Tag Archives: Nimax

Oi Frog & Friends!Β 

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Lyric Theatre

Oi Frog & Friends!

Oi Frog & Friends!

Lyric Theatre

Reviewed – 5 December 2019

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“Highly recommended for its sparkling script, extraordinary performances andΒ  wonderful design”

 

It’s not even Christmas yet, but if you and your kids are already suffering from a surfeit of seasonal festivities and are looking for something that won’t jingle bells and ho, ho, ho at you, (except in a non-Christmassy way) then hurry along to the Lyric Theatre on Shaftesbury Avenue. Here you will find the delightful Oi Frog and Friends! Based on the best selling children’s book by Kes Gray and Jim Field, this fifty five minute entertainment provides all the elements of a good story, presented in a very young child friendly way. So child friendly, in fact, that this reviewer observed at least one infant happily enjoying the action. Kudos to the parents for getting their kids to good theatre at such a young age, and kudos to adaptors Emma Earle, Zoe Squire, Luke Bateman and Richy Hughes for managing such a seamless transition from the page to the stage.

Oi Frog and Friends! is not just entertainment, however. It has some important things to teach about finding one’s place (and sitting still on it) , and all the fun one can have with words while doing it. It’s a simple enough story. At the Sittingbottom School, (ho, ho) the bossy prefect Cat has the rule book about who sits on whatβ€”all determined by what rhymes with your name. Easy enough if you are a hare (chair), a fox (box) or a cat (mat). But what if you are an ostrich or a badger? Into this rule bound classroom comes Frog, a new student whose questions (and new rhymes) overturn the established order, much to Cat’s dismay, and the horror of the local mediaβ€”a guest star turn by Meerkat TV’s Bob Burrows. (There’s a lot of funny punning as well as rhyming in this script, and you get drawn in. Oops).

The audience is enticed into this enchanting world by four actors who manage a breathtaking quantity of performance skills at breakneck speed. With the able direction of Emma Earle, they portray any number of animals using a combination of costumes and puppetry, and of course, sing and dance when appropriate as well. Particularly outstanding are John Winchester as Frog, and Darren Seed as Dog, but really the whole cast is brilliant at the way they leap nimbly between roles, including assisting one another when some nifty bunraku-type puppetry skills are required. Zoe Squire and Yvonne Stone, responsible for design, have come up with inventive creations that flawlessly integrate both actor and puppet into the character they play. Dog’s design is particularly clever in this respect, and it takes a skilled performer to be able to manage all the moving pieces in such a convincing way. Cat, played by Lucy Tuck, is a more conventionally designed character but still demands a lot of athleticism and comic ability. Tuck’s portrayal of a cat who is terrified of losing the last of her nine lives, is both funny and touching. The fourth member of the cast is Simon Yadoo as Cheetah, although he assists with the puppetry and takes on so many roles that it’s easy to lose count of how many times he changes costumes (and puppets). Still, his Carmen Miranda inspired turn as a Cheetah that must sit on a fajita was a big hit with the kids in the audience, and yes, even the big kids otherwise known as their parents.

In short, Oi Frog and Friends! is the perfect show to counter the pre-Christmas blahs, and satisfy the kid in all of us. Highly recommended for its sparkling script, extraordinary performances and wonderful design. It’s a rhyming good time! O.K. O.Kβ€”I’ll show myself out.

 

Reviewed by Dominica Plummer

Photography by Pamela Raith

 


Oi Frog & Friends!

Lyric Theatre until 5th January

 

Last ten shows reviewed by Dominica:
Now Is Time To Say Nothing | β˜…β˜…β˜…β˜… | Battersea Arts Centre | October 2019
The Accident Did Not Take Place | β˜…β˜… | Pleasance Theatre | October 2019
The Fetch Wilson | β˜…β˜…β˜…β˜… | Pleasance Theatre | October 2019
The Hypnotist | β˜…β˜…Β½ | Pleasance Theatre | October 2019
The Unseen Hour | β˜…β˜…β˜…β˜… | Pleasance Theatre | October 2019
Cinderella | β˜…β˜…β˜…β˜… | The Vaults | November 2019
Iphigenia In Aulis | β˜…β˜…β˜… | Cockpit Theatre | November 2019
Madame Ovary | β˜…β˜…β˜…β˜…β˜… | Pleasance Theatre | November 2019
The Snowman | β˜…β˜…β˜…β˜… | Peacock Theatre | November 2019
Touching The Void | β˜…β˜…β˜…β˜… | Duke Of York’s Theatre | November 2019

 

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Noises Off

Noises Off

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Garrick Theatre

Noises Off

Noises Off

Garrick Theatre

Reviewed – 3rd October

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“a gloriously silly evening”

 

When all around is strife and uncertainty, there’s nothing like a good old-fashioned plate of… farce. Thirty-seven years after its debut performance at the Lyric Hammersmith, Michael Frayn’s play of backstage antics bleeding into on stage catastrophe is as thigh-slappingly funny as ever.

For West End audiences used to the meta-theatricality of Mischief Theatre’s β€˜The Play That Goes Wrong’ will find themselves on familiar territory here – Mischief’s hugely successful show it essentially a full-length take on Frayn’s final act. What this production allows however is a look behind the scenes, seeing the love triangles, squabbles and gossip that take places in corners the audience normally cannot see. Act One introduces the array of wonderfully exuberant characters in rehearsal, Act Two takes us literally behind the scenes to show how love breaks this particularly touring company apart, and Act Three takes us further along the tour when the actor’s exasperation causes absolute chaos onstage.

The joy is seeing all the jokes set up in Act One come to fruition in Act Three. Jeremy Herrin’s production keeps the energy high and the pace quick. His ensemble leap to the challenge. Sarah Hadland is gossipy dame using balletic posture and glued on grins to see the show through. Richard Henders plays an excellent Frederick Fellowes, epitomising the actor seeking meaning for every move he makes. Simon Rouse plays a drunken octogenarian with aplomb and Lloyd Owen is a suitably sarcastic and exasperated director. Meera Syal, as Dotty Otley, lives up to her name, unable to remember when to bring sardines on and when to bring them off.

Max Jones’ set is nicely modern, and the costumes fit into the present day well. This is pastiche of a genre that will always please. The audience tonight was guffawing in the stalls. My only reservation is in the casting – it could have been a little more inventive. That aside, this is a gloriously silly evening of comedy that will leave anyone with sore cheeks and good spirits. Fans of Mischief Theatre would be advised to check this out, along with anyone else interested in the theatricality of theatre and what madcap relationships go on behind the scenes. It might leave you wondering why anyone would get involved in the game of theatre. But it’s the precariousness of live theatre itself that will always be the most entertaining thing on stage.

 

Reviewed by Joseph Prestwich

Photography by Helen Maybanks

 


Noises Off

Garrick Theatre until 4th January

 

Previously reviewed at this venue:
Rip It Up – The 60s | β˜…β˜…β˜… | February 2019
Bitter Wheat | β˜…β˜…β˜…β˜… | June 2019
Brainiac Live! | β˜…β˜…β˜…β˜… | August 2019

 

Click here to see our most recent reviews