Tag Archives: Lauren Cambridge

RED

★★★★★

Chickenshed Theatre

RED

Chickenshed Theatre

★★★★★

“fills the audience with joy, curiosity, and genuine wonder”

Red reimagines the familiar tale of Little Red Riding Hood, inviting us to dig deeper into the grey areas between villain and hero. Supported by the passion of over 200 performers, this vast, ambitious musical adaptation redefines the story as an exploration of identity, perception, and the courage it takes to truly see beyond the obvious.

Directed by Michael Bossisse, Bethany Hamlin, Cara McInanny and Jonny Morton, Red becomes a vibrant quest of self-discovery: a teenage girl, angry at the world yet unknowingly supported by it, embarks on an unexpected journey with her siblings. Along the way she learns that ancient myths may hold more truth – and more lessons – than she ever imagined.

The writers, Dave Carey, Ashley Driver and Sebastian Ross, deliver a wholehearted, humorous script that bursts with emotional truth and fills the audience with joy, curiosity, and genuine wonder. This is a grand, communal celebration of what it means to be together, to be different, and to belong.

From the moment the show begins, the stage welcomes us into an inclusive performance world, with main characters and actors interpreting in sign language. What initially appears to be a simple set reveals itself as a transformative marvel: first a train, then a bustling village, then elegant dining halls and winding pathways. Andrew Caddies’ combined set and lighting design is magical – producing images that feel both fairytale and otherworldly. The stage doesn’t just change, it “shape-shifts”.

Emma Gale’s beautifully crafted costumes carry us seamlessly between these worlds. Despite the rapid pace of the show, transitions appear effortless; the costumes seem to breathe with the story, adapting to every shift in tone and place.

In every scene, we witness breathtaking ensemble dance and movement pieces. Everywhere you look, there is another story unfolding, another set of eyes drawing you deeper into the world. How many people can you fit on a stage dancing? At Chickenshed, the answer is always: more. And the more there are, the more astonishing it becomes. Yet above all the spectacle, the most exceptional moment of the production is witnessing the entire ensemble becoming one moving body – a single organism pulsing with unity, purpose and heart. When the ensemble moves, the whole theatre breathes with it.

The production features a fully original score, performed live onstage. Under the musical direction of Dave Carey and Phil Haines, the music becomes the heartbeat of the show – magical, lyrical, and deeply connected to everyday life with multiple genres. Each song fits into the narrative like a perfect piece of Lego, building the world one note at a time.

The cast’s energy is boundless. Every performer, from lead to ensemble, gives everything – hearts open, souls shining, ready to perform not just for the audience at Chickenshed, but for the world.

While it’s impossible to single out only a few, standouts include Grandma (Cara McInanny) with her unhinged, fearless commitment; the Wolf (Michael Bossisse), whose warm and effortless acting brings new layers to the iconic figure; Chester the Butler (Sebastian Ross), who charms with perfect comedic timing; and one of the signers, Mouse O’Hehir, whose quirky, magnetic presence and beautiful movement add a captivating extra dimension.

Red holds you from start to finish. It’s a story about the power of unity, the search for authenticity, and the way we discover ourselves through the support of others. Lush with imagery, bursting with imagination, energy and heart – it’s a must-see show made by many, for many, and about all of “us”.



RED

Chickenshed Theatre

Reviewed on 27th November 2025

by Nasia Ntalla

Photography by Mark Field


 

Previously reviewed by Nasia:

MAYBE I SHOULD STOP | ★★★★ | DRAYTON ARMS | November 2025
DEATH BELLES | ★★★½ | OLD RED LION THEATRE | October 2025

 

 

Red

Red

Red

One Flew Over The Cuckoo’s Nest – 3 Stars

Nest

One Flew Over The Cuckoo’s Nest

Chickenshed Theatre

Reviewed – 19th April 2018

★★★

“the stilted opening gives way to a no less thought-provoking play

 

Told from the perspective of the seemingly deaf and mute patient ‘Chief’ Bromden, ‘One Flew Over the Cuckoo’s Nest’ takes place in a psychiatric ward in 1950s Oregon. The impetus for the story is the arrival of R.P.McMurphy, a gambler who has tried his luck feigning psychopathy to spend a sentence in the relative relaxation of an asylum rather than toiling on a prison farm. However, he finds that things won’t be such plain sailing when he meets the inimitable ‘Big’ Nurse Ratched.

As the weak and pliable Dr Spivey (Jonny Morton) explains to the patients, the ward is a microcosm of society at large. Whilst on one level we are watching corruptions of power and primitive tolerance of mental illness in fifties asylums; one can also read this as a allegory for the much larger machinations of state action and punishment of those who challenge the status quo. Particular attention is drawn to notions of masculinity, often tied up in sexual prowess, and how the power this exercises over individuals can have devastating consequences.

Olivier Leclair is excellent as the dynamic, lovable rogue McMurphy. His antics bring life to the ward developing a sense of camaraderie between the characters and building their confidence through fun and friendship.

Paul Harris gives a standout performance as Harding, whose droll and cerebral manner feels out of place from the rest of the patients. Harris’ feisty challenge of McMurphy builds perfectly in intensity, until he flips from anger to resignation to comic effect. Bradley Davis’ stoicism as Chief Bromden creates a steady pace which anchors the piece, whilst Lauren Cambridge as Candy Star makes a big impact during her short appearances, acting as a bright and stark contrasting female figure to the controlled and cruel Nurse Ratched, played by Belinda McGuirk.

Robin Don’s set design is relatively sparse but carefully considered. The window, which is the only link between the ward and the outside world, looms over the middle of the stage, illuminating the centre floor with rings of painted light slowly fading to grey. This acts as a constant reminder of the possibility of escape from the patients, in some cases voluntary, commitment to the ward.

The 1975 film version of the story, starring Jack Nicholson will inevitably be a draw for audiences. And although the energy of the piece is carried by a few members of the large cast, the stilted opening gives way to a no less thought-provoking play.

 

Reviewed by Amber Woodward

Photography courtesy Chickenshed

 


One Flew Over The Cuckoo’s Nest

Chickenshed Theatre until 12th May

 

Related
Previous Chickenshed shows
Don’t Stop Thinking About Tomorrow | ★★★★ | Chickenshed Theatre | March 2018
Monolog | ★★★ | Chickenshed Theatre | February 2018
Rapunzel | ★★★★ | Chickenshed Theatre | December 2017

 

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