Tag Archives: Jade Studio

JOAN COLLINS BLOCKED ME ON TWITTER

★★★

Edinburgh Festival Fringe

JOAN COLLINS BLOCKED ME ON TWITTER

Edinburgh Festival Fringe

★★★

“Billy Walker has come up with a strong concept”

Joan Collins Blocked Me On Twitter is the brainchild of Billy Walker, who comes to us from Los Angeles, dripping in awards. In this 60 minute monologue, he gives us actor Theodore Emory Jones (stage name Thor Jones) who has landed quite close to the iconic Hollywood sign in LA, hoping to win a recurring role in his dream series, Dynasty.

Theodore, or Thor, has had a privileged upbringing under the care of his governess Helga von Winkle. He appears before us dressed in silk pyjamas and velvet slippers, naturally. He sets up an easy rapport with the audience, berating those who arrive late, and uttering a dismissive “suit yourself” every time we fail to respond enthusiastically—but not too enthusiastically, if you please—to the jokes. Thor is an engaging fellow, especially when explaining his obsession with tea. He is an Upper Crust Englishman on steroids, who has spent enough time in LA to be strangely familiar with Koreatown, and the BBC (Bonnie Baker Casting). Most of Thor’s time is spent talking with his agent on the phone, reminiscing with Helga (offstage), and treating us to a series of extravagant costume changes for a self audition videotape he is preparing. This tape depends on the role he is hoping to land, and he is often interrupted. So we get Alexis Carrington’s English butler in Dynasty, or a brightly coloured Elf for a Christmas commercial, to name just two. Thor’s one sided conversations with Judy (and the audience) are punctuated with short videos as Thor gives us the skinny on how these roles panned out.

Billy Walker has come up with a strong concept with Joan Collins Blocked Me On Twitter, but it’s short on details. We never learn, for instance, exactly why Joan Collins blocked Thor Jones on Twitter (and to refer to Twitter as X would be unfortunate in these circumstances). Vague hints are given regarding poorly chosen gifts left in Dame Joan’s trailer, and a funny video suggests that Alexis Carrington does not like her English butler. This show doesn’t really have much to do with Dynasty. It’s a comic take on the actor’s life, and a pretty accurate one, actually. No glitzy Awards shows, nor lunches in Beverly Hills celebrity spotting—just a man, at home with his phone, and his collection of teapots. Walker has created a sympathetic character nonetheless, and when the hapless Jones nabs a role—any role—we are there to cheer him on. With a bit more polish on the script, and some judicious cutting, Joan Collins Blocked Me On Twitter could be, who knows? Definitely not Fleabag, but maybe the great lady of the title might drop in one evening to see what became of Alexis’ butler once she fired him.

For anglophiles everywhere, and UK actors who are Los Angeles curious.



JOAN COLLINS BLOCKED ME ON TWITTER

Edinburgh Festival Fringe

Reviewed on 9th August 2025 at Jade Studio at Greenside @ George Street

by Dominica Plummer

Photography by Grant Terzakis

 

 

 

 

 

JOAN COLLINS

JOAN COLLINS

JOAN COLLINS

SOME MASTERCHEF SH*T

★★★★★

Edinburgh Festival Fringe

SOME MASTERCHEF SH*T

Edinburgh Festival Fringe

★★★★★

“infused with delicate, tight writing, lightning-quick dialogue, and refreshingly honest, natural banter”

Dark comedy, dark coffee, dark corner, dark encounter, and a dark post on the dark internet converge the lives of Adam and Luke—two divergent, lost souls each looking for a way forward. Adam is a surgeon trapped in a vegan relationship with his fiancée and desperate for some new culinary adventures. Luke is a socially awkward server who barely knows his flatmates, yet wants to do something kind and significant before his final course. Oil meets water in this well-blended emulsion that marvellously holds together and does not separate.

In a fashion only found at the Fringe, Some Master Chef Sh*t serves up an hilarious and tender queer deconstruction of the classic one—well, two, perhaps even three—night encounter. These are not the kinds of recipes you’d ask a mate to email you, and the “farm-to-table” ingredient of this particular rendezvous is not the dining experience most of us fantasise about fully swallowing. Yet this quick-witted meal of a show possesses remarkable charm and depth in both its blueprint and process. Over the course of 60 minutes, these characters confront their fears of losing parts of themselves. The looming prospect of significant loss allows them to discover what was missing, what was previously lost, and what was never before found.

Written by Liam High, the work is infused with delicate, tight writing, lightning-quick dialogue, and refreshingly honest, natural banter. G and J Productions clearly understand how to sculpt with pace and dynamic. This is a show with a strong visual language, clear and well-executed lighting and sound design, and a set of twelve rectangular cubes that are rearranged to transport us seamlessly from one location to the next. The show is well punctuated, scenically choreographed, and underscored by dance house music—creating an entangled tango, an intimate search for inner calm, or perhaps the elusive recipe for how to move forward.

If someone were to hand you a flyer and tell you what this show was about, you might think, “Not the cup of tea I’d order in this coffee shop.” But then again—perhaps, in art as in life—we need to learn, like these characters do, that surrender and permission are the necessary missing ingredients.

Fast-paced, clever, grounded in great chemistry between performers, supported by a smart script and an elegantly charming, well-trained acting style, this show has a solid armature. There’s much to love in this literally “queer” love story. At the Fringe, there are many shows you might swipe left on, or pretend you don’t remember the morning after. With this one? Definitely swipe right. Hook up with it. Own it. Make it part of your theatre diet.



SOME MASTERCHEF SH*T

Edinburgh Festival Fringe

Reviewed on 1st August 2025 at Jade Studio at Greenside @ George Street

by Louis Kavouras

Photography by Kelsea Knox

 

 

 

 

 

SOME MASTERCHEF

SOME MASTERCHEF

SOME MASTERCHEF