Tag Archives: Emily Morris

Brainiac Live!

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Garrick Theatre

Brainiac Live!

Brainiac Live!

Garrick Theatre

Reviewed – 2nd August 2019

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“a fantastic show for young audiences and their families”

 

This show is quite literally, explosive, in both its energy and experiments. It certainly delivers more than the snap, crackle and pop from your morning cereal! Based on the original Sky TV show made by ITV studios, Brainiac Live! is a series of experiments, using everyday situations and making them extraordinary. It is a dazzling display of how exciting science can be. The four β€˜Brainiacs’, fronted by β€˜Ned’ (Andy Joyce), have an infectious energy, so you can’t help but become engrossed in the action. The whole cast put their all into the production and it was evident that they were truly passionate about experiments.

Audience members enter the theatre that has been transformed into a seemingly abandoned laboratory. Hazard tape, upturned warning cones and old radioactive barrels make you feel as if you have stumbled upon a secret location where exciting and dangerous events are to come. This is echoed in the use of lighting (Glyn Edwards), which uses flashes of light that scan through the audience as if on a helicopter search. There is a sense of peril as often writer and director Andy Joyce, suggests that this is the first time the actors are trying the experiments. This made the already exciting series of spectacles even more gripping.

This is a fantastic show for young audiences and their families. At no point did I feel alienated for being an older audience member – we were welcomed with open arms. Whilst most of the jokes were aimed at children, there were comedic moments for the whole family. An example of this was when β€˜Raz’ (Maggie Frazer) tested the audience’s hearing by playing differently pitched noises. This marked the difference between young and β€˜more experienced’ ears, who could hear less.

The experiments flowed seamlessly between each other, leaving no moments for audience distraction. The aftermath required stage clean up and this time was cleverly filled by interactive videos on a large projector (Odinn Orn Hilmarsson). These included showing optical illusions, doing number quizzes and explaining why we mishear song lyrics. The content used was modern making the show feel relevant and up to date. However, there was only one female character and one small section making reference to female inventors, which felt a bit clunky and underdeveloped.

Ultimately, the loud bangs, colourful flares and smoke clouds steal the show. Although, this is not its only strength – this show has beauty, and brains. The content is informative too as it teaches about the science behind the experiments. At every point where there are loud noises, a warning is given to cover your ears, making it accessible to more nervous audience members. You simply can’t go wrong with this fun, exciting show that is carried by the sheer energy of the performers.

 

Reviewed by Emily Morris

Photography by Anna Kucera

 


Brainiac Live!

Garrick Theatre until 1st September

 

Previously reviewed at this venue:
Rip It Up – The 60s | β˜…β˜…β˜… | February 2019
Bitter Wheat | β˜…β˜…β˜…β˜… | June 2019

 

Click here to see more of our latest reviews on thespyinthestalls.com

 

Sorry Did I Wake You
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Tristan Bates Theatre

Sorry Did I Wake You

Sorry Did I Wake You

Tristan Bates Theatre

Reviewed – 3rd July 2019

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“it feels intimate in the small playing space but doesn’t shy away from asking big questions”

 

On arrival, the audience walks into a seemingly abandoned empty black box studio – not an actor or prop in sight. We were soon joined by a masked figure that looks like a bear (ZoΓ« Dunn) who unpacks all of the props and costumes for the performance.

Each side of the stage is lit in different colours, one for each of the two sisters Bea (Nina Georgieff) and Annie (Beth Collins). They enter, apparently unaware of the presence of the bear watching in the corner. Immediately, the atmosphere is uneasy – the omnipresent bear, acknowledged occasionally but never discussed.

Sorry Did I Wake You is a tale of two halves. The first, explores the sisters’ relationship as they navigate how to deal with distance as Annie goes to university. This is represented by slick synchronised movement sequences that don’t interfere with the flow of the text. Georgieff stands out in her physicality, particularly when playing the younger version of Bea. The pair’s relationship feels natural and at no points false, which is a testament to the skill of the actors who play the sisters through a range of ages.

The second part of the story, stems from the reveal of great loss. The atmosphere, again, shifts as we see Annie attempt to regain a sense of the world. This section is led by Collins, who subtly but poignantly displays the visceral effects trauma can have on the body. It is clear that the piece has strong direction (Emma Jude Harris) as the movement here is incredibly powerful, showing the repercussions of bad news on an individual. The lighting predominantly used is a single wash light that illuminates the small playing space, but at this point it is so dim that you can barely see the actors. These details are testament to the piece’s multi-sensory exploration of grief.

This whirlwind play takes audiences through a range of emotions, time periods and memories. It feels intimate in the small playing space but doesn’t shy away from asking big questions. The bare stage is scattered with costumes that suggest a web of the entangled memories of the two girls. From the first moment, we are left uneasy at the glaring presence of the unexplained bear. More could have been done with the design of the bear mask to improve the clarity of its presence. However, in this open exploration of loss, design and music elements took the backseat. The actors’ movement skills and delivery take centre stage.

As an audience, we are not given definitive answers but are left to piece together information that is revealed to us in fits and starts. What is at the centre of this innovative play is movement, both physically but also in its narrative. The play may be no picnic, but the bear and the two girls help us to understand the infinite sadness true of loss.

 

Reviewed by Emily Morris

Photography by Hugo Bainbridge

 


Sorry Did I Wake You

Tristan Bates Theatre until 7th July

 

Previously reviewed at this venue:
Sundowning | β˜…β˜…β˜…β˜… | October 2018
Drowned or Saved? | β˜…β˜…β˜…β˜… | November 2018
Me & My Left Ball | β˜…β˜…β˜…β˜… | January 2019
Nuns | β˜…β˜…β˜… | January 2019
Classified | β˜…β˜…β˜…Β½ | March 2019
Oranges & Ink | β˜…β˜… | March 2019
Mortgage | β˜…β˜…β˜… | April 2019
Sad About The Cows | β˜…β˜… | May 2019
The Luncheon | β˜…β˜…β˜… | June 2019
To Drone In The Rain | β˜…β˜… | June 2019

 

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