Tag Archives: Johan Persson

FOR BLACK BOYS WHO HAVE CONSIDERED SUICIDE WHEN THE HUE GETS TOO HEAVY

β˜…β˜…β˜…β˜…

Garrick Theatre

FOR BLACK BOYS WHO HAVE CONSIDERED SUICIDE WHEN THE HUE GETS TOO HEAVY at the Garrick Theatre

β˜…β˜…β˜…β˜…

“a beautifully poetic and bold piece of theatre”

For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy, takes your brain and your heart. It is a rollercoaster party for all, as Ryan Calais Cameron’s award-winning production returns to the West End for a limited season.

Starring in the now iconic roles in this new production of FBB, are a powerful new blend of talented actors: Tobi King Bakare (Onyx), Shakeel Haakim (Pitch) making his professional debut, Fela Lufadeju (Jet), Albert Magashi (Sable), Mohammed Mansaray (Obsidian) and Posi Morakinyo (Midnight). The cast of six young Black men are all in sync with each other and shine with their own identities and characters, with laugh out loud humour and exposed vulnerability.

It makes for a beautifully poetic and bold piece of theatre.

 

 

The show opens with a stunning piece of slow motion movement which then explodes with the colourful individual characters telling their stories of the beauty and burden of being black – and just being a human. This is a story of manhood and masculinity in Black Britain today, flowing through dance, monologues and music.

We meet the six young men in what appears to be a safe space therapy group telling their bravura stories about father figures or lack of, and macho sex. They are all about β€œhow to be the right type of Black man” showing power and strength. But we also see snippets of their childhoods when they were bullied or not chased by the girls in kiss chase – because of the colour of their skin. They are visceral, and the aggressive and powerful choreography by Theophilus O. Bailey, shows the perception of angry young Black men, and how they articulate themselves when words fail them.

In act two, the set designed by Anna Reid, opens up into a fantasy fluorescent playground where the men feel safe to tell their truths with pain and honesty. The choreography softens but is equally as powerful. Self-aware and touchingly naΓ―ve, they talk poetically of their mothers’ eyes, their need for love, love found and love lost, abuse, peer pressure and sexuality….. as they each expose their raw vulnerability.

 

 

And that’s when they start to sing. As their trust grows their harmonies soar, as they show tenderness and emotion towards each other. Together these men are electric.

FBB is a stunningly slick show directed by the writer Ryan Calais Cameron, with music and sound by Nicola T. Chang.

In Cameron’s, For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy, the message to those who have considered suicide is to learn to love yourself – and breathe. It is a very current and universal story – young men and mental health. It is about all young men who have considered suicide.


FOR BLACK BOYS WHO HAVE CONSIDERED SUICIDE WHEN THE HUE GETS TOO HEAVY at the Garrick Theatre

Reviewed on 7th March 2024

by Debbie Rich

Photography by Johan Persson

 

 

 

Previously reviewed at this venue:

HAMNET | β˜…β˜…β˜… | October 2023
THE CROWN JEWELS | β˜…β˜…β˜… | August 2023
ORLANDO | β˜…β˜…β˜…β˜… | December 2022
MYRA DUBOIS: DEAD FUNNY | β˜…β˜…β˜…β˜… | September 2021

FOR BLACK BOYS WHO

FOR BLACK BOYS WHO

Click here to see our Recommended Shows page

 

2:22 A GHOST STORY

β˜…β˜…β˜…

Royal & Derngate Theatre

2:22 A GHOST STORY at the Royal & Derngate Theatre

β˜…β˜…β˜…

“For the audience, there are goosebumps aplenty but no cause for nightmares”

With its previous West End successes fresh in the mind and the production now on national tour, this play by Danny Robins has all the signs of becoming a cult classic. As the house lights go down, the audience whoops and even screams in anticipation.

Lauren (Vera Chok) and her new boyfriend Ben (Jay McGuinness) are invited around to the home of Sam (George Rainsford) and Jenny (Fiona Wade) for food, drinks and a friendly catch-up. It’s a classic comedy set-up that builds on past rivalries, marital bickering, and one-upmanship between the couples. And there’s a lot of humour at play here – particularly in the ribbing between the two men – but the clue is in the title. This is not primarily a comedy but a ghost story and each of the characters has their own story to tell. The main story is that of Lauren who has witnessed and heard strange goings on at precisely 2.22am over the last few mornings and the four friends agree to wait up to witness it all for themselves. Two digital clocks are constantly on show and whilst we enjoy the shenanigans of the dinner party throughout the evening our eyes are on the clocks as the minutes move closer to the moment of truth.

The ensemble doesn’t quite gel at first. A lot of dialogue is lost in the vast Derngate auditorium as characters speak over each other. Fiona Wade excels as the exhausted mother of a new baby, exasperated that her husband can’t accept that what she has seen is real. George Rainsford is the star of the show, his bouncy enthusiasm driving everything forward. Acting newbie Jay McGuinness does well as cockney-chappie-builder, dressed in a blue suit and no socks (Cindy Lin costumes). Vera Chok gets better as Lauren gets drunker.

Sparing use of eerie soundscape heightens the mood (Ian Dickinson sound) and in a story of this type there simply has to be a scene with fog rolling in and lightning strikes (Lucy Carter lights). The set (Anna Fleischle set design) looks somewhat cramped making movement around the household furniture awkward (Directors Matthew Dunster and Isabel Marr).

Signs of the ongoing redecoration allow discussion about neighbourhood gentrification and the trend for a new generation to do away with the past. This then connects with the possibility of resident ghosts objecting to the new change. Part serious, part absurd.

It’s up to us to decide how ludicrous any of this party talk might be. Jenny, after all, is genuinely scared. For the audience, there are goosebumps aplenty but no cause for nightmares. And plenty to think on once the clock reaches 2:22.

 


2:22 A GHOST STORY at the Royal & Derngate Theatre (as part of UK tour)

Reviewed on 10th January 2024

by Phillip Money

Photography by Johan Persson

 

 

Previously reviewed at this venue:

THE MIRROR CRACK’D | β˜…β˜…β˜… | October 2022
THE TWO POPES | β˜…β˜…β˜…β˜… | October 2022
PLAYTIME | β˜…β˜…β˜…β˜… | September 2022
THE WELLSPRING | β˜…β˜…β˜… | March 2022
BLUE / ORANGE | β˜…β˜…β˜…β˜… | November 2021
GIN CRAZE | β˜…β˜…β˜…β˜… | July 2021
ANIMAL FARM | β˜…β˜…β˜…β˜… | May 2021

2:22 A GHOST STORY

2:22 A GHOST STORY

Click here to see our Recommended Shows page