Tag Archives: Edinburgh Festival Fringe

PLANETARIUM LATES: PINK FLOYD’S DARK SIDE OF THE MOON

★★★★

Edinburgh Festival Fringe

PLANETARIUM LATES: PINK FLOYD’S DARK SIDE OF THE MOON

Edinburgh Festival Fringe

★★★★

“it really is a hidden gem of the fringe”

Planetarium Lates: Pink Floyd’s Dark Side of the Moon is an experience well worth the walk to Edinburgh’s Dynamic Earth space museum. The 45-minute show pairs a play-through of the renowned concept album with soaring visuals of planets, shuttles and satellites on the planetarium’s dome-shaped screen overhead. It’s an experience that feels worthy of one of progressive rock’s most iconic albums.

If you’re looking for a blissed-out break from the business of The Mile, you’re not alone- all of the Planetarium’s cinema-style seating was full, and drinks from the bar are also permitted inside. That being said, I would refrain from heavy drinking before the show – and the venue staff give fair warning – certain graphics, and the immersive nature of the planetarium itself can cause nausea- and there are some fast spinning visuals that can cause a bit of dizziness if you’re too well lubricated.

The show begins with three of the album cover’s iconic prisms looming overhead, as the ‘Speak To Me’ overture plays, before collapsing into ‘Breathe (In The Air)’ and we begin floating through space, past winking stars, planets and their asteroid belts. We see celestial visuals reflected in the helmet of an astronaut, who blinks back at us as they float in space. Later, planets swoop and spin above the rows of tilted seating, and a pockmarked moon rears up to the transcendent wailing of ‘The Great Gig In The Sky.’

A personal favourite visual was an Orrey- a model solar system – ticking away above, with each mechanical planet looped by its own satellite of shuttle, powered by whirring cogs below. In another instant, we see a space shuttle penetrate the earth’s atmosphere, detaching and reattaching, disappearing deeper into space before a pod comes roaring back through the atmosphere and towards the ocean.

Also particularly effective, set to the percussive counting machine, falling change and tangy bassline of ‘Money’, we breeze past television screens displaying cascading coins, conveyor belts and poverty-stricken visuals from the original music video, a stark reminder of society’s lifeblood back on earth. As ‘Any Colour You Like’ strikes a different tone, we see different coloured, luminescent organisms gently pulse through a hazy atmosphere like jellyfish.

The venue staff recommended sitting in the middle or the back rows of the planetarium’s seating, and I did find that sitting at the front, with the dome’s cutoff within my line of sight, did affect immersion somewhat, so I’d recommend getting there early for the best seating. Regardless, it really is a hidden gem of the fringe, and well worth a slightly stiff neck. Just prepare to come crashing back down to earth once it’s over.

 

PLANETARIUM LATES: PINK FLOYD’S DARK SIDE OF THE MOON

Edinburgh Festival Fringe

Reviewed on 15th August 2025 at Planetarium at Dynamic Earth

by Emily Lipscombe

 

 

 

 

 

PLANETARIUM LATES

PLANETARIUM LATES

PLANETARIUM LATES

STAMPTOWN

★★

Edinburgh Festival Fringe

STAMPTOWN

Edinburgh Festival Fringe

★★

“Fringe is an excellent space to push boundaries, but to my mind, Stamptown distastefully oversteps them”

Do you remember Rosamund Pike’s ‘Cool Girl’-monologue in Gone Girl (2014), based on Gillian Flynn’s book? The novel explains that the Cool Girl is someone who ‘adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex’. Add Stamptown to that list. From the novel: ’Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want’. I’ll confess I really wanted to be a Cool Girl about Stamptown, but the two stars that top this review are a testament to my shortcomings. An infamous staple of the Edinburgh Fringe, Stamptown provokes in all the wrong ways.

The show’s bad boy ringleader is the American Jack Tucker (real name Zach Zucker), who displays remarkable energy amidst the chaos. He is mostly unfazed by the flurry around him (every ten minutes or so, a group of about 15 men burst onto the stage and dance like they are in a 2016-Justin Bieber music video), and the only thing that breaks him out of his showman’s haze are frequent gunshot sound effects that leave random performers around him lying face-down on the floor. Charming and self-deprecating, Tucker’s jokes are disjointed but derive their humour from the fast pace at which he fires them at the audience. Given that their punchline is often a sound effect, the tech team (led by director Jonny Woolley) does a stellar job at keeping up with him.

Tucker is joined by a whole host of performers. It is tempting to describe rather than analyse the acts because Stamptown clearly resists interpretation. On this particular night, the show includes the able juggler Joe Fisher and a number of comedians. Martin Urbano manages to joke about femicide, domestic violence, and child pornography within about a minute. Be a Cool Girl I think, misogyny is funny, right? Every once in a while, a giant called Cory Peter Lane comes on stage and bashes a can with a hammer, spraying the beer in the general direction of his mouth. Guitarist Bonavega, dressed only in bright neon yellow hotpants, makes out with a bemused Jack Tucker, at which point the host’s hysterical partner/last night’s prostitute (Erin Farrington) makes an entrance. She’s the ‘don’t you hate it when your girlfriend’-joke (which did feature), personified.

There are two female variety acts: Elf Lyons, ‘a woman on the edge’, circles the state in confusion as her dress increasingly creeps her shoulders. I tell myself to give the show the benefit of the doubt: surely it will include one woman who is not emotionally disturbed? All hail, there comes Betty Grumble — but to no avail. The final act of the show, she quickly strips off all her clothes and sticks a flower down her vagina. Be Cool. But amongst the roaring, drunken crowd I feel uncomfortable and sad. Meanwhile, Grumble draws arrows on her body and writes ‘fuck’ on her belly with lipstick. She lets Tucker spit out his water over her as she does a widelegged handstand. She is a Cool Girl.

It’s fair to say that this show wasn’t for me, and based on the reactions in the crowd, a lot of people very much felt like it was for them. Fringe is an excellent space to push boundaries, but to my mind, Stamptown distastefully oversteps them.


STAMPTOWN

Edinburgh Festival Fringe

Reviewed on 14th August 2025 at Beyond at Pleasance Courtyard

by Lola Stakenburg

Photography by Renee Dominguez (from previous production)

 

 

 

 

 

STAMPTOWN

STAMPTOWN

STAMPTOWN