Tag Archives: Dominica Plummer

Magnetic North

Magnetic North

★★★★

Online

Magnetic North

Magnetic North

Online

Reviewed – 3rd December 2020

★★★★

 

“By turns haunting, thought provoking, and an eloquent cry for what we should value in our lives”

 

As a piece of theatre, Magnetic North defies easy categorization. It is not what most of us would call theatre. But if one views the images and sounds of the Arctic presented in Magnetic North as part of the drama of climate change, then this piece is a transfiguration. It does not just change the eye, but the spirit. We see the consequences of our destructive way of modern life, not in our own terms, but through the perspective of the Inuit, the indigenous peoples of the Arctic.

Magnetic North is probably best described as a documentary. It is ninety minutes of a deep dive into the experience of the Inuit, as told by indigenous artists, through poetry, music and dance. For five thousand years in the forbidding Arctic landscapes, the Inuit have lived, and even thrived. But by the 1970s, they were among the first on Planet Earth to notice the destructive changes that were taking place as a result of what we now call as global warming. The melting ice was recognized by the Inuit as a threat to their way of life and the animals that they depend on, long before the rest of the world was talking about climate change. Magnetic North tells a powerful story about the Inuit that reveals their unique cosmological and ontological perspectives.

As a documentary, Magnetic North is full of images that are overly familiar—melting ice, lonely polar bears adrift on shrinking ice floes—and many that are not. We are introduced to shamans connecting with ancestral spirits through poetry and dance. Every performance is linked inextricably to the landscape, and its sounds. A dancer does not just dance, she climbs a cliff as part of her dance. A poet’s recitation is not just powerful words—it is an origin story about a goddess that cannot be named, and who has the power of life and death over the Inuit if they fail to be kind to one another. Magnetic North also includes the perspectives of Caitlyn Baikie and Mya-Rose Craig talking about the politics of climate change. These young climate activists frame the work of indigenous poets and dancers such as Elisabeth Heilmann Blind, Taqralik Partridge and Ishmael Angaluuk Hope, singers and musicians HIVSHU and VASSVIK, and photographer Kiliii Yuyan, not just as a race to document a disappearing way of life in the Arctic but by extension, a warning of the threat to all life on Earth.

By turns haunting, thought provoking, and an eloquent cry for what we should value in our lives, Magnetic North lingers in the memory even as it transforms. It shows us that through the perspective of the Arctic peoples, our perceptions of what our future could be, can change for the better. If we turn from destruction to respect for ancestors, and from the life of the solitary individual always taking, to sharing in community life, the Inuit say, we can turn things around. To the Inuit way of thinking, past, present and future have no meaning. Humans change, the cosmos does not. Respect the cosmos, be rooted in your community, and life is there.

As a documentary, Magnetic North does have a few weaknesses. It requires close attention not least because the closed captioning is not in sync — a difficulty for non Inuit speakers. There is so much packed into the ninety minutes that you realize that you are going to have to view it more than once. But perhaps that is the point.

 

Reviewed by Dominica Plummer

Photography by Daniella Zalcman courtesy of Greenpeace

 

 

Magnetic North

Can be viewed on YouTube

The exhibition on the Arctic at the British Museum runs until February 21st 2021

 

Recently reviewed by Dominica
Sky In The Pie | ★★★ | The Vaults | March 2020
The Revenger’s Tragedy (La Tragedia Del Vendicatore) | ★★★★★ | Barbican | March 2020
The Tempest | ★★★★ | Jermyn Street Theatre | March 2020
Bird | ★★ | Cockpit Theatre | September 2020
Bread And Circuses | ★★½ | Online | September 2020
Minutes To Midnight | ★★★★ | Online | September 2020
Paradise Lost | ★★★★ | Cockpit Theatre | September 2020
Persephone’s Dream | ★★★ | Online | September 2020
The Trilobite | ★★★★ | Online | September 2020
The Legend of Moby Dick Whittington | ★★★★★ | Online | November 2020

 

Click here to see our most recent reviews

 

The Legend Of Moby Dick Whittington

The Legend of Moby Dick Whittington

★★★★★

Online

The Legend Of Moby Dick Whittington

The Legend of Moby Dick Whittington

Online until 5th January via www.thesleepingtrees.co.uk

Reviewed – 30th November 2020

★★★★★

 

“a fabulous family show that will have everyone feeling the holiday spirit”

 

I first saw the work of the Sleeping Trees in 2019, and a good time was had by all who watched their zany take on Goldilocks and the Three Musketeers at the Battersea Arts Centre. It feels good, therefore, to report that even a pandemic can’t stop James Dunnell-Smith, Joshua George Smith, and John Woodburn from performing yet another mashed up panto in 2020. Moby Dick Whittington is a little different, it’s true. For starters the Sleeping Trees had to move into James’ home to perform it. The Company had to film the whole thing so that we could enjoy it in our homes. It’s clearly a notion that mingled inspiration with perspiration. And for parents who are looking for an easy way to tire out the kids on Christmas Eve in exchange for an hour’s extra sleep on Christmas morning, it’s a godsend. Just sit everyone down in front of the TV, mince pies in hand. Be warned, however, that no one will be sitting down for long. Moby Dick Whittington will have the youngsters jumping around and building forts in the living room in no time. As the Trees often say during all the mayhem that ensues — “Sorry, Parents.”

In 2020, the year we’d all like to forget, it’s the turn of Melville’s seafaring classic novel Moby Dick and that perennial panto favourite Dick Whittington to undergo dramatic vivisection. The plot (devised by the Sleeping Trees and Ben Hales) is way too involved to go into here (and anyway, spoilers). Rest assured that there is a happy ending. No whales are massacred in the making of this movie. There is some ingenious updating—for example, Captain Ahab becomes Dr. Jessica Ahab, an intrepid marine biologist. She is hunting the great white whale in the interests of science, naturally. And familiar characters such as Dick Whittington and his Cat are pretty much as we remember them in a more traditional panto. The Sleeping Trees’ arch nemesis King Rat makes his annual appearance. What Santa, Pinocchio, Scrooge and an entrepreneurial barista named Starbuck have to do with the plot — well, you’ll just have to watch Moby Dick Whittington to find out.

The strong points of this show are many, starting with the performers themselves. Relaxed in front of the camera, as opposed to their more frenetic style on stage, the trio pull off their usual quick character and costume changes with aplomb. Shaun Reynolds’ clever filming allows them to do this in “up close and personal” mode as well. A storm at sea is both funny and effective with some nifty hand held camera work. But the real genius of Moby Dick Whittington is the way the Sleeping Trees use multiple locations throughout James’ house. Kudos to director Kerry Frampton for figuring out the logistics. We move from the Christmas Lights ceremony on the staircase to the London sewers in the toilet. (Of course.) A ship at sea, and yes, even the inside of a whale’s belly are deftly created with easily obtained household items in the living room. (And we’re invited to play along.) King Rat and Dick Whittington fight their duel in the kitchen. One of the best moments in the show is meeting the great white whale himself in the bath, and learning how to speak whale. Don’t be surprised if your kids do “try this at home.” “Sorry, parents!”

Moby Dick Whittington is a fabulous family show that will have everyone feeling the holiday spirit. The only problem on the horizon might be the difficulty of coaxing kids back into theatres when they reopen. Why get dressed up to sit still in a theatre, when you could be at home jumping and up down on the sofa chasing a great white whale with bedsheets, a wooden spoon, and some toilet rolls?

 

 

Reviewed by Dominica Plummer

Photography by Shaun Reynolds

 

The Legend of Moby Dick Whittington

Online until 5th January via www.thesleepingtrees.co.uk

 

Recently reviewed by Dominica:
Revisor | ★★★★★ | Sadler’s Wells Theatre | March 2020
Sky In The Pie | ★★★ | The Vaults | March 2020
The Revenger’s Tragedy (La Tragedia Del Vendicatore) | ★★★★★ | Barbican | March 2020
The Tempest | ★★★★ | Jermyn Street Theatre | March 2020
Bird | ★★ | Cockpit Theatre | September 2020
Bread And Circuses | ★★½ | Online | September 2020
Minutes To Midnight | ★★★★ | Online | September 2020
Paradise Lost | ★★★★ | Cockpit Theatre | September 2020
Persephone’s Dream | ★★★ | Online | September 2020
The Trilobite | ★★★★ | Online | September 2020

 

Click here to see our most recent reviews