Tag Archives: Luke Bayer

HIGH SCHOOL MUSICAL

★★★

Troubador Wembley Park

HIGH SCHOOL MUSICAL

Troubadour Wembley Park

★★★

“the production’s infectious energy and sense of fun carry it through”

Twenty years after becoming a global phenomenon, ‘High School Musical’ returns to the stage with a refreshed experience ready to win over a new generation. While some tweaks may divide fans, expanded character beats and renewed sparkle delivers plenty of feel good charm.

Basketball star Troy Bolton and gifted newbie Gabriella Montez dare to break free of East High’s social cliques through their shared love of singing. Will they stick to the status quo or soar beyond expectations?

David Simpatico’s book keeps the plot lean, focusing on the few days between announcing and casting the school’s musical. Some of the new school-broadcast and drama-class sequences could be tighter, but this version smartly expands the character motivations, creating a slightly more multifaceted feel than the film. Sharpay and Ryan benefit most from this, while Troy and Gabriella remain more archetypes than fully realised characters. Still, that’s true to the film and the added heart is a notable improvement.

With music adapted and arranged by Bryan Louiselle, the score delivers all the beloved hits plus new numbers ‘Cellular Fusion’ and ‘Counting On You’. While these additions may lack the catchy appeal of the originals, they help the expanded story flow. The bigger issue is repetition: nearly every major song has a reprise. While there’s no denying the audience’s appetite for the hits, the pared-back first outing of ‘We’re All In This Together’ leaves the climactic reprise with less punch than it deserves.

Co-directed by Joseph Houston and William Whelton, this production is packed with inventive touches that turn a show into an experience, from onstage seating to action spilling into the auditorium – even if they miss a trick by not including the onstage audience more. Troy and Gabriella’s literally soaring ‘Breaking Free’ is pretty special, despite the audible seatbelt clicks. While some character moments could dig deeper and a handful of scenes are lost to tiny screens, the production’s infectious energy and sense of fun carry it through.

Aaron Renfree’s choreography strikes a smart balance between nostalgia and fresh ideas, keeping numbers like the up-tempo ‘What I’ve Been Looking For’ close to the film while injecting new energy with a sharp basketball sequence. That said, ‘I Can’t Take My Eyes Off Of You’ lacks the intimacy it aims for, and superfans may miss the familiar ‘We’re All In This Together’ moves, but the overall effect remains upbeat, fun and unmistakably Disney.

Andrew Exeter’s set creates real game-day atmosphere, complete with pre-show crowd noise, popcorn sellers and onstage seating. Matt Peploe’s sound design adds to the immersive feel, drawing audiences into the world, however the balance can be inconsistent during ensemble numbers. George Reeve’s video design is less successful as the screens are simply too small to fully appreciate the work. Rory Beaton’s lighting embraces the show’s playful spirit, shifting from flashy sports-arena spectacle to gloriously over-the-top romance. Sophia Pardon’s costumes perfectly capture the early-2000s aesthetic, though Sharpay and Ryan’s newsboy caps cast distracting shadows. Angie Carradus and Jackie Sweeney’s wigs and hair design are equally effective, giving Sharpay a cascade of immaculate curls while keeping the rest of the cast refreshingly natural.

McFly’s Harry Judd brings warmth to Coach Bolton and proves he’s still got the vocal chops, while KayCee Stroh is delightfully flamboyant and just as dynamic on the dancefloor as Ms Darbus. Tobias Turley’s Troy pairs a soaring voice with impressive basketball skills, and Leonor Correia’s crystal clear vocals captures Gabriella’s sweetness, though both could dig a little deeper emotionally. Caitlin Tipping’s entertainingly scheming Sharpay and Luke Bayer’s confident Ryan stand out, while the supporting cast deliver strong vocals, sharp choreography and infectious enthusiasm, even if the tempo drags a smidge in places.

‘High School Musical’ is a winning, feel-good night out even if some elements could get their head in the game. The infectious energy, beloved songs and enthusiastic performances ensure audiences will have a great time.


HIGH SCHOOL MUSICAL

Troubadour Wembley Park

Reviewed on 20th October 2026

by Hannah Bothelton

Photography by Matt Crockett

 

 

 

 

 

 

 

HIGH SCHOOL MUSICAL

HIGH SCHOOL MUSICAL

HIGH SCHOOL MUSICAL

HIGH SCHOOL MUSICAL

DIVA: LIVE FROM HELL!

★★★★

King’s Head Theatre

DIVA: LIVE FROM HELL! at the King’s Head Theatre

★★★★

“There is much to enjoy in this camp morality tale about the true cost of being a Diva”

Diva: Live from Hell! is a dark musical comedy directed by Joe McNeice with musical direction by Debbi Clarke. The show follows Demond Charming (Luke Bayer) as he recounts his sordid tale, forced to perform the show for all eternity in hell. Adding to Charming’s discomfort, he plays all the characters and entertains solo on stage, taking his anger out on the band and audience. Bayer is a superb talent, debuting the score with technical prowess and presence, revelling in the delightfully evil character portrayal.

Bayer performs the various characters with consistent distinctions and switches between them with ease, from awkward stage manager Ally Hewitt to relaxed jock Evan Harris. Carrying on their characterisation through their singing voice, sometimes duetting with himself in an impressive display. As more characters are introduced we learn about the events leading to Charming’s damnation. Throughout Desmond is malicious and disparaging about fellow members of the Ronald Reagen high school drama club, revealing a conniving insecure wannabe star. Bayer makes no attempt to redeem Desmond, President of drama Club, with all the trappings of a catty student thespian; complete with pettiness and ego. The dissection of showbiz ambition and the nasty edge of teen drama queens is funny as much as it is biting; Desmond is in the 7th circle of hell for a reason. His story evokes a message of self-acceptance, responsibility and the importance of introspection. We watch Charming’s descent from grace as he embraces the label of Diva.

 

 

Surrounded by the infernal band, Desmond performs from a hellish vaudeville-esq stage, complete with red ringleader jacket in the opening number “I’m coming live from Hell”. The songs are catchy, well paced and distinct (Alexander Sage Oyen) with as much dancing (Anna Hale) as a solo performer can provide (yes there is Tap). A bank of lockers set the story in a timeless school somewhere in America (set and costume design by Pip Terry). There are ample references to American musical theatre legends like Patty LuPone and Kevin Klein, with send ups of iconic sequences and coming of age Highschool dramas. Some jokes and references fall into a niche category, but not distractingly so.

The tale is full of sound and fury with touches of seriousness. Nora Brigid Monahan writes a compelling humorous story with a bitchy, melodramatic and effeminate, Desmond who insists his feelings towards his attractive rival are entirely plutonic, going ballistic at the suggestion he has suppressed feelings. The setting of Hell is foreboding and dramatic, with Desmond satirising his life with gleeful lines “Have you read the script? Who are you, Lea Michelle?” and “I like to think I’m making Ronald Reagan proud”. There is much to enjoy in this camp morality tale about the true cost of being a Diva.


DIVA: LIVE FROM HELL! at the King’s Head Theatre

Reviewed on 6th June 2024

by Jessica Potts

Photography by Danny With a Camera

 

 


 

 

Previously reviewed at this venue:

BEATS | ★★★ | April 2024
BREEDING | ★★★★ | March 2024
TURNING THE SCREW | ★★★★ | February 2024
EXHIBITIONISTS | ★★ | January 2024
DIARY OF A GAY DISASTER | ★★★★ | July 2023
THE BLACK CAT | ★★★★★ | March 2023
THE MANNY | ★★★ | January 2023
FAME WHORE | ★★★ | October 2022
THE DROUGHT | ★★★ | September 2022
BRAWN | ★★ | August 2022

DIVA: LIVE FROM HELL!

DIVA: LIVE FROM HELL!

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