Tag Archives: Mike Robertson

THREE MEN IN A BOAT

★★★

The Mill at Sonning

THREE MEN IN A BOAT at The Mill at Sonning

★★★

“It won’t rock the boat too much as it drifts along on its stream of witty dialogue pleasantly enough”

Published in 1889, Jerome K. Jerome’s “Three Men in a Boat” was initially intended to be a serious travel guide, with snippets of local history thrown in. But unwittingly, the author’s natural flair for comedy took over the narrative and Jerome found himself with an instant best seller on his hands. Since then, it has never been out of print and, even if not everybody has read it, most people are familiar with its title. It is simultaneously dated yet, quite rightly, resists being placed in a contemporary context. Instead, his style and influence can be seen in modern-day equivalents such as Bill Bryson, or more specifically Pete McCarthy. And even Tim Dowling owes his self-deprecating gift for focusing on the commonplace in part to Jerome.

Nothing much happens at all in “Three Men in a Boat”. That is much of its beauty, so to translate that onto the stage is going to be a tall order. Clive Francis’ adaptation moves it forward in time to the eve of World War I, although we only get a glimpse of this representation – albeit a powerful one – towards the end. The preceding couple of hours is a faithful reproduction of the book which doesn’t always translate into a particularly interesting piece of theatre.

 

 

We meet the characters: Jerome (George Watkins), his banker chum George (James Bradshaw) and the eccentric Harris (Sean Rigby) discussing their various, real and imagined ailments; the three actors quickly and neatly establishing the personalities of the odd trio. While none of them can decide quite what they are suffering from, they all agree that it has been brought on by overwork. A change of scene is what is needed. Sean Cavanagh’s authentically detailed set provides this by cleverly opening up from its Edwardian Kensington apartment into a nostalgic backdrop of the Thames riverbank. The three friends then cram themselves into a boat that is far too small for comfort (especially for the week-long cruise they are embarking on). It’s a good job their canine companion is imagined – its presence represented by sound alone.

We also meet some interesting and colourful characters along the way (lockkeepers, country-bumpkins, pub-locals, boastful fishermen), all played in turn by the three men in the boat. The technique allows for touches of farcical humour, and thanks to the performers’ versatility and swift shapeshifting, we are never confused. Director Joe Harmston relies on the device too much, however, diluting the dramatic impact. The narrative works best when the three men are just being themselves, and we are afforded personal access to their close-knit camaraderie. Yes, tempers occasionally fray but Watkins, Bradshaw and Rigby never let us forget the deep-rooted sense of loyalty and companionship that true friendship offers. The second act strongly reinforces that underlying message.

“To friendship and loyalty” they toast in the final moments. The tone shifts into a minor key as the hum of warplanes drifts from the horizon. It is a fleeting and poignant footnote. But overall, “Three Men in a Boat” is as comforting as a gently meandering tributary. It won’t rock the boat too much as it drifts along on its stream of witty dialogue pleasantly enough. Some of us might need something more challenging, but we all need every now and then the refreshing and easy-going escapism that this show has to offer. And the Mill at Sonning is the perfect setting for it. As Jerome K. Jerome writes in the book; ‘… it is the most fairy-like little nook on the whole river… more like a stage village’. You won’t be swept away, but it’s definitely worth getting on board.

 


THREE MEN IN A BOAT at The Mill at Sonning

Reviewed on 15th June 2024

by Jonathan Evans

Photography by Andreas Lambis

 

 


 

 

 

Previously reviewed at this venue:

CALENDAR GIRLS | ★★★★ | April 2024
HIGH SOCIETY | ★★★★ | December 2023
IT’S HER TURN NOW | ★★★ | October 2023
GYPSY | ★★★★★ | June 2023
TOP HAT | ★★★★ | November 2022
BAREFOOT IN THE PARK | ★★★★ | July 2022

THREE MEN IN A BOAT

THREE MEN IN A BOAT

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Mother Goose

★★★★

Cambridge Arts Theatre

MOTHER GOOSE at the Cambridge Arts Theatre

★★★★

“this well-produced, entertaining and colourful show is perfect for anyone of any age to start engaging in live theatre”

Cambridge’s favourite dame (Matt Crosby) returns to the annual pantomime, directed by Michael Gattrell, for festive fun in an outlandish display of costumes with bad jokes, and adlibs. This year, as Gerty Goose, the Dame’s good-nature is tested with impossible-to-refuse temptations that ultimately lead to a decision that wealth and beauty do not bring happiness.

A revolving glitterball above the auditorium and flashing disco lights during the Overture set the scene (Lighting Designer Mike Robertson). Beautifully painted show cloths representing scenes of Cambridge (Set Designer Ian Westbrook) bring a familiarity to the story. Let’s not say ‘provincial’ because this production is of West End standard.

Two rivals in the battle of good over evil – Fairy Virtue (Charlotte Wakefield) and Demon Vanity (Pippa Duffy) – face off in rhyming couplets. This is all a bit static and serious and a missed opportunity for greater cringe-worthy rhyming, but Ms Wakefield raises the roof with her two solo numbers. Ms Duffy is quite a soft villain. Only minimal thunder rolls and lightening cracks at her entrances but this is no bad thing.

Alicia Belgarde as Jill Goose, the innocent girl-next-door and potential love interest, is a delight and Gemma Sutton, as principal boy Jack Purchase, beautifully spoken. Ms Sutton is just right in her thigh-slapping role, acing her solo song when it comes. Audiences will fall in love with this wonderful couple.

“Absolute highlight of the show is the ensemble”

Performance of the night – as chosen by the children brought on stage during the performance – is that of Steven Roberts as Sammy Goose. His energy, clowning and movement are all excellent, keeping the momentum between scenes. As an audience member, I found shouting “Hello, Sammy” on each entrance just fine, but the need for a regular “Sammy-Hug” is a bit icky. A running gag about a lost dog provides some good punning. Jokes about Cambridge go down particularly well. I’m not overly impressed by the repetition of business and product names which seem rather close to product placement.

Absolute highlight of the show is the ensemble (Dance Captain Sophie Karaolis). Their colourful and eye-catching costumes (Costume Designer Sue Simmerling), swirling petticoats, wide smiles and perfect moves (Choreographer Kevan Allen) are sheer joy. Life’s a Happy Song, their song and dance. Yes, it is.

The plot is pretty thin even by panto standards (Writer Al Lockhart-Morley) and the progress into the final scene isn’t really explained but it hardly matters. Some mention of the cost of living crisis is used as an early plot device but is quickly forgotten. A few topical and political jokes fall rather flat. The traditional messy slapstick scene is not as slick as it yet may become but it is funny enough and the youngsters love it. There’s no smut.

The producer states in his welcoming speech that pantomime is the “recruiting sergeant of the theatre” and with an audience of thousands to welcome through the doors this year, this well-produced, entertaining and colourful show is perfect for anyone of any age to start engaging in live theatre.


MOTHER GOOSE at the Cambridge Arts Theatre

Reviewed on 5th December 2023

by Phillip Money

Photography by Richard Hubert Smith

 


 

Previously reviewed at this venue:

Faith Healer | ★★★ | October 2023
A Voyage Around My Father | ★★★ | October 2023
Frankenstein | ★★★★ | October 2023
The Shawshank Redemption | ★★★ | March 2023
The Homecoming | ★★★★★ | April 2022
Animal Farm | ★★★★ | February 2022
Aladdin | ★★★★ | December 2021
The Good Life | ★★ | November 2021

Mother Goose

Mother Goose

Click here to see our Recommended Shows page