Tag Archives: Michelle Collins

MOTORHOME MARILYN

★★★

Edinburgh Festival Fringe

MOTORHOME MARILYN

Edinburgh Festival Fringe

★★★

“Fans of Michelle Collins will enjoy the opportunity to see her live on stage”

Michelle Collins, of Eastenders fame, is packing the house with her fans at the Gilded Balloon’s Patterhouse Downstairs. Motorhome Marilyn is a quirky one woman show written by Ben Weatherill, and directed by Alexandra Spencer-Jones. It’s not just about Marilyn Monroe impersonators, though, but a cautionary tale of a young woman abandoned by her American lover in Albuquerque.

Left to survive on her wits and very little else, Denise from Southend finds a way of supporting herself by “becoming” Marilyn Monroe. After several failed attempts to launch an acting career, she ends up living in a motorhome in Las Vegas, decorated with Monroe memorabilia. “Marilyn” gives us a rundown on her career as an impersonator, and a few of the disappointments and heartbreaks along the way. We are treated to a rendition of Marilyn’s singing in “River Of No Return” which is appropriate in the circumstances. “Marilyn’s” or rather, Denise’s confessions are often directed at Bobby, her pet reticulated python. Denise’s unorthodox methods of providing Bobby with food is one of the ways in which her life continues to spiral downward. When Motorhome Marilyn begins, Denise’s past is about to catch up with her once more, and the odds of impersonating her way out of this dilemma don’t look good.

Michelle Collins performs the role of Denise impersonating Marilyn Monroe with every ounce of a world weary, but ever hopeful sixty something that Denise confesses herself to be. As an actress, Collins has done her homework, and that includes a dive into the conflicted world of the impersonators. Is impersonation compensation for not succeeding in an acting career, or is it a more complicated relationship with a dead movie star? Both? Playwright Weatherill and actor Collins have worked together to provide just enough evidence that something is not quite right about Denise’s obsession with Marilyn Monroe. She was born with an obsessive nature. It’s Denise’s ability to focus on the most minute detail that provides a genuinely gruesome denouement. This is familiar territory for Collins, and fans of Eastenders will be intrigued.

Motorhome Marilyn is a sad tale as well as a grisly one. And if this story sounds too far fetched, let’s remember how many Elvis impersonators are making a living in the USA. In Las Vegas, as we know, the unlikely becomes inevitable. Fans of Michelle Collins will enjoy the opportunity to see her live on stage, and to judge by the sold out shows, there are a lot of them in Edinburgh at the moment. Hurry on down to the Patterhouse to grab your ticket.



MOTORHOME MARILYN

Edinburgh Festival Fringe

Reviewed on 15th August 2025 at Doonstairs at Gilded Balloon Patter House

by Dominica Plummer

Photography by Lucy Hayes

 

 

 

 

 

MOTORHOME MARILYN

MOTORHOME MARILYN

MOTORHOME MARILYN

My Dad's Gap Year

My Dad’s Gap Year
★★½

Park Theatre

My Dads Gap Year

My Dad’s Gap Year

Park Theatre

Reviewed – 1st February 2019

★★½

 

“Although the dialogue is often a bit wooden, there are flashes of cleverness and adept humour. However, the story is as directionless as its protagonist”

 

Eighteen-year-old, gay, repressed William (Alex Britt) is gearing up for a gap year of work experience at a marketing firm. But his free-spirit, alcoholic, “try-everything-once” father Dave (Adam Lannon) has other plans for him. Dave surprises William with plane tickets to Thailand. Screw work experience; William needs life experience. William is going to take a proper gap year, and Dave is going with him.
My Dad’s Gap Year is a sleek production by design team Sarah Beaton (set and costume), Derek Anderson (lighting), and Benjamin Winter (sound). The stage is a raised, square platform with a pit in the centre. The cold blue and magenta lights reflect on the sterile white stage. It’s a striking, well-executed aesthetic. Whether it serves the story is another question. I’m not fully convinced it does.

The script, by Tom Wright, explores worthy subjects, including the ways alcoholism affects families, and transgender issues. Although the dialogue is often a bit wooden, there are flashes of cleverness and adept humour. However, the story is as directionless as its protagonist. William’s journey to Thailand is something that’s been forced on him. He’s passive. There’s nothing to feel invested in, because there’s nothing he’s trying to do. Dave is equally adrift. They party, they meet people, they try new things – William learns to loosen up, and a twist is revealed about Dave – but it’s a scattering of scenes that don’t feel like they’re adding up to anything. There are big moments of confrontation and melodrama, but because they’re not formed from a building story, we end up watching from a place of detachment.

The problem with audience investment is further exacerbated by the fact that William is unsympathetic. He’s a pious, judgmental, “disrespectful little brat,” as his mother finally calls him. He chastises his mum for not prioritising his needs over her own. He’s abusive and transphobic toward Dave’s Thai girlfriend. Because we aren’t given anything to compensate for William’s unlikability, it’s difficult to care what happens to him.

The two non-English characters rely heavily on cultural tropes: the sexualised, non-monogamous, Spanish Matias (Max Percy), and the Thai “ladyboy” Mae (Victoria Gigante), who speaks in stereotypical broken English. Because Wright doesn’t seem to have any insight into the cultures he’s invoked, his use of them as background for a narrative about a white family feels careless.

At the moment, My Dad’s Gap Year is a pool of characters, backstories, and ideas. If Wright can find the plot, the play will be much stronger.

 

Reviewed by Addison Waite

Photography by Pamela Raith

 


My Dad’s Gap Year

Park Theatre until 23rd February

 

Last ten shows reviewed at this venue:
Distance | ★★★★ | September 2018
The Other Place | ★★★ | September 2018
And Before I Forget I Love You, I Love You | ★★★★ | October 2018
Dangerous Giant Animals | ★★★ | October 2018
Honour | ★★★ | October 2018
A Pupil | ★★★★ | November 2018
Dialektikon | ★★★½ | December 2018
Peter Pan | ★★★★ | December 2018
Rosenbaum’s Rescue | ★★★★★ | January 2019
The Dame | ★★★★ | January 2019

 

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