Tag Archives: Emily Bestow

Fast

★★★★

Park Theatre

Fast

Fast

Park Theatre

Reviewed – 16th October 2019

★★★★

 

“a powerful play that is sure to have you gripped from beginning to end”

 

As we enter Park Theatre’s smallest performance space, Park90, the eerie, sinister feel of Kate Barton’s play, Fast, is immediately made clear. Dimly lit and murky, the set genuinely looks like the setting of a horror film, decorated with leaves, branches, and ripped sheets on the ceiling, to name a few features.

Fast is based on the true story of Linda Hazzard, an American “doctor” who promoted fasting as a treatment and cure for illness at the turn of the 20th century. Hazzard is portrayed exceptionally by Caroline Lawrie, with her demeanour perfectly capturing a determined, albeit somewhat warped and disturbing woman. Lawrie has the ability to both charm and shock the audience in equal measure.

Natasha Cowley and Jordon Stevens play sisters Dora and Claire Williamson. The pair are enticed into being admitted to Hazzard’s sanatorium, believing her alternative methods will cure them of any ill-health they are experiencing. Near the beginning of the piece we learn of the relationship between the two sisters, with light-hearted banter taking place as they discuss their plans. The cast of four is completed by Daniel Norford, who plays Horace Cayton Jnr, a reporter intent on exposing Hazzard.

Once at the sanatorium, things quickly escalate for the Williamson sisters as they are subjected to Hazzard’s fasting treatments and their conditions take a turn for the worse. These sections of the play are particularly chilling and, at times, quite hard to watch.

Costume designer, Emily Bestow, who also designed the set, excels with her choice of clothing for the actors, which portrays the period very well. Sound design by David Chilton is also effective and helps with capturing the sinister nature of the story. Ben Bull’s lighting and projection design adds to this further and projections detailing dates and newspaper headlines remind us that we watching a play based on real events.

Kate Valentine has directed Fast in such a way that we feel as though we are sat in Hazzard’s sanatorium and witnessing these shocking events that occurred all those years ago. The acting from everyone involved, visual elements and sound all combine to create a powerful play that is sure to have you gripped from beginning to end.

 

Reviewed by Emily K Neal

Photography by Manuel Harlan

 


Fast

Park Theatre until 9th November

 

Last ten shows reviewed at this venue:
The Life I Lead | ★★★ | March 2019
We’re Staying Right Here | ★★★★ | March 2019
Hell Yes I’m Tough Enough | ★★½ | April 2019
Intra Muros | | April 2019
Napoli, Brooklyn | ★★★★ | June 2019
Summer Rolls | ★★★½ | June 2019
The Time Of Our Lies | ★★★★ | August 2019
The Weatherman | ★★★ | August 2019
Black Chiffon | ★★★★ | September 2019
Mother Of Him | ★★★★★ | September 2019

 

Click here to see our most recent reviews

 

The Marvelous Wonderettes
★★★★

Upstairs at the Gatehouse

The Marvelous Wonderettes

The Marvelous Wonderettes

Upstairs at the Gatehouse

Reviewed – 11th April 2019

★★★★

 

“a celebration of two great eras for music”

 

It’s 1958 and the evening of Springfield High School’s prom. The Marvelous Wonderettes, consisting of Betty Jean, Cindy Lou, Missy and Suzy, are set to provide the entertainment, and that they do!

The four performers are immediately recognisable as 1950s teenagers. Costumes (Emily Bestow, Designer, and Susan Hodges, Costume Supervisor) are classic fifties style dresses, each one a different pastel shade, which makes for an eye-catching design element. This is complemented well with the use of matching props including lollipops and school exercise books.

Within Act One we’re treated to an array of fifties hits (vocal arrangements by Roger Bean and Brian William Baker), including Mr. Sandman, Lollipop and Stupid Cupid. As well as group numbers, each character performs solos as part of their efforts to be voted Prom Queen. Joseph Hodges has directed them well and good use is made of the small performance space.

Act Two finds us at Springfield High School’s Class of 1958 ten year reunion, with obvious sixties style costumes a clear reflection of this. The Marvelous Wonderettes are again performing, but this time with updates on their love lives, heartbreaks and big events. This is realised through the performance of hits from the sixties, including You Don’t Own Me, Son of a Preacher Man and Respect. In both acts, the four performers display strong vocals as well as good storytelling through song.

Characterisation is spot on, with each girl bringing something different to the table with their personaility traits. From Betty Jean (Louise Young) and Cindy Lou’s (Rosie Needham) clear schoolgirl rivalry to Missy’s (Sophie Camble) sweet peacemaker role and Suzy’s (Kara Taylor Alberts) lovable quirkiness, there’s a lot to keep us entertained.

This show is undoubtedly a celebration of two great eras for music. Although the plot (Roger Bean) is quite basic, this is not a massive issue as the four performers do a good job of engaging the audience through their delivery of the catchy songs, as well as some highly entertaining audience interaction scattered throughout. With impressive harmonies and high energy performances, go and join The Marvelous Wonderettes for an evening of nostalgic fun.

 

Reviewed by Emily K Neal

Photography by  Kevin Ralph

 


The Marvelous Wonderettes

Upstairs at the Gatehouse until 12th May

 

Previously reviewed at this venue:
A Night at The Oscars | ★★★★ | February 2018
After the Ball | ★★★ | March 2018
Return to the Forbidden Planet | ★★★ | May 2018
Kafka’s Dick | ★★★★ | June 2018
Nice Work if You Can Get It | ★★★★ | December 2018
Bad Girls The Musical | ★★★ | February 2019
Strike Up The Band | ★★★★ | March 2019

 

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