Tag Archives: Will Seaward

Sh!t-Faced Shakespeare: The Taming Of The Shrew
★★★★★

Leicester Square Theatre

The Taming Of The Shrew

Sh!t-Faced Shakespeare: The Taming Of The Shrew

Leicester Square Theatre

Reviewed – 25th April 2019

★★★★★

 

“Anything can happen in this exuberant show”

 

Sh*t-faced Shakespeare’s Taming of the Shrew is a merry romp indeed. Every night one of the actors gets joyfully inebriated, and makes their way through the play as best they can, ably assisted by their fellow cast members and the audience. It’s delightful, bawdy, boozy and hilarious. A seventy minute adapted script is the basis of the show, but it’s more a framework that anything else. The sober actors try to keep things more or less on track, while going with the flow and having a lot of fun.

Tonight is was the turn of Petruchio to get sloshed. His drunkenness made the character endearing and charming, particularly when he announced that he’d love to marry Kate, but only on equal terms, and called out the play for being really sexist. This was a while after their wedding. Perhaps this is the best way to deal with this problematic play; just let everyone have fun with it. Bianca in particular had a lot more fun than usual – some of it very naughty indeed!

The cast were quick and amazingly adaptable, picking up on ways to play with and get the most fun out of the chaos produced by Petruchio not exactly sticking to the script. In fact, when he is deemed to have managed rather a lot of Shakespeare, he has to drink some more. There is cross dressing, a very large cod-piece, audience participation, a bare buttock or two, a slightly embarrassed horse and a party-like atmosphere to the whole thing.

You never know what will happen when Magnificent Bastard Productions stage a Sh*t-faced show. It’s different every night, a mixture of Shakespeare, clever improvisation and ridiculous shenanigans. It was entirely possible that Petruchio may have decided not to get married. He may even have run off with a different cast member. Anything can happen in this exuberant show.

 

Reviewed by Katre

Photography by Rah Petherbridge

 


Sh!t-Faced Shakespeare: The Taming Of The Shrew

Leicester Square Theatre until 1st June

 

Previously reviewed at this venue:
Murder, She Didn’t Write | ★★★ | February 2018
Sh*t-faced Shakespeare: The Merchant of Venice | ★★★★ | April 2018
Sh*t-faced Shakespeare: Romeo and Juliet | ★★★★ | June 2018
Murder She Didn’t Write | ★★★★ | September 2018
Sh*t-faced Showtime: Oliver With a Twist! | ★★★ | September 2018
Stick Man | ★★★½ | October 2018
Sh!t-Faced Showtime: Oliver With A Twist | ★★ | March 2019

 

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Sh*t-faced Shakespeare: The Merchant of Venice

Merchant

Shit-faced Shakespeare: The Merchant of Venice

Leicester Square Theatre

Reviewed – 19th  April 2018

★★★★

“perhaps unsurprisingly, not for the purists, but a joy for everybody else”

 

Magnificent Bastard Productions’ Shakespeare adaptations have a very simple premise; the plays are performed straight, but one of the actors has spent a few hours before the show getting very, very drunk. For predictable reasons, namely not giving the actors a deft case of cirrhosis of the liver, Magnificent Bastard Productions rotate a large cast around various roles, providing different characters and actors with the opportunity to drink. On the evening of this review, Louise Lee was the drunkard du jour, playing Shylock’s daughter Jessica.

The humour (and therefore the meat) of this wilfully uproarious production comes from Lee’s inability or unwillingness to perform her role as intended, resulting in ridiculous and often abstract tangents to which the sober actors respond. In this sense, Shit-faced Shakespeare has much in common with traditional improvised shows, but with the madness sourced from just one highly unpredictable actor. Further cementing the improv feel of the show is the inclusion of a compere (Saul Marron) to introduce the rules of the show and provide occasional commentary/support on Lee’s antics.

And antics there certainly were. It’s hard to gauge where the drunkenness stopped and Lee’s blank cheque to cause a nuisance began, but the contrast of her stumbling (through half-remembered lines and also stumbling more generally) against a traditional cast of actors ‘doing Shakespeare properly’ is genuinely very funny, if occasionally fundamentally at odds with dramatic contents of a given scene. Where some of the best laughs, as always with improv, come from are the baffled attempts of performers to go along with whatever insanity has just been established; I occasionally felt as though one actor constantly being the butt of the joke, whether willingly or not, lent a slight sense of cruelty to the proceedings. It might have been nice to have the compere introduce Lee as the star of the show during the introduction – a more personal touch might have lessened the occasional, nagging feeling of being part of a baying mob.

I sometimes wonder with improvisation whether things would in reality play out differently the following night, but I had no such concerns here; this is a neat and effective take on improv, allowing for a genuinely unpredictable atmosphere, with control of the piece flitting between the compere, the sober actors, the drunken Lee as Jessica, and, in a delightful touch, even the audience.

Overall, this was a great Summer chortler that provides glorious improvisation madness under the guise of a classic Shakespeare play. Shit-faced Shakespeare is, perhaps unsurprisingly, not for the purists, but a joy for everybody else.

 

Reviewed by Matthew Wild

Photography by Rah Petherbridge

 


Shit-faced Shakespeare: The Merchant of Venice

Leicester Square Theatre until 2nd June 2018

 

 

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