Tag Archives: Helen Baranova

The Signalman


Bread and Roses Theatre

The Signalman

The Signalman

Bread & Roses Theatre

Reviewed – 13th October 2019



“As a literary exercise about an intriguing moment in history it is well constructed and makes some significant points, but as a theatrical, period thriller, it never quite grips us”


Deeply affected by escaping a train derailment unscathed, Charles Dickens wrote ‘The Signalman’ as a Christmas ghost story which also allowed a social comment on the problems of safety and the pressurised working conditions on the railway. Appealing to the Victorians’ fascination with the supernatural as well as focusing on a hot topic of the day, Dickens’ tale is an interesting insight into an era of the juxtaposed worlds of spirituality and technical innovation. Through the anxiety of the signalman and his premonitory visions, he describes the psychological wear and tear of a lonely job requiring little skill but which shoulders the huge responsibility of passenger safety. The narrator spots the signalman at the bottom of a steep railway cut and out of curiosity, decides to befriend him. Although a somewhat underwhelming storyline for today’s audience, the sense of mystery comes from the initial impression the signalman gives to the narrator of his ‘troubled’ mind and which grows as the narrative between them becomes more involved. From the outset, Dickens’ protagonist is clearly haunted by the mental strain of long nights listening out for the warning bell to avert any possible catastrophe.

Faithful to the original text, Martin Malcolm’s stage adaptation reconstructs the dialogue as a monologue by the signalman and introduces Joe, a crossing sweeper, as his silent listener. The production opens with the signalman clearing the aftermath of an accident and recounting it in detail to the sweeper. The account weaves in details of the Staplehurst disaster itself, at which Dickens helped his fellow travellers who lay injured. As the play goes on, we hear how the signalman is increasingly disturbed by the stranger who stands at the mouth of the tunnel, his warnings and the tragedies which follow. Tim Larkfield, as the Signalman, does a good job in creating and sustaining his character from the script but, single-handed, the build-up of tension is a strain. Rather than being drawn into the sensation of foreboding suspense, what results is more of a thoughtful take on the Victorian dramatic monologue. Unfortunately, considering the amount of time she is on stage, Helen Baranova also misses an opportunity for an imaginative cameo role as Joe. Even as a mute waif, her purpose as a vehicle for the storytelling could bring dimension to the whole performance with a thought-through, Dickensian personality – Smike, for example – rather than simply following with facial echoing.

The direction (Sam Raffal) is clean cut and incorporates an illusory soundscape and some dramatic lighting, especially towards the end, but to lure the audience with the torments of the signalman, it needs more of these ideas throughout. As a literary exercise about an intriguing moment in history it is well constructed and makes some significant points, but as a theatrical, period thriller, it never quite grips us.


Reviewed by Joanna Hetherington


Clapham Fringe 2019

The Signalman

Bread & Roses Theatre as part of Clapham Fringe


Last ten shows reviewed at this venue:
Just To Sit At Her Table, Silver Hammer & Mirabilis | ★★★ | April 2019
Starved | ★★★★★ | April 2019
The Mind Reading Experiments | ★★★ | May 2019
The Incursion | ★★½ | July 2019
Coco’s Adventures | ★★★ | September 2019
Room Service | ★★★★★ | September 2019
The Bacchae | ★★★ | September 2019
Trial Of Love | ★★★½ | September 2019
The Gravy Bunch | ★★½ | October 2019
Smashing It! | ★★ | October 2019


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Voices from Chernobyl

Ténéré Arte presents


Tuesday 2 to Saturday 13 May 2017


April 26, 1986

An explosion destroys a reactor of the Chernobyl Nuclear Plant Station. As the government tries to cover up the catastrophe, people carry on with their lives as if nothing had happened, all the while inhaling radioactive waste hanging above their heads.

Voices from Chernobyl is a moving account of how the Chernobyl tragedy disturbed the tranquillity of a warm April night and changed the lives of the people in nearby towns forever.

The play is adapted from the book by Svetlana Alexievich, a Belarusian writer who collected hundreds of stories from the victims of Chernobyl: stories which reveal the carelessness of the government and the reckless heroism of the soldiers, but most of all the enormous human capacity to love and to care for each other in the time of a crisis.

Svetlana Alexievich was awarded the Nobel Prize for Literature in 2015 “for her polyphonic writings, a monument to suffering and courage in our time”.




Tuesday 2 to Saturday 13 May 2017 at 7.45pm


Brockley Jack Studio Theatre
410 Brockley Road, London, SE4 2DH


Box Office



or 0333 666 3366

(£1.50 fee for phone bookings only)


£15, £12 concessions (suitable for 16+)