Tag Archives: Lion and Unicorn Theatre

Up the Bunty

Up the Bunty!

★★★

Lion & Unicorn Theatre

Up the Bunty

Up the Bunty!

Lion and Unicorn Theatre

Reviewed – 13th December 2019

★★★

 

“In worrying and troublesome times, I really can’t think of a better way of spending a Friday night”

 

Following a successful run in the summer as part of The Camden Fringe, ‘Up The Bunty’, returns to The Lion & Unicorn Theatre for a short seasonal revival. Fitting really, as the plot focuses on a theatrical reunion for a little known 1970’s soap opera, ‘The Soaparetta’s’.

Producer, Harry Hepworth has managed to recall most of the stars of the original cast and with a couple of added newcomers, puts them through a less than successful rehearsal period, before packing them up on a train for a run at a theatre in Southend. On arriving in the town, members of the company start disappearing and it seems we have a psychopath on our hands.

The set consisted of a table dressed with a polka dot cloth and some crockery along with half a dozen stacked chairs. All these were well used to depict various scenes and the uncluttered set gave the actors plenty of room to express themselves and they certainly didn’t hold back.

Lighting was fine, although blackout timings were slightly off a couple of times, projected films showing scenes from past episodes of The Soaparetta’s along with talking heads, were very well made and timing for these was excellent.

Most of the budget for this show must have been blown on wigs. The characters were so far over the top that rather than stepping into caricature, these actors jumped in with both feet. This was obviously a decision made by director Suzy Catliff and why not? The whole show was so frantic and loud, I would love for there to have been a few moments of quiet to balance out the frenetic energy.

The cast clearly had a ball, with Welsh, American, Spanish, luvvie and bimbo characters, it was a little bit like watching that other 1970’s series ‘Mind Your Language’, there was nothing subtle about any of these performances. Michael Stafford Wells was the pompous and overbearing director Harry, Jack Donald amusing as the gay actor Brian with Cameron Butterwick playing the Spaniard Juan-Two, although I enjoyed his performance as PC World a whole lot more. Jess Nesling amused me no end as she tried to find her motivation for being an albatross, Lucie Anne Neale was a little underused as Go-Go but had a lovely singing voice with Olivia Thompson, who wrote the play, loving every minute of playing Annie and was excellent in the final scene. Let’s not forget Bunty The Beaver, oh what trouble a glove puppet can cause, although I doubt Gordon The Gopher and Ed The Duck will be losing too much sleep.

Every character seen as a talking head, had a ridiculous name such as Dickie Ticker and Miss Hope Less, again fitting the style that this company were clearly going for. As much as I admired these video clips, I did find that they caused the action on stage to be a little stop start.

Musical numbers were fairly sparse, although I loved ‘I’d Love To See You Up The Nile’ and ‘Anyone Can Be A Psycho’.

I’m not going to remember this as a theatrical masterpiece, a lot of the publicity describes the play as bonkers and I’m not going to argue with that. It did however make me laugh at its pure silliness. In worrying and troublesome times, I really can’t think of a better way of spending a Friday night. I just wish they’d handed out tacky Bunty keyrings as we left.

 

Reviewed by Chris White

Photography by Jamie Spindlove

 


Up the Bunty!

Lion and Unicorn Theatre until 15th December

 

Previously reviewed at this venue:
The Cut | ★★ | November 2018
BackPAGE | ★★½ | February 2019
Like You Hate Me | ★★★ | April 2019
Mama G’s Story Time Roadshow | ★★★★★ | May 2019
River In The Sky | ★★½ | May 2019
Euan | ★★★★ | July 2019
A Shoddy Detective & The Art Of Deception | ★★ | August 2019
Blue Tights, Red Knickers And An ‘S’ On Her Vest | ★★★ | August 2019
Camp | ★★★ | August 2019
The Death Of Ivan Ilyich | ★★ | August 2019

 

Click here to see our most recent reviews

 

Camp

★★★

Lion and Unicorn Theatre

Camp

Camp

Lion and Unicorn Theatre

Reviewed – 19th August 2019

★★★

 

“harbours a great concept and has significant potential”

 

Going away to camp is a rite of passage for most young people whether that be with the Scouts or for a musical festival. Camp, directed by James Easey, imagines a new type of camp retreat for which LGBT+ and queer folks go to earn their Gay-Card and officially join the community. Written by Easey and Kimberley Turford, Camp follows the camp experiences of three LGBT+ individuals as they study hard for lessons on everything from queer history to Voga (Voguing Yoga, of course!).

Felix (Nicholas Marrast-Lewis) is a loud, out-and-proud gay man who is woefully ignorant about the LGBT+ issues. Becky (Camille Wilhelm) is a bisexual woman who is passionate about fighting the bi erasure. Mary (Fizz Waller) is an ex-Christian who has just left her husband of seven-years after finally coming to terms with her attraction to women. The trio clash at first but are soon able to explore together the ways the community needs to do better.

Camp considers many important issues facing the modern LGBT+ and queer community, in particular, the in-fighting between bisexuals and homosexuals and negative attitudes towards trans individuals. The topics raised are interesting but discussion surrounding them is often derailed by Becky’s angry and often over-the-top reactions. Though Becky is understandably angry about the ignorance within a community that purports to be for her, it would be good if her character was mellowed to facilitate better dialogue amongst the characters.

The play is at its strongest when it engages the audience directly. At one point, the actors step out of their roles and ask the audience LGBT+ trivia. This is a great way to break up the action on stage and some facts – such as the word ‘homosexual’ only first being used in 1869 – are so shocking that they earn a collective gasp from the audience. Voga is also excellent fun, and gold sparkly Gay-Cards being gifted to every audience member is the perfect way to end the show.

The stage is not particularly remarkable. A futon to the left of the stage acts as both a sofa and a bed and two chairs with a small table to the right creates the impression of a classroom. Rainbow bunting hanging on the back wall is the only decoration that places them in a camp environment. Props are minimal but a colourful book with the words ‘The Book of GAY’ plastered across the front used for the quiz is notable.

The lighting is very simple. Scenes end with a fade to black so that the actors can reposition themselves on or off stage. This is not always done with good timing and one scene took place for about five seconds in the dark. At the end of another scene, the stage was made far darker than any previous transition which led the audience to believe the play was over and thus began to clap. This sort of inconsistency leads to substantial confusion and needs refining.

Waller is the standout star. She is wonderfully funny as May and fully engages the audience. Her comic timing is excellent and her quick wit in response to unexpected moments such as when an audience member interrupted her reading out a quote make up some of the performance’s funniest moments. Wilhelm and Marrast-Lewis stumble over several of their lines, and their arguments are not convincing in tone or escalation despite the strong script.

Camp harbours a great concept and has significant potential, but a fine tune of its characters and the play’s execution is needed to really drive home the important issues that it endeavours to explore.

 

Reviewed by Flora Doble

 


Camden Fringe

Camp

Lion and Unicorn Theatre until 24th August as part of Camden Fringe 2019

 

Last ten shows reviewed at this venue:
The German Girls | ★★★ | August 2018
The Cut | ★★ | November 2018
BackPAGE | ★★½ | February 2019
Like You Hate Me | ★★★ | April 2019
Mama G’s Story Time Roadshow | ★★★★★ | May 2019
River In The Sky | ★★½ | May 2019
Euan | ★★★★ | July 2019
A Shoddy Detective & The Art Of Deception | ★★ | August 2019
Blue Tights, Red Knickers And An ‘S’ On Her Vest | ★★★ | August 2019
The Death Of Ivan Ilyich | ★★ | August 2019

 

Click here to see more of our latest reviews on thespyinthestalls.com