Tag Archives: Emma Lucia

How We Begin

★★★★

King’s Head Theatre

How We Begin

How We Begin

King’s Head Theatre

Reviewed – 11th August 2019

★★★★

 

“It’s always wonderful to see roles written for women that are robust and real”

 

Surfacing Act Theatre present their debut play, How We Begin at the King’s Head Theatre in Islington. Written by Elisabeth Lewerenz, it depicts the beautifully complex love story of best friends Helen and Diana.

How We Begin is described, by the company, as ‘a queer female love story, told in a way, which has never been told before’ and after watching the show you can understand why they would so, boldly, declare this. Their production, certainly, has a unique voice and style that sharply defines itself. Surfacing Act Theatre was founded in 2019 when Elisabeth Lewerenz and Elizabeth Benbow (director) met during the VAULT Festival’s New Writers Showcase. Finding a kindred affinity for storytelling, they joined forces to write queer narratives which are often overlooked and left on the periphery of our stages.

The show begins with Helen (Talia Pick) and Diana (Emma Lucia) who intimately share their journey of friendship to secret lovers and then back to friendship again. This cyclical love tale; poignant and incredibly witty, was deftly navigated by Pick and Lucia who portrayed the vulnerable and conflicted characters with great emotional intelligence. Both actresses were confident, displaying perfect comic timing as they bantered on stage. Their presentation of the flexible duality of love, delicately peeled away the binary spectrum so predominantly seen. It’s always wonderful to see roles written for women that are robust and real. Lewerenz’s writing provided the platform for these actresses to thrive and Benbow’s direction was the catalyst to making the piece a seamless and engaging watch.

The stage was designed (Delyth Evans) with minimalist precision and though the space was not particularly large, somehow, it began to expand before our eyes; transporting us from one location to the next. This illusion was facilitated by the subtle lighting cues (Lucía Sánchez Roldán) that silently sang alongside the action whilst steering the direction of the play. Such is the magic of theatre when it is done well – all wheels of the production moving in one smooth motion.

The true power of this play, however, is in the ‘ordinariness’ of it. It is a transferable story, relatable to all ages, genders and demographics and yet this ordinary story (and those like it) are ignored and rarely represented. How We Begin opens up the box that queer love is repeatedly stuffed into and draws out the many layers and nuances that exist within it.

Surfacing Act Theatre have created an astute, professional and accomplished production. If this is what they achieve as a debut, then they have a bright future ahead of them.

 

Reviewed by Pippin

Photography by Charlie Sambrook

 

kings head theatre

How We Begin

King’s Head Theatre until 12th August

 

Previously reviewed at this venue:
Undetectable | ★★★★ | March 2019
Awkward Conversations With Animals … | ★★★★ | April 2019
HMS Pinafore | ★★★★ | April 2019
Unsung | ★★★½ | April 2019
Coral Browne: This F***Ing Lady! | ★★ | May 2019
This Island’s Mine | ★★★★★ | May 2019
Vulvarine | ★★★★★ | June 2019
Margot, Dame, The Most Famous Ballerina In The World | ★★★ | July 2019
Mating In Captivity | ★★★★ | July 2019
Oddball | ★★★½ | July 2019

 

Click here to see more of our latest reviews on thespyinthestalls.com

 

Once – 5 Stars

Once

Once

Queen’s Theatre, Hornchurch

Reviewed – 4th October 2018

★★★★★

“a phenomenal production”

 

In Dublin, a man is about to leave his guitar behind for good. But a Czech woman needs her hoover fixed, and she plans to pay him in music. So begins a musical partnership, that over the course of a week, will change both their lives. Based on the acclaimed film by John Carney, ‘Once’ is a quietly beautiful story of music, love and loss. This is the first ever regional production of ‘Once’ and what a production it is. It started life at the New Wolsey Theatre, and now opens at Queen’s Theatre Hornchurch to a standing ovation.

The actor-musician cast are supremely talented, vocally superb, genuine and often very funny in their performances, alternating between instruments with complete ease. Daniel Healy and Emma Lucia play the central couple. Lucia is wonderful, apparently unphaseable, lively and immediately likeable, the heart and soul of this story. Healy is equally fantastic. Lost and hurt, he sings and plays with an urgency of emotion that is both beautiful and heartbreaking to watch. Their relationship is tangible onstage, the words left unsaid and the complications that surround loving someone. Sean Kingsley as Billy, is a lively comic addition to the production, incongruous and bold. In fact, there isn’t a weak link across the cast.

Libby Watson’s accomplished set creates a familiar pub backdrop, walls heavy with frames, with a roof that lifts to reveal a star studded night sky high above the world. Under Peter Rowe’s direction, the actors remain onstage almost constantly, and a fantastically warm sense of ensemble is created.

Enda Walsh’s book is playful and simple, coupled with music and lyrics by Glen Hansard and Marketa Irglova. Swelling folk tunes are followed by beautiful moments of ensemble acapella. This is a phenomenal production, touching and funny and deeply human, delivered by superb performances across the board.

 

Reviewed by Amelia Brown

Photography by Mike Kwasniak

 


Once

Queen’s Theatre Hornchurch until 20th October

 

Previously reviewed at this venue:
Rope | ★★★★ | February 2018
The Game of Love and Chai | ★★★ | April 2018
Priscilla, Queen of the Desert | ★★★ | May 2018
Abi | ★★★★ | September 2018
Abigail’s Party | ★★★½ | September 2018

 

Click here to see more of our latest reviews on thespyinthestalls.com