Tag Archives: Louise Sibley

THE ENIGMATIST

★★★★

Wilton’s Music Hall

THE ENIGMATIST

Wilton’s Music Hall

★★★★

“exceptionally clever”

Magic as entertainment has moved on a lot since my youth when the prestigious Magic Circle held sway, famous for the oath its members must take in order to preserve the secrets of the tricks they perform.

Now, with audiences so much more sophisticated, performers of magic know that we know what we are seeing is an illusion, built on extraordinary powers of memory and psychology, on misdirection and mathematics. Yet the simple opener ‘pick a card’ still has the power to captivate. So this is exactly how David Kwong, magician and puzzle creator, opens his two hour show of incredible twists and tricks.

Kwong’s performance is exceptionally clever. He is unfolding a long story while keeping our minds baffled and our bodies on edge. Audience involvement was there, as cards were handed out and individuals drawn on stage to help. There was illusion and sleight of hand, but then, it turned out, the trick never really concluded. It just became a piece of a larger jigsaw. We got tips for mastery at Scrabble. We were shown how a crossword was constructed. And all the time, he is taking us on a narrative journey through his own career interleaved with the fascinating story of George Fabyan, pioneer of modern cryptography.

Fabyan was an American businessman who founded Riverbank Laboratories on a country estate in Geneva, Illinois. As well as the laboratories he built a lighthouse, windmills, grottoes and a zoo on his grounds. This private research enterprise is now recognised as the forerunner of the National Security Agency and Fabyan’s story, put with that of two of his employees, has all the features of a fairy tale. So, unless you are a follower of cryptological history, you might wonder, as I did, whether this wasn’t just another illusion being spun by Kwong over the course of the evening.

This show has been thrilling audiences across the USA. Opening at Wilton’s Music Hall, it was playing to a packed house. I was impressed at the skills of the audience too. Kwong set us five puzzles to solve, all part of cracking a code that would eventually open the mystery box sitting at the back of the stage throughout the show. At least sixteen people stood up with the solution, when the final piece was put in place.

What was in the box? Well, clearly, this is not going to be revealed here. It is enough to say that the standing ovation and the cheers at the end were as great as was the mystery of the conclusion. How did he do it?

 



THE ENIGMATIST

Wilton’s Music Hall

Reviewed on 24th November 2025

by Louise Sibley

Photography by Justin Barbin


 

Previously reviewed at this venue:

MUSIK | ★★★★ | October 2025
THE REMARKABLE BEN HART | ★★★★★ | September 2025
MACBETH | ★★★★ | July 2025
ROMEO AND JULIET | ★★★ | June 2025
MARY AND THE HYENAS | ★★★ | March 2025
THE MAGIC FLUTE | ★★★★ | February 2025
POTTED PANTO | ★★★★★ | December 2024
THE PIRATES OF PENZANCE | ★★★★ | October 2024

 

 

THE ENIGMATIST

THE ENIGMATIST

THE ENIGMATIST

JOBSWORTH

★★★★

Park Theatre

JOBSWORTH

Park Theatre

★★★★

“This is very dark stuff, delivered with panache and pace”

Libby Rodliffe first introduced her character Bea, a young woman juggling three jobs, at the Edinburgh Festival Fringe in 2024. There, it ran to sell-out audiences and notched up great reviews.

Jobsworth is now having a run at the Park Theatre and this one-woman show, co written by Rodliffe and Isley Lynn, deserves every accolade I hope it gets. It is an extraordinary tour de force for Rodliffe who delivers non-stop laughs and multiple personalities, each with their own distinct accent and characteristics, over a roller coaster 90 minute performance.

Like other notable female monologues, mostly Fleabag (onstage) and Prima Facie, Jobsworth delivers a serious message, even if dressed up as comedy. This time the target is the gig economy and the uphill task of making ends meet while working for impossible employers demanding absolute commitment for the minimum living wage. Anyone sitting cosily in a well-paid permanent job escapes this position purely by a twist of fate.

Bea can manage this situation because she has wit and will, can turn on a coin and she cares. Slowly revealed in the background are her parents adding extra stress (and quite a few laughs to the mix – her father takes snakes for a walk on a leash, just to give you an idea). They have their own problems and Bea is trying to help them. So the screw slowly turns towards an explosive ending.

This is very dark stuff, delivered with panache and pace. Director Nicky Allpress has kept everything simple. The set (Matthew Cassar) is a simple white oval desk overhung with a string of round paper lampshades which change colour to punctuate, with sound tones, the turns and reversals.

If I have one criticism it is that the pace is so fast that I often found myself confused by what was happening and which character was being presented at any one moment. Over the course of the performance this became less of a problem. The differences became more apparent as we got to know the non-existent cast.

Nevertheless, this is an important commentary on our times, delivered with extraordinary versatility by Rodliffe and sharp humour to make us sit up and take notice – as we should.



JOBSWORTH

Park Theatre

Reviewed on 21st November 2025

by Louise Sibley

Photography by Harry Elletson

 

Previously reviewed at this venue:

THE MEAT KINGS! (INC.) OF BROOKLYN HEIGHTS | ★★★★ | November 2025
KINDLING | ★★½ | October 2025
LEE | ★★★½ | September 2025
(GOD SAVE MY) NORTHERN SOUL | ★★ | September 2025
VERMIN | ★★★★ | September 2025
THE GATHERED LEAVES | ★★★★ | August 2025
LOST WATCHES | ★★★ | August 2025
THAT BASTARD, PUCCINI! | ★★★★★ | July 2025

 

 

JOBSWORTH

JOBSWORTH

JOBSWORTH