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Sh!t-faced Shakespeare: Macbeth


Leicester Square Theatre

Sh!t-faced Shakespeare: Macbeth

Leicester Square Theatre

Reviewed – 8th July 2021



“an exceptional show from beginning to end”


The story of the Macbeths and their murderous grab for power in eleventh-century Scotland is one of Shakespeare’s most renowned plays. First performed in 1606, Macbeth (the play and its characters) command great respect on the theatrical stage…that is, until one of the cast members drinks multiple pints and half a bottle of gin just before curtain up.

That, essentially, is the premise of Shit-Faced Shakespeare. A staple at fringe festivals across the country, Shit-Faced Shakespeare has entered its fifth year at the Leicester Square Theatre, bringing much needed revelry to a socially distanced audience. At each performance, one professionally trained actor is chosen to get drunk before the show begins, and their sober co-stars must react accordingly to their sozzled antics. One audience member is even given a gong to hit if the show is too tame and another drink is required, whilst another receives a bucket in case of emergency.

The drunk for this evening was James Murfitt who played Prince Malcolm and one of the Three Witches. Stumbling and slurring, Murfitt injected pure chaos into the play, making comments about The Guardian reviewers in the audience (who, apparently, will love his penis flag), wanting to hook up with the Domino’s delivery boy, and insisting Malcolm is a black belt in judo.

Far from the bargain bin from which they joked they came, the cast were exceedingly good at improvising and bouncing off one another. Their recall to odd quips made by Murfitt was exceptional and served well to tie the whole play together amongst the havoc on stage. Will Seaward who played Duncan was particularly strong at this, and his booming voice reminiscent of Brian Blessed juxtaposed with Murfitt’s slurred speech perfectly.

Despite all the silliness, the show was highly polished. The sets, which Murfitt tried to climb on multiple occasions, were elaborate, the props were humorous (the knife Macbeth ‘sees before him’ attached to the end of a fishing line controlled by Murfitt), and the lighting and sound effects were well-timed and highly atmospheric. The costumes were suitably Shakespearean, and regular costume changes posed an extra (but hilarious) obstacle to the drunk.

A notably funny bit of prop comedy was the murder of Fleance, Banquo’s son, who is played by a puppet on wheels. A member of the audience was given a toy crossbow to shoot at Fleance as if playing some twisted carnival game. This was laugh-out-loud funny and was a brilliant example of just how creative the team behind the show are.

Shit-Faced Shakespeare: Macbeth is an exceptional show from beginning to end. Fortunately for the audience, its premise means that one could watch the play over and over again without getting bored due to new hijinks and jokes afoot at each performance.



Reviewed by Flora Doble

 Production image by Andrew AB Photography


Leicester Sqaure Theatre

Sh!t-faced Shakespeare: Macbeth

Leicester Square Theatre until 11th September


Other shows reviewed by Flora this year:
Ginger Johnson & Pals | ★★★★ | Pleasance Theatre | June 2021
Godot is a Woman | ★★★½ | Pleasance Theatre | June 2021


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Sh!t-Faced Shakespeare: The Taming Of The Shrew

Leicester Square Theatre

The Taming Of The Shrew

Sh!t-Faced Shakespeare: The Taming Of The Shrew

Leicester Square Theatre

Reviewed – 25th April 2019



“Anything can happen in this exuberant show”


Sh*t-faced Shakespeare’s Taming of the Shrew is a merry romp indeed. Every night one of the actors gets joyfully inebriated, and makes their way through the play as best they can, ably assisted by their fellow cast members and the audience. It’s delightful, bawdy, boozy and hilarious. A seventy minute adapted script is the basis of the show, but it’s more a framework that anything else. The sober actors try to keep things more or less on track, while going with the flow and having a lot of fun.

Tonight is was the turn of Petruchio to get sloshed. His drunkenness made the character endearing and charming, particularly when he announced that he’d love to marry Kate, but only on equal terms, and called out the play for being really sexist. This was a while after their wedding. Perhaps this is the best way to deal with this problematic play; just let everyone have fun with it. Bianca in particular had a lot more fun than usual – some of it very naughty indeed!

The cast were quick and amazingly adaptable, picking up on ways to play with and get the most fun out of the chaos produced by Petruchio not exactly sticking to the script. In fact, when he is deemed to have managed rather a lot of Shakespeare, he has to drink some more. There is cross dressing, a very large cod-piece, audience participation, a bare buttock or two, a slightly embarrassed horse and a party-like atmosphere to the whole thing.

You never know what will happen when Magnificent Bastard Productions stage a Sh*t-faced show. It’s different every night, a mixture of Shakespeare, clever improvisation and ridiculous shenanigans. It was entirely possible that Petruchio may have decided not to get married. He may even have run off with a different cast member. Anything can happen in this exuberant show.


Reviewed by Katre

Photography by Rah Petherbridge


Sh!t-Faced Shakespeare: The Taming Of The Shrew

Leicester Square Theatre until 1st June


Previously reviewed at this venue:
Murder, She Didn’t Write | ★★★ | February 2018
Sh*t-faced Shakespeare: The Merchant of Venice | ★★★★ | April 2018
Sh*t-faced Shakespeare: Romeo and Juliet | ★★★★ | June 2018
Murder She Didn’t Write | ★★★★ | September 2018
Sh*t-faced Showtime: Oliver With a Twist! | ★★★ | September 2018
Stick Man | ★★★½ | October 2018
Sh!t-Faced Showtime: Oliver With A Twist | ★★ | March 2019


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