The Yard Theatre
Reviewed – 11th December 2019
“even the most prudish will find themselves revelling in the show’s risqué holiday showcase”
Pecsmas is the Pecs Drag Kings’ new festive show following the incredible success of their theatrical cabaret SEX SEX MEN MEN earlier this year. Directed by Celine Lowenthal and produced by Ellen Spence and Daisy Hale, Pecsmas is a queer Christmas show like no other. Four of the group’s Kings take to the stage along with a different special guest performer each night to deliver a tantalisingly sexy show that challenges toxic masculinity while maintaining comedy at its core.
John Travulva (Jodie Mitchell), Thrustin Limbersnake (Lauren Steele), Scott Free (Rosie Skan) and Loose Willis (Katy Bulmer) are the stars of this fast-paced musical extravaganza. On 11 December, Afro-Latinx, non-binary drag king CHIYO also joined the Kings and performed an explosively raunchy striptease in which he started off wearing a suit adorned with a glittery ‘F**K BORIS’ and strutting around a briefcase that reads ‘Tory Tosser’.
The show opens with the Kings lip-syncing to East 17’s Stay Another Day before Travulva establishes himself as host and welcomes the audience. Adopting the name of Santa for the festivities, Travulva wears a red and white Santa robe and fake beard and does an excellent job engaging the crowd.
There are plenty of classic Christmas tunes. Free, wearing an Elvis wig and the King’s signature white suit, sings Blue Christmas and Limbersnake and Travulva close the show with a rendition of All I Want For Christmas Is You while dressed as polar bears (the pun on the gay slang term ‘bear’ very much intended). There is a rousing sing-a-long of a parody of Oh I Wish I Could Be Christmas Every Day – in this case, Oh I Wish That Every Christmas Could Be Gay – which is a great way to involve the audience.
Another iconic Christmas reference is a performance of the Plastics’ dance to Jingle Bell Rock from the movie Mean Girls. There is strong choreography (Lauren Steele) throughout the show and the cast do well to keep up with some pretty intense steps.
The show gets markedly more explicit in the second half. Limbersnake has perhaps the raciest dance of the night as he proclaims that he ‘loves being chunky’ before stripping down from his chef’s attire into a mankini while spraying whipped cream over his body. Willis also has a seductive number where he rolls around in a pile of trash dressed in an all green suit, wig and even dyed underarm hair to resemble the Grinch.
There are strong political themes that run throughout in part due to the upcoming election. From CHIYO’s performance to overt appeals to vote Labour, the Kings do not shy away from making their anger at the current establishment known. There is also a vague plot of Willis trying to discover why he is so unhappy in himself by visiting toxic masculinity past, present and future, and the Kings make sure to note that Christmas can be a difficult or sad time for many LGBT+ people as so much of the holiday revolves around seeing family.
The stage is fabulous though simple. Silver foil fringe curtains act as a backdrop and run along each side of the stage and four Christmas trees surrounded by presents decorate. The lighting (James Dawson) changes according to the mood and sultry reds and pinks are used for sexy numbers. There are few props (which Travulva jokes about) but this in no way hinders the performance.
Pecsmas is a thoroughly unique Christmas spectacular. The King’s confidence and presence on stage can only be admired and even the most prudish will find themselves revelling in the show’s risqué holiday showcase.
Reviewed by Flora Doble
Photography by Harry Elletson
The Yard Theatre until 20th December
Last ten shows reviewed at this venue: