Tag Archives: Henry Slater

PETER PAN: A PANTOMIME ADVENTURE

★★★★

Greenwich Theatre

PETER PAN: A PANTOMIME ADVENTURE

Greenwich Theatre

★★★★

“The whole cast is slick, confident and bursting with energy, driving this gloriously bonkers show with gusto”

Looking for a panto to keep you laughing all the way to Christmas? Look no further than Greenwich Theatre’s latest instalment, ‘Peter Pan: A New Pantomime Adventure’. This riotous show is packed with slapstick, silliness and sparkle for all the family. It’s cheeky, cheerful and utterly charming – catch it while you can!

It’s 2025 and Wendy’s great granddaughter (also called Wendy) is stuck working at a car wash. Luckily her necklace doubles as a distress beacon, summoning Peter Pan who whisks her off to Neverland. Meanwhile, Captain Hook frets about his ‘old’ age, and Tinker Bell – jealous of Wendy’s arrival – tips Hook off about a fountain of youth. Cue pirates, puppets, misadventures, double entendres and more fish puns than you can shake a hook at.

Award winning writer Anthony Spargo returns with his fourth Greenwich panto, a gloriously bonkers spin on J. M. Barrie’s classic tale. Modern twists abound, from a Gen Z Tinker Bell to a flying Vauxhall Astra. The script is crammed with jokes of every flavour: puns, dad jokes and cheeky double entendres, with as many groans as belly laughs. Spargo’s fresh spin has plenty of fun for families and even more for the grown ups. I would argue not every song is necessary, but the sheer comic energy keeps the show fizzing.

Directed by James Haddrell, Greenwich Theatre’s Artistic Director, expect the traditional campy villains and strait-laced goodies. Inventive video transitions, slick turntable scene changes and flying antics keep things lively, while Tink’s Heelys and a pile of puppets add extra fun. There are some genius moments, such as the age-defying fountain of youth, and the ‘Indiana Jones’ style boulders bouncing over the audience. The pace zips along until the shout outs and sing off at the end, leaving the finale a touch flat. Still, it’s a cracking good time.

The music is directed by ‘Uncle’ Steve Markwick on piano, with Gordon Parrish on guitar and Chris Wyles on drums. The trio create a full, lively sound. A panto isn’t complete without song parodies, though not every number feels necessary – the over used ‘Anything You Can Do’ duet springs to mind, though this does allow Smee (Louise Cielecki) to show off her pipes. Some songs rely on rather simple word swaps, though the fish pun medley is a genuine hoot.

Set and costume design by Emily Bestow is a glitter laden gift with impressively detailed hand-painted sets. Costumes embrace DIY panto charm, with Hook’s enormous hat stealing the show. Aidan Good’s sound design could do with more balance, as the band overpowers the singers and Tinker Bell’s (Olivia Williamson) vocals struggle to cut through. That said, the varied use of sound effects and incidental music adds real sparkle. Henry Slater’s lighting design becomes increasingly playful with moments of real theatrical flair. Nancy Kettle’s choreography is suitably playful, keeping the action lively. Hannah Schlenker’s video design is slick and inventive, with some standout moments including the ‘Mario Kart’ style sequence. Puppets by Pavlov’s Puppets and Naomi Oppenheim are a delight.

Spargo’s Hook is the star of the show, brimming with all the charisma, swagger and camp flair befitting a panto villain. Spargo commands the stage with impeccable timing and sharp asides and is a joy to watch. Samuel Bailey’s Peter Pan brings infectious energy and a strikingly powerful voice. Nikita Johal’s Wendy matches this with a perky presence and equally impressive vocals. Alex Marshall’s mermaid is a surprise highlight, oozing unexpected charm. The whole cast is slick, confident and bursting with energy, driving this gloriously bonkers show with gusto.

If you’re pining for a pun-packed panto, ‘Peter Pan: A New Pantomime Adventure’ is the one for you. Brimming with laughs for children and adults alike, it’s a glittering treat worth catching while you can.



PETER PAN: A PANTOMIME ADVENTURE

Greenwich Theatre

Reviewed on 5th December 2025

by Hannah Bothelton

Photography by Greenwich Theatre


 

Shows most recently reviewed at this venue:

THE LUMINOUS | ★★★ | November 2024
THE RIVER | ★★★ | October 2024
VINCENT RIVER | ★★★ | June 2023
AN INTERVENTION | ★★★½ | July 2022

 

 

PETER PAN

PETER PAN

PETER PAN

ONE DAY WHEN WE WERE YOUNG

★★★

Park Theatre

ONE DAY WHEN WE WERE YOUNG

Park Theatre

★★★

“A very British tale of love lost during the second world war years”

In the intimate 90 studio at Park Theatre is One Day When We Were Young, written by Nick Payne in 2009. A three scene, time shifting two-hander about the lives of Leonard (Barney White) and Violet (Cassie Bradley).

A dowdy room in a Bath hotel where the young unmarried couple are spending what appears to be their first night together, and possibly their last, the night before Leonard heads off to war. It is 1942 and with promises of waiting for each other forever, the nerves and innocence of the couple shows; one is terrified to go to war and the other naively wants the night to be romantically perfect for them. It is not and they are interrupted by the bombs of the Baedeker raid.

The blitz is shown with blinding lights flashing and loud sound effects – and a very simple “special effect” showing the window suddenly broken. Dramatically that all works well. But then the actors were suddenly shouting that they must get dressed and get to the bomb shelter, whilst taking the bed covers off the bed and rolling them up, running off and on with bits of furniture as they take the bedroom apart and replace it with a park bench.

Scene two is a snowy park in the early 1960s. This middle scene should have been the most heart-breaking but the dynamics between the couple does not quite gel in both script and acting. Clearly Violet had not waited for Leonard and she has been married since 1944 to her music teacher husband, has a 16-year-old son and 12-year-old daughter plus washing machine and television, living her perfect life; whilst Leonard is a broken man having survived being a POW in Japan. He lives with his mum in Luton.

The final scene – and post more rather unnecessary moving of furniture around the small set – it is 2002, which makes the pair now at least in their late seventies. Leonard is still totally devoted to Violet, and Violet is now a widow… Old age and Leonard sadly has onset dementia as he repeatedly asks how with the train delays her journey to his Luton home has been. There is a confusing power cut (unexplained historically, mea culpa if wrong), and one rather lovely moment when Leonard lights a pair of sparklers for light.

The sound (Aidan Good) uses music from each period to set each scene, but if you didn’t know the snippets of music playing it didn’t help. Scene two has continual low-level playground sounds which worked to show they were in a park. But in the third scene the inclement British rainstorm sound keeps disappearing and then returning; and it would have carried more gravitas of the doomed love affair, if it had continued throughout the final scene, even at a low-level.

A very British tale of love lost during the second world war years. One Day When We Were Young shows how we Brits have an inability to show emotions and to say what truly should not be left unsaid. The script doesn’t fill in those complex undertones, so feels a tad unfinished. In the final scene, Violet’s rendition of “their song” is sung without Leonard present, which seems an odd directorial decision by director James Haddrell – as that could have shown each of their true feelings in that moment.

 



ONE DAY WHEN WE WERE YOUNG

Park Theatre

Reviewed on 3rd March 2025

by Debbie Rich

Photography by Danny Kaan

 


 

Previously reviewed at this venue:

ANTIGONE | ★★★★★ | February 2025
CYRANO | ★★★ | December 2024
BETTE & JOAN | ★★★★ | December 2024
GOING FOR GOLD | ★★★★ | November 2024
THE FORSYTE SAGA | ★★★★★ | October 2024
AUTUMN | ★★½ | October 2024
23.5 HOURS | ★★★ | September 2024
BITTER LEMONS | ★★★½ | August 2024
WHEN IT HAPPENS TO YOU | ★★★★★ | August 2024
THE MARILYN CONSPIRACY | ★★★★ | June 2024
IVO GRAHAM: CAROUSEL | ★★★★ | June 2024
A SINGLE MAN | ★★★★ | May 2024

 

ONE DAY WHEN WE WERE YOUNG

ONE DAY WHEN WE WERE YOUNG

ONE DAY WHEN WE WERE YOUNG