Tag Archives: Ian Hallard

OUR COSMIC DUST

★★★

Park Theatre

OUR COSMIC DUST

Park Theatre

★★★

“charmingly human and unique”

“Our Cosmic Dust” takes a heavy topic and makes it light. Paradoxically, it looks at its subject matter through a child’s eye and, by doing so, tackles the mechanisms of grief and loss with a clarity and maturity that can only come from the honesty of innocence. The emotions are loud and big, but writer and director Michinari Ozawa’s play is quiet and intimate while also allowing touches of comedy to seep into the narrative – a brave choice, like someone telling jokes at a wake.

The central character is Shotaro, a curious schoolboy who spends his night counting the stars and wondering how many more unseen stars there are in the ‘dark bits in between’. Voiced by Hiroki Berrecloth, Shotaro is brought to life in puppet form. Berrecloth is pulling the strings and through his subtle and sensitive performance he layers rich expression onto the mute, blank face of the marionette. Shotaro believes his late father is up among the stars but realises that it is humanly impossible to get there to go and look for him. Instead, he opts to search for answers closer to home. ‘Where do people go when the die?’ is his recurring question.

His mother, Yoko, finds him missing one day. What is brushed over in Ozawa’s play is the unwitting selfishness of the boy – a pointed stab at the fact that the mother is not allowed, or given time, to grieve for herself. After all she is recently widowed, but the child pulls focus. Yoko has to remain useful as the mother in search of the son in search of the father. Millie Hikasa visually expresses these conflicting emotions, while also conveying the fear of a mother losing a child. The ensuing journey mercifully gives us some light relief. The characters that Shotaro, and then Yoko, meet all adopt childlike mannerisms that keep the adult world at bay. We enter a vaguely Dr. Seuss type world as we wander from the hospital to the crematorium to the planetarium.

Nina Bowers gives a delightful performance as nurse Tara who keeps her memories locked away in the silver tooth of her late mother. Sweary and naturally crude, she teams up with Yoko on their search, enlisting crematorium worker, Alastair (Hari Mackinnon), with all his fragile and tearful rashness; and finally, the matter-of-fact keeper of the planetarium, Orion (Ian Hallard in fine form). Each persona represents various viewpoints of the sweeping spirituality versus science debate. Without lecturing, the dialogue throws innocence and experience into the pit to gently fight it out.

Eika Shimbo’s video backdrops dominate the space, occupying the entire back wall. Predominantly monochrome, there is a childish simplicity to the animation that prevents the audience being fully swept into the three-dimensional world of its characters. Our imaginations are teased but the scale of the graphics sits uneasily with the piece. Too dominant to echo the workings of our protagonists’ thoughts, yet not quite grand enough to draw us into the cosmic odyssey we are promised. Tomohiro Kaburagi’s sound evokes stronger emotions, along with the music of Orenograffiti (ORENOTE) with its ethereal pads, rhythms and lush strings.

Translated from Ozawa’s Japanese original by Susan Momoko Hingley, the dialogue is sharp, and it travels well. It is difficult to disguise the over simplified sentimentality of its conclusion, however. It has come full circle during which its orbit has been more fascinating than its destination. The young Shotaro has needed guidance but seeking it he has shown that we all need it. Loss, grief and longing isn’t the preserve of the young or the old – it is universal, and Ozawa has presented this in a charmingly human and unique way.



OUR COSMIC DUST

Park Theatre

Reviewed on 6th June 2025

by Jonathan Evans

Photography by Pamela Raith

 


 

 

Last ten shows reviewed at this venue:

OUTPATIENT | ★★★★ | May 2025
CONVERSATIONS AFTER SEX | ★★★ | May 2025
FAREWELL MR HAFFMANN | ★★★★ | March 2025
ONE DAY WHEN WE WERE YOUNG | ★★★ | March 2025
ANTIGONE | ★★★★★ | February 2025
CYRANO | ★★★ | December 2024
BETTE & JOAN | ★★★★ | December 2024
GOING FOR GOLD | ★★★★ | November 2024
THE FORSYTE SAGA | ★★★★★ | October 2024
AUTUMN | ★★½ | October 2024

 

 

 

OUR COSMIC DUST

OUR COSMIC DUST

OUR COSMIC DUST

Adventurous

Adventurous

★★½

Online via stream.theatre

Adventurous

Adventurous

Online via stream.theatre

Reviewed – 15th March 2021

★★½

 

“a missed opportunity to show what can be done with theatre online”

 

Ian Hallard’s new play Adventurous tackles a subject dear to many hearts—that of online dating. It takes place during 2020, so it’s not surprising that much of the humour in every scene arises from the enormous changes that a pandemic has brought to our social interactions.

Directed by Khadifa Wong; produced by the Jermyn Street Theatre, and starring Ian Hallard as Richard, and Sara Crowe as Rosalind, Adventurous follows a diffident pair of lonely hearts over several months from their first meeting during lockdown. Richard and Ros do manage to have one socially distanced dinner in a restaurant during more relaxed times in summer. But the relationship is resumed via Zoom again as the weather grows colder, and restrictions on activities increase.

A Zoom drama tends to focus attention on the actors, and rightly so. In Adventurous, Ian Hallard and Sara Crowe show a deft touch playing two characters who are, respectively, a secondary school teacher with a sexual problem, and a stay at home carer to a disabled sister (recently deceased). As the backstory to each character emerges, though, it seems like a miracle that they ever connected in the first place. In a life without lockdown, they wouldn’t have. This is apparent early on in the amusing misunderstandings between two people with very different experiences of life. And just as people’s descriptions of themselves on dating sites rarely measure up in “real life”, we discover that relationship hopeful Ros has also indulged in a smidgen of exaggeration in her profile. In fairness, it is a hope, rather than a lie, that leads Ros to describe herself as “adventurous” on the site that introduces her to Richard. But in truth, neither she nor Richard are particularly adventurous, and this is the rock on which both their budding relationship, and the play, eventually founder.

RIchard and Ros are pleasant company, but Adventurous doesn’t really catch fire until Ros’ curiosity about Richard’s soon to be ex wife Lois leads her to contact Lois on Facebook. And kudos to Katherine Jakeways for a lovely cameo as the abrasive Lois. For a brief moment, Ros does become “adventurous” as she confronts Richard’s abusive ex, and the experience changes her life. Sadly, it does not change Richard’s, although Ros plays an important part in helping him to find closure with the “exhausting” Lois.

Adventurous is a light hearted entertainment that will appeal to viewers looking for a situational comedy with accomplished actors. But it’s also a missed opportunity to show what can be done with theatre online. And viewing a comedy without a live audience is a sad reminder of how much we need the pandemic to end. Let’s hope it’s not too long before audiences can safely re-enter theatres.

 

Reviewed by Dominica Plummer

 


Adventurous

Online via stream.theatre until 28th March

 

Recently reviewed by Dominica:
Bread And Circuses | ★★½ | Online | September 2020
Minutes To Midnight | ★★★★ | Online | September 2020
Persephone’s Dream | ★★★ | Online | September 2020
The Trilobite | ★★★★ | Online | September 2020
Paradise Lost | ★★★★ | Cockpit Theatre | September 2020
The Legend of Moby Dick Whittington | ★★★★★ | Online | November 2020
Potted Panto | ★★★ | Garrick Theatre | December 2020
Magnetic North | ★★★★ | Online | December 2020
Public Domain | ★★★★ | Online | January 2021
The Sorcerer’s Apprentice | ★★★ | Online | February 2021

 

 

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