Tag Archives: Mark Gatiss

Dark Sublime

Trafalgar Studios

Dark Sublime


Dark Sublime

Trafalgar Studios

Reviewed – 28th June 2019



“as the story unfolds, the main thread becomes a little tangled and indefinite”


There is a touch of Michael Keaton’s ‘Birdman’ as Marina Sirtis, best known for her role as Deanna Troi in ‘Star Trek’, takes to the stage to play a hard-working actress who, years on, can’t seem to shake the shadow of her biggest role. 

An eager twenty one year-old fan (Kwaku Mills) turns up at the door of a jaded, middle-aged actress (Sirtis) to interview her about a cult sci-fi programme that she starred in decades before, and they strike up an unlikely friendship.

The main narrative is spliced with scenes from an unaired episode of ‘Dark Sublime’. Living room furniture doubles up as hammy spaceship tech as Simon Thorp darts about, speaking to his chatty computer (Mark Gatiss) via his wrist with great urgency. The switch between ordinary life and sci-fi sets us up for a fun paralleling of plotlines – presumably ‘reality’ will eventually dovetail with ‘fantasy.’
However, as the story unfolds, the main thread becomes a little tangled and indefinite, combining multiple subplots of unrequited love, professional frustration, generational differences, as well as the tie between the LGBTQ community and sci-fi. It’s a bit much to have all of this going on simultaneously.

Writer Michael Dennis was clearly trying to interlace plot points as much as possible, but it thins out the audience’s focus. Marianne’s unrequited love of her best friend Kate (Jacqueline King), for example, partially overshadows the crux of the story, and gives cause for an ill-fitting scene of somewhat cloying sentiment between Kate and her girlfriend Suzanne (Sophie Ward). This scene then gives way to another snippet of ‘Dark Sublime’, but the clash of genre is now slightly bizarre and distracting.

Similarly, the effective use of living room furniture as futuristic hi-tech is diluted when the living room also doubles up as a hotel conference or a park, with no prop changes beside the TV screen showing either a picture of Alexandra Palace or a conference logo (Tim McQuillen-Wright).

Andrew Keates’ direction places a particular emphasis on Oli’s initial draw to ‘Dark Sublime’ as a gay teenager in a small town looking for a necessary escape: the few times it’s mentioned, Oli is bathed in red light (Neil Brinkworth) and stands to deliver a short but dramatic homily. But there isn’t that much stress on this particular point within the script, so it seems a little out of sync.

Whilst there are a few quippy lines, there is often a sense that you have to be ‘in’ on the joke, which, I presume, I wasn’t. On the whole, Keates and Dennis have been overly ambitious and tried to squeeze far too much in. There are a lot of interesting aspects touched upon – the idea of fandom in relation to an actor’s reality for example, or the tie between the LGBTQ community and sci-fi – but I think they would be best served if they didn’t have to fight so much for focus and stage time.


Reviewed by Miriam Sallon

Photography by Scott Rylander


Dark Sublime

Trafalgar Studios until 3rd August


Last ten shows reviewed at this venue:
Dust | ★★★★★ | September 2018
A Guide for the Homesick | ★★★ | October 2018
Hot Gay Time Machine | ★★★★★ | November 2018
Coming Clean | ★★★★ | January 2019
Black Is The Color Of My Voice | ★★★ | February 2019
Soul Sessions | ★★★★ | February 2019
A Hundred Words For Snow | ★★★★★ | March 2019
Admissions | ★★★ | March 2019
Scary Bikers | ★★★★ | April 2019
Vincent River | ★★★★ | May 2019


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Queers thespyinthestalls The Old VicQueers thespyinthestalls The Old Vic

The Old Vic today announces casting for Queers, a series of eight monologues curated by Mark Gatiss. Staged on 28 and 31 July at The Old Vic, they mark 50 years since the Sexual Offences Act of 1967 began the decriminalisation process for homosexuality between men. Queers celebrates some of the most poignant, funny, tragic and riotous moments of British gay male history over the last century.

Mark Bonnar, Sara Crowe, Jack Derges, Ian Gelder, Kadiff Kirwan, Russell Tovey, Gemma Whelan and Fionn Whitehead will perform monologues written by Matthew Baldwin, Jon Bradfield, Jackie Clune, Michael Dennis, Brian Fillis, Mark Gatiss, Keith Jarrett and Gareth McLean. The monologues will be directed by Mark Gatiss and
by Old Vic Associate Director Max Webster and Baylis Director Joe Murphy.

Queers is produced in partnership with BBC Studios, Pacific Quay Productions. The monologues were filmed earlier in the year, directed by Mark Gatiss and featuring many of the cast who will be appearing on stage at The Old Vic. These films will be screened on BBC Four this summer.

Queers is part of The Old Vic’s One Voice series, funded by the TS Eliot Estate, which celebrates the rawest of theatre forms – a single voice on a stage without scenery and with nothing to rely on but words. 


The full line up is as follows:

Fri 28 Jul

The Man on the Platform by Mark Gatiss, performed by Jack Derges
The Perfect Gentleman by Jackie Clune, performed by Gemma Whelan
I Miss the War by Matthew Baldwin, performed by Ian Gelder
Something Borrowed by Gareth McLean, performed by Mark Bonnar

Mon 31 Jul

Missing Alice by Jon Bradfield, performed by Sara Crowe
Safest Spot in Town by Keith Jarrett, performed by Kadiff Kirwan
A Grand Day Out by Michael Dennis, performed by Fionn Whitehead
More Anger by Brian Fillis, performed by Russell Tovey


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