Tag Archives: Mark Douet

THE CHOIR OF MAN

★★★★★

Arts Theatre

THE CHOIR OF MAN

Arts Theatre

★★★★★

“this an ensemble piece at its finest, with a real sense of brotherhood amongst the whole cast”

The great British pub, previously everywhere, is now endangered – a ‘third space’ that’s slipping away. Enter ‘The Choir of Man’, a heartfelt, feel-good show where pints pour, voices soar, and everyone belongs – a new kind of safe space for theatre lovers and pub goers alike.

Walking through the doors of the Arts Theatre, we’re transported to ‘The Jungle’ – at first glance a typical local with typical personalities including a Barman, Hard Man and Handyman. But scratch the surface and it’s anything but, with a Poet, Romantic, Maestro and others turning beer-soaked bravado into a brotherhood of connection and creative outlet. There’s no narrative, with rhyming monologues linked by song, dance and live instrumentals exploring themes such as friendship and home. It’s rich in feeling, each man finding their voice before ending with a gut punch reveal and a raw folk farewell.

As a woman and a feminist, I was sceptical of seeing a show about men in a pub – I couldn’t have been more wrong. Created by Nic Doodson and Andrew Kay with monologues by Ben Norris, ‘The Choir of Man’ is full of tenderness and truth, reclaiming a traditionally hyper-masculine space as somewhere men can express themselves. It’s romanticised, the poetic monologues and feel-good vibes giving it a dreamlike glow; but my soul feels lighter for witnessing a bunch of blokes holding space for each other. It’s carefully constructed to add depth, such as the Romantic pouring his heart out to Adele’s ‘Hello’ while the lads slow-mo through some football highs and lows. A deeper thread is also woven in, ending with a poignant reminder of the importance of looking out for each other.

Nic Doodson’s direction blurs drama and daily life. The stage becomes a pub for audience and cast alike. The cast roams about, checking in and making you feel at home. Multiple numbers involve audience participation, including inviting people on stage and even offering extra drinks and crisps to keep us going. It’s exactly the kind of warm camaraderie one craves from a third space, and a complete breath of fresh air from a West End show.

‘The Choir of Man’ is a folk-pop-rock jukebox musical offering something for everyone, from ‘Chandelier’, to ‘Under the Bridge’ and even a cheeky rendition of ‘Escape (The Pina Colada Song)’. Though the real strength is Jack Blume’s marvellous orchestrations and arrangements, with interesting interpretations, complex harmonies, and modern mashups to surprise and satisfy the musically inclined.

Oli Townsend’s set design doesn’t just suggest a pub – it is one, complete with bar taps and beer mats. Verity Sadler’s costume design balances cohesion and character. Freddie Huddleston’s choreography beautifully contrasts moments of unity and disconnection. Richard Dinnen’s lighting design is joyful, full of vibrant colour and synced perfectly to the music. Sten Severson’s sound design brings out the multiple part harmonies, though the voices get a little lost during the tap dancing and pint glass clashing.

The newly assembled cast is electric, closing out the West End run before embarking on a UK tour. Paul McArthur’s Poet breathes life and love into each monologue, each song aching with feeling. Jason Brock is a passionate Romantic, with beautiful tenor and falsetto ranges that soar skyward. Ben Goffe’s Handyman proves a master of all trades, with expert singing, trumpet playing and fantastically fast, crisp tap footwork that’s rare outside a dance show. Though this an ensemble piece at its finest, with a real sense of brotherhood amongst the whole cast – if your gaze drifts, it’s always greeted with exchanges that radiate trust. The onstage band also deserves a mention for their firepower and finesse.

‘The Choir of Man’ is harmonious in every sense, creating a place of trust and love that everyone should experience. Catch it on the West End and then again on tour – you’ll come away feeling refreshed and hopeful.



THE CHOIR OF MAN

Arts Theatre

Reviewed on 7th October 2025

by Hannah Bothelton

Photography by Mark Douet


 

Previously reviewed at this venue:

PORNO | ★★★ | November 2023
THE CHOIR OF MAN | ★★★★ | October 2022
THE CHOIR OF MAN | ★★★★★ | November 2021

 

 

THE CHOIR OF MAN

THE CHOIR OF MAN

THE CHOIR OF MAN

KING JAMES

★★★★

Hampstead Theatre

KING JAMES at Hampstead Theatre

★★★★

“a pitch perfect dissection of male friendship, that tender bond painted in violent strokes”

The saying (almost) goes, of all the unimportant things, sport is the most important.

One reason: sport is the lingua franca of male friendship, all those off-the-shelf metaphors and handy comparisons to fill in for intractable thoughts. Those ups, downs, bruises and heartbreaks. Computers talk in code, men channel life through the fluctuating fortunes of the team they follow.

In King James, we track Matt and Shawn on that journey.

First up, we’re in La Cave du Vin in Cleveland Heights, Ohio, and Shawn is here to do a deal for Matt’s precious tickets for the Cleveland Cavaliers basketball team, the Cavs. This is 2004, the rookie season of local hero LeBron James and, even now, these cagey strangers sense he’s going to be an all-time great.

And he’s theirs.

What the two men don’t know yet is that they’re going to be yoked together serving in the court of King James for the next 12 years (we time-jump to 2010, 2014 and 2016) and their friendship will reflect the comings and goings of the basketball star.

The goings (as LeBron sensationally quits for Miami Heat) are a betrayal and a trauma; the comings (when he returns to end half a century of Cavs failure) are a time of euphoria. Unless you judge a man’s worth not by his impact but by his loyalty.

Loyalty is everything to Matt. He is fragile, hangdog out of choice, riding a mostly luckless life. He has aspirations but they don’t take him far. He’s over reliant on his careless privilege and indulgent parents.

Shawn is sharper round the edges, more purposeful, but that doesn’t mean he is destined to carve out prosperity. Shawn heads to New York and LA to pursue a writing career (mirroring the playwright’s own life). Meanwhile, in between moments of good fortune, Matt tends his parents’ dusty bric-a-brac shop.

Matt is white, and Shawn black, which doesn’t matter much until Matt lets slip what Shawn perceives as a slur.

In this delicate, conventional two-hander, the chemistry is bro-code standard – funny, deluded and nerdy. (LeBron better than Jordan? Discuss.)

The story marks out tiny gradations of disappointment, how life is a study in the futility and necessity of connection. Tension underpins everything – who’s winning, who’s losing. Under Alice Hamilton’s direction, Sam Mitchell (Matt) and Enyi Okoronkwo (Shawn) – both excellent – capture the tone and rhythm of the script with such elan, every exchange feels like a hand-wrapped gift.

Arguing over the origin of the word “fan”:

Matt: No, it’s for “fan” – like electric fan or something.

Shawn: Why would that be the case?

Matt: I dunno! Because we’re cool?

Award-winning playwright Rajiv Joseph is a Cleveland native and this one’s from the heart. His razor-sharp vignettes – slangy and real – are held together with the scar tissue of a veteran sports fan, full of pangs, longing, and the most dreaded thing of all – hope.

King James is a pitch perfect dissection of male friendship, that tender bond painted in violent strokes. Joseph captures these moments in all their delightful and infuriating folly and significance.

You don’t need to know basketball to love King James. You just need to know a man’s essential sorrow.

Treat yourself to a court-side seat.


KING JAMES at Hampstead Theatre

Reviewed on 21st November 2024

by Giles Broadbent

Photography by Mark Douet

 

 


 

 

 

Previously reviewed at this venue:

VISIT FROM AN UNKNOWN WOMAN | ★★ | July 2024
THE DIVINE MRS S | ★★★★ | March 2024
DOUBLE FEATURE | ★★★★ | February 2024
ROCK ‘N’ ROLL | ★★★★ | December 2023
ANTHROPOLOGY | ★★★★ | September 2023
STUMPED | ★★★★ | June 2023
LINCK & MÜLHAHN | ★★★★ | February 2023
THE ART OF ILLUSION | ★★★★★ | January 2023
SONS OF THE PROPHET | ★★★★ | December 2022
BLACKOUT SONGS | ★★★★ | November 2022

KING JAMES

KING JAMES

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