIVA: LIVE FROM HELL!

DIVA: LIVE FROM HELL!

Click here to see our Recommended Shows page