Tag Archives: Edinburgh Festival Fringe

ED NIGHT: YOUR OLD MUCKER

★★★½

Edinburgh Festival Fringe

ED NIGHT: YOUR OLD MUCKER

Edinburgh Festival Fringe

★★★½

“the last few minutes of the show turn into something genuinely special, and strangely hopeful”

Ed Night’s fifth show “Your Old Mucker” at the Fringe manages to feel dry, bleak and poignant all within the hour. With signature droll delivery, Night uses the smaller Monkey Barrel venue to compliment his lowkey, conversational style – a very different tone to most of the effusive comedians also performing at the Fringe.

Most of Night’s material concerns pretty quotidian life experiences: expensive heating; flats that are high-ceilinged for no reason; having your moustache rejected aesthetically by a partner – but his original delivery makes the topics feel fresh. His girlfriend’s adjectival choice for said moustache introduces a preoccupation with choice words and their connotations – and despite the casual delivery it’s clear that every word in the set is very deliberately chosen to build up a unique comedic voice.

Then we’re taking a walk with him out of his flat and through the town- he goes to meet the dentist, then he and the dentist go to meet the butcher. At one point it feels like a shopping list memory game, but the meandering from mundane to absurd perfectly captures the internal ravings of the writer’s-block walk. There are also some curve balls that allow Night to indulge in some physical comedy in place of his regular aloof style, the set’s biggest laugh was probably over an octopus tentacle that literally came out of nowhere.

Night’s set mentions the loss of his grandfather, and there are some excerpts from an interview about the Blitz that he gave to primary school children that are very funny and punctuate the set. The dead are not exempt from having the piss taken out of them, but there’s something very tender there as well in the references Night makes to their closeness – expressing affection through means of droll cynicism is a defining tactic of his set.

There are times when the show can feel quite slow, and although he makes it clear that worrying on about a comedian’s mental health is equivalent to worrying about the fictional citizens of Gotham, there’s a below surface vulnerability that creates quite a nervous energy among the crowd. Night says early on that his comedy isn’t going to come to the audience on their level- that’s definitely true – it doesn’t pander in the slightest.

The audience feels rewarded for their embrace of this set’s stranger energy when the last few minutes of the show turn into something genuinely special, and strangely hopeful, and you realise that there’s a low-key kind of poetry to the way Night delivers what’s on the surface a very dry and laconic set. The slow-burn delivery won’t be a hit for everyone, and it’s not over-the- top, laugh a minute. But if you’re looking for an intimate venue and a unique tone and pace that cuts through the festival’s usual flamboyance, you’ll really like this show.

 

ED NIGHT: YOUR OLD MUCKER

Edinburgh Festival Fringe

Reviewed on 15th August 2025 at Hive 2 at Monkey Barrel Comedy

by Emily Lipscombe

 

 

 

 

 

ED NIGHT

ED NIGHT

ED NIGHT

NERDS

★★★

Edinburgh Festival Fringe

NERDS

Edinburgh Festival Fringe

★★★

“Packed with technology-related puns, the script is generally entertaining”

In ‘Nerds’, Steve Jobs is a hippie-turned-leather-clad bad boy and Bill Gates a traumatised but vindictive incel. In an hour and a half, this musical charts their trajectories from garage-based geeks to some of the richest and most powerful men in the world, paying little mind to fact all the while. Despite the relatively weak script, director Nick Winston has managed to craft a highly entertaining show.

Kane Oliver Parry (as Steve Jobs) and Dan Buckley (as Bill Gates) both deliver stellar performances. Buckley’s treatment of Gates’ evolution from the butt of the joke to jeering bully is particularly satisfying, and his rapping is an unexpected treat. Jobs transforms from an idealistic hippie into a greedy tech bro, but Parry is given much, much less space in the script to flesh out this change. Teleri Hughes gives a particularly strong vocal performance as Myrtle, Gates’ love interest, while Elise Zavou as Jobs’ principled crush contributes a refreshingly critical note. The ensemble works well together and makes the creative choreography look effortless.

The set, designed by Sophia Pardon, consists of a table and a few shelving units, both on wheels, allowing for sleek and satisfying transitions. Paired with gorgeous lighting design by Matt Hockley, the show is a joy to look at. Additionally, the off-stage band, led by Chris Duffy, delivers a pleasing 80s-rock soundtrack that makes the piece feel cohesive where the writing falls short.

Packed with technology-related puns, the script is generally entertaining. However, various plotlines are abandoned as quickly as they are introduced. We hear something about a guy at IMB, a legal battle, intellectual theft, Jobs’ sudden interest in religion, etc, but all are discarded by the end of the relevant song. The ending, in which Jobs and Gates predictably give up their feud, felt unsatisfying.

Created by Jordan Allen-Dutton, Erik Weiner and Hal Goldberg in the 2000s, the tone of the musical is definitely silly, but it is not necessarily satirical. While Gates and Jobs are portrayed as self-centred and greedy, this is presented as a personal rather than a larger structural issue in Silicon Valley, and their flaws are mostly resolved by the end of the musical. The upbeat interpretation feels entirely disengaged from the right-wing, neoliberal thrust of Silicon Valley today, making the script feel rather outdated.

Nerds is not the topical, thought-provoking musical satire I was hoping for, but the talented cast and high production value make this worth a watch.

 



NERDS

Edinburgh Festival Fringe

Reviewed on 15th August 2025 at Cowbarn at Underbelly, Bristo Square

by Lola Stakenburg

Photography by Pamela Raith

 

 

 

 

 

NERDS

NERDS

NERDS