Tag Archives: Festive Favourite

THE MASSIVE TRAGEDY OF MADAME BOVARY

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Southwark Playhouse Borough

THE MASSIVE TRAGEDY OF MADAME BOVARY

Southwark Playhouse Borough

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“a high-spirited affair that the cast dive into with relish, commitment and enviable energy”

Gustave Flaubert, the champion of realism, spent five years writing β€œMadame Bovary” only to find himself charged with immorality. Thankfully he was later acquitted, and the notoriety that the trial provoked accelerated the novel’s rise to bestseller status. It is now considered Flaubert’s masterpiece; one that maintains its revered place in literature (its influences have reached the likes of Marcel Proust, Virginia Woolf and James Joyce). Okay, the novel was a touch bleak, to say the least, and we all know that it ends in tragedy. John Nicholson might be exaggerating the magnitude of the misery by prefixing his retelling of the story with the word β€˜massive’. And he might be missing the point by unashamedly turning it into a farcical comedy. By his own admission, Nicholson has β€˜lovingly derailed’ the story. Interpret that how you will. After all, theatre is all about free expression, and this play is very free with it.

The story of the cuckolded country doctor and his frustrated, pleasure-seeking wife is turned on its head as it wields its slapstick and wry exposition with such force that the fourth wall has no chance of standing. Even a sabotaged attempt at changing the ending is allowed into the edit. The result is a stew of French and Saunders, Blackadder and Upstart Crow, with a generous side order of pantomime. It is a high-spirited affair that the cast dive into with relish, commitment and enviable energy. Georgia Nicholson, as the ruffled Madame Bovary seeking amorous adventure, is surrounded by the whirlwind threesome of Stephen Cavanagh, Ben Kernow and Darren Seed who play at least a couple of dozen other characters. The story begins at the end with Madame Bovary recounting her life story to a pair of ratcatchers who have arrived in the village of Yonville. At times it is almost like a speed run. A β€˜Potted Panto’ performed by β€˜The Reduced Flaubert Company’.

Buried deep in the silliness are strokes of ingenuity. Kirstie Davis’ staging is slick and precise. Beneath the mayhem there is a reliance on accuracy of movement and timing, which the actors are well practiced at. Grace Murdoch’s movement and choreography is an extended conjuring trick, albeit one that seems to have wandered in from the set of β€˜The Play That Goes Wrong’. Like the jokes, the influences are manifold, and the bawdy humour does become relentless and predictable. Nevertheless, the versatility of each performer shines through as they switch characters and costume at lightning speed.

You cannot help but admire the irreverence. Their approach to Flaubert’s text is embodied when, at one point, one of the ratcatchers exclaims β€œyou took the words out of my mouth… but in a different order… and with different words”. There is a clear echo of Eric Morecambe’s famous line brilliantly delivered to AndrΓ© Previn. The bravery of this company matches its tongue-in-cheek audacity. In his mausoleum in Rouen, I’m sure Flaubert must be grinning, even if it can’t quite conceal an expression of open-mouthed bemusement. Over in Southwark, the audience seem to be of a similar opinion. Between moments of bewilderment the laughs come thick and fast (though as a grin rather than the out-loud variety) in this risquΓ©, eccentric and anarchic comedy.

 


THE MASSIVE TRAGEDY OF MADAME BOVARY at Southwark Playhouse Borough

Reviewed on 9th December 2024

by Jonathan Evans

Photography by Tanya Pabaru

 

 

 

 

 


 

 

 

Previously reviewed at Southwark Playhouse venues:

THE HAPPIEST MAN ON EARTH | β˜…β˜…β˜…β˜…β˜… | November 2024
[TITLE OF SHOW] | β˜…β˜…β˜… | November 2024
THE UNGODLY | β˜…β˜…β˜… | October 2024
FOREVERLAND | β˜…β˜…β˜…β˜… | October 2024
JULIUS CAESAR | β˜…β˜…β˜… | September 2024
DORIAN: THE MUSICAL | β˜…β˜…Β½ | July 2024
THE BLEEDING TREE | β˜…β˜…β˜…β˜… | June 2024
FUN AT THE BEACH ROMP-BOMP-A-LOMP!! | β˜…β˜…β˜… | May 2024
MAY 35th | β˜…β˜…β˜…Β½ | May 2024
SAPPHO | β˜…β˜… | May 2024
CAPTAIN AMAZING | β˜…β˜…β˜…β˜…β˜… | May 2024
WHY I STUCK A FLARE UP MY ARSE FOR ENGLAND | β˜…β˜…β˜…β˜…β˜… | April 2024

THE MASSIVE TRAGEDY OF MADAME BOVARY

THE MASSIVE TRAGEDY OF MADAME BOVARY

 

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🎭 TOP CHRISTMAS SHOW 2024 🎭

POTTED PANTO

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Wilton’s Music Hall

POTTED PANTO

Wilton’s Music Hall

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“This is the only panto you’ll ever need. It’s the festive season in a nutshell.”

If you are a pantomime completist, you can easily knock off a handy six – or is it seven? – in one night at Wilton’s Music Hall and have a fabulous time doing so.

The comic duo of Dan and Jeff bring their quick-fire Potted Panto back to the gorgeously distressed venue cramming in the festive cheer with the pluck and ingenuity of a turkey stuffer faced with a big bag of giblets.

In goes Sleeping Beauty and Cinderella. Here comes a whistlestop Jack and the Beanstalk and an abbreviated Snow White. The pair – aided and abetted by costume changes, cut corners, puppets and belly laughs – rattle through the traditional canon in a slick and practised 80 minutes, and that includes fast and furious recaps.

Daniel Clarkson and Jeff Turner are good at this. Really good. They’ve been β€œpotting” works since 2005 beginning with Harry Potter (Potted Potter, geddit?) and moving on to pirates and Sherlock Holmes. Potted Panto was first shown at the Edinburgh Fringe in 2010 and transferred to the West End where it was Olivier nominated. The show arrived at Wilton’s last year and looks like becoming a regular fixture – with tickets selling fast. This is nothing but good news. It deserves to become an East End tradition.

At times the cheerful conspiratorial exuberance tips over from stage show to party time, with the fourth wall not just broken but blown up. That accounts for the enthusiastic embrace for the β€œ3D” section where everyone joins in a rambunctious carriage chase through a haunted forest.

There’s topical stuff for the adults – Donald Trump, Gregg Wallace – and enough wee-wee and poo gags to have the kids slamming their hands to their mouths in naughty giggles.

Dan Clarkson, the tall one, plays the part of the cheeky troublemaker with puckish glee, while harassed Jeff, the short one, tries to keep the whole show on the road. Co-writer Richard Hurst also directs and manages to co-ordinate chaos to such an effective degree he should run for government.

All this is helped immeasurably by the special magic of Wilton’s. With its echoes of Dickensian Christmases Past, especially with Tiny Tim limping across the stage, the whole place has the cosiness and irrepressible delight of those childhood December nights that were almost too exciting to bear.

Remember, if any other Christmas show offers you just the one storyline, you’ve been short-changed. This is the only panto you’ll ever need.

It’s the festive season in a nutshell.


POTTED PANTO at Wilton’s Music Hall

Reviewed on 6th December 2024

by Giles Broadbent

Photography by Geraint Lewis

 

 

 

 

 

Previous Potted Panto reviews:

POTTED PANTO | β˜…β˜…β˜…β˜…β˜… | WILTON’S MUSIC HALL | December 2023
POTTED PANTO | β˜…β˜…β˜…β˜…β˜… | APOLLO THEATRE | December 2022

POTTED PANTO

POTTED PANTO

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