Tag Archives: Lucy Russell

Three Italian Short Stories
★★★★

The Coronet Theatre

Three Italian Short Stories

Three Italian Short Stories

★★★★

Remember Me: Homage to Hamlet

★★

 

The Coronet Theatre

Reviewed – 7th June 2019


 

“There is so much to learn from seeing non-British theatrical work”

 

Programming international theatre is always a risk, and one I’m thrilled theatres like The Coronet do. There is so much to learn from seeing non-British theatrical work, and festivals such as this one are rare to come by in Britain. That being said this opening night of the Italian Theatre Festival, now enjoying its second year at The Coronet, was a mixed bag of an evening.

It kicked off with “Three Italian Short Stories”. Greta Scacchi, Alessandra Vanzi and Lucy Russell come together to read from the “landmark publication” ‘The Penguin Book of Italian Short Stories’ edited by Jhumpa Lahiri. Draped in white light, the readers stand like little islands in the gaping black sea of a stage. Read with spirit and conviction, all three deliver strong performances, with Lucy Russell’s rendition of Natalia Ginzburg’s ‘My Husband’ particularly standing out. She effortlessly becomes the first-person narrator, making the reading feel more like a confession. It was stirring stuff.

The other two stories – Elsa Morante’s ‘The Ambitious Ones’ and Fabrizia Ramondino’s ‘The Tower’ – followed similar themes of family and love. I particularly enjoyed the dark comedy of Morante’s tale: a vain, doting mother is punished when the daughter she spends all her time and money making beautiful becomes a nun and dies.

Less successful was ‘Remember Me: Homage to Hamlet’. Performed by Fabrizio Gifuni, this is essentially a one-man-Hamlet, cut down to last just over an hour but giving us all the greatest hits as we go along. Gifuni is undoubtedly a gifted actor with a tremendous voice. But despite G.U.P. Alcaro’s ambitious score, the show never really extends beyond self-indulgence. As someone who knows and loves ‘Hamlet’, I was able to revel in reading my favourite passages appear as subtitles. I’m not sure I learnt anything new from this deconstructed version however. Perhaps others will.

As opening nights go, this was adventurous and different, and I again applaud The Coronet for hosting this festival. It showcases an Italian theatre of widely different styles. Three lyrical, loving short stories clash with over-indulgence and theatrical experimentation. The former entertains, whilst the latter showcases what I am sure many Brits consider the worst aspects of European theatrical culture. Having both on display here is essential.

 

Reviewed by Joseph Prestwich

 


Three Italian Short Stories

The Coronet Theatre as part of the Italian Theatre Festival

 

Previously reviewed at this venue:
Act & Terminal 3 | ★★★★ | June 2018
The Outsider | ★★★★★ | September 2018
Love Lies Bleeding | ★★★★ | November 2018
A Christmas Carol | ★★★★ | December 2018
The Dead | ★★★ | December 2018
The Lady From The Sea | ★★ | February 2019
The Glass Piano | ★★★★ | April 2019

 

Click here to see more of our latest reviews on thespyinthestalls.com

 

Ionesco / Dinner at the Smiths – 4*

 

Ionesco / Dinner at the Smiths

Latvian House

Opening Night – 4th March 2017

⭐️⭐️⭐️⭐️

“an amuse-bouche of eccentric characters and a soupçon of sheer preposterousness… expect a thoroughly entertaining, albeit bizarre, evening”

 

With performances being presented more frequently in unconventional spaces (later this week we see ‘Drinks’ taking place in an empty Victorian terraced house in Peckham), it didn’t seem too unusual to be invited to Latvian House (part Latvian cultural centre, part hotel in need of a visit from Alex Polizzi), a once grand early Victorian property located in leafy Bayswater, to attend a ‘Dinner at the Smiths’.

For all intents and purposes, we are guests at the dinner party of Mr & Mrs Smith. We are led to the dining room by the somewhat gushing butler (Jorge Laguardia), our coats are taken and we are seated around a long dining table. We are given our ‘menu’ (which is actually a clever little programme of sorts), and are taken through some etiquette by the butler and the maid (Sharlit Deyzac).

We then meet our hosts, Mr Smith (Sean Rees) at one end of the table and Mrs Smith (Lucy Russell) at the distant other end. Mr Smith is hidden behind his ‘English’ newspaper (we are enlightened by the staff as to how terribly ‘English’ everything is), whilst his wife talks at him. Once Mr Smith engages his wife, their conversation soon becomes a bizarre tongue twister dialogue involving commercial travellers and their relatives. Welcome to one unconventional evening.

Carriages arrive quite early at this dinner party (i.e. the performance is fairly short), so I won’t give away too much detail about what happens as this would spoil the surprises and enjoyment. And there are plenty of surprises, one perhaps hinted at when you’re met with no food on your plate, but an eye mask …

A lot of the rather clever comic dialogue depends on truisms; the hosts and guests relaying something so blindingly obvious in a way that it seems surprising. This is very much in the style of Ionesco (around whose words and works the evening is based). Indeed it’s reported that this style of his work came from the manner in which he learnt English, in a course that featured a … ‘Mr & Mrs Smith’ …

Well acted throughout, especially the delightfully silly extended conversation  between the dinner party guests, Mr & Mrs Martin (David Mildon and Edith Vernes), where they finally realise they know each other as they are married and share the same bed.

From an absurdist playwright source, you’d expect the absurd and with ‘Dinner at the Smiths’ you certainly get it! Expect a good helping of witty French dialogue (translated in a manner as to be part of the play), an amuse-bouche of eccentric characters and a soupçon of sheer preposterousness.

Above all, expect a thoroughly entertaining, albeit bizarre, evening.

 


 

Created and Directed by Marianne Badrichani

 

Ionesco/Dinner at the Smiths’

is at Latvian House on Fridays and Saturdays

until 1st April

 

 

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