Tag Archives: Olivia O’Connor

WHY AM I SO SINGLE?

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Garrick Theatre

WHY AM I SO SINGLE? at the Garrick Theatre

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“an incredibly fun, comedic and beautifully heart-warming show that everyone can enjoy”

Toby Marlow and Lucy Moss’s β€˜Why am I So Single?’ debuts in the West End, following the writers’ extremely successful β€˜Six’. This new musical cleverly follows a meta portrayal of the pair exploring the issues of their love life and by proxy their own personal issues. The two best friends – under the pseudonyms β€˜Nancy’ and β€˜Oliver’ – sit in Oliver’s flat after being given the task of writing their next big fancy musical, and after various discussions of their failed dates decide that’s what the musical should be about. Through the medium of many a big fancy musical number, the conclusion of their failed love lives is far more heart-warming than one would expect.

The show opens with its meta framing of the narrative, with the writers talking to us directly through the characters. They state that all stories in the show are based on true events but with all people given different names. Set designer Moi Tran and costume designer Max Johns deserve so much credit for the way the stage moves from having literal set pieces and then ensemble actors seemingly transition to replace them. This was extremely enjoyable to watch and added a lot of fantastic comedic elements – my favourite being whenever the leads interacted with the human rubbish bin. The whole design of the show makes you feel like you’re at a party throughout – with the lighting (Jai Morjaria) primarily being a mix of pink and purple washes that change in time with the music.

The performances throughout the show are stellar and every single cast member is extremely committed. The ensemble shine throughout in both their musical and comedic performances. A mention has to go to Noah Thomas who plays Artie – an extremely strong performance that showed care and empathy for the leads while also telling them the truth when they need to hear it. One of his numbers is also a fantastic tap routine and a great tap routine is always a pleasure to watch. But, of course, the stars of the show are Jo Foster as Oliver and Leesa Tulley as Nancy. Both are incredibly powerful artists and were a pleasure to watch on stage. Foster particularly shines in the number β€˜Disco Ball’, where they really are giving the audience everything and it’s such a privilege to be able to see such beautiful vulnerability on stage. Tulley’s performance also shows off her incredible vocal range and talent, and her solo β€˜Lost’ brought many people in the audience to tears.

One of my favourite numbers was β€˜Meet Market’ – not only a great song with fantastic routines on stage, but also great commentary on the dehumanising nature of dating apps. There were some songs that I felt weren’t necessary and took focus away from the main plotline. The main one I took issue with was a song about a bee, which seemingly is only in the show for the sake of one word play based joke. Unfortunate because two and a half hours already feels quite long for this show, so when the number played at the end of Act 1, I did begin to get quite restless.

β€˜Why am I So Single?’ is an incredibly fun, comedic and beautifully heart-warming show that everyone can enjoy. Musical theatre millennial fans will particularly enjoy the many show references and referrals to Friends. And with the West End musical scene sticking with its theme of even more movie musicals, it’s great to see something new and fresh bringing heart and soul into the theatre.


WHY AM I SO SINGLE? at the Garrick Theatre

Reviewed on 10th September 2024

by David Robinson

Photography by Danny Kaan

 

 

 

 

Previously reviewed at this venue:

BOYS FROM THE BLACKSTUFF | β˜…β˜…β˜… | June 2024
FOR BLACK BOYS … | β˜…β˜…β˜…β˜… | March 2024
HAMNET | β˜…β˜…β˜… | October 2023
THE CROWN JEWELS | β˜…β˜…β˜… | August 2023
ORLANDO | β˜…β˜…β˜…β˜… | December 2022
MYRA DUBOIS: DEAD FUNNY | β˜…β˜…β˜…β˜… | September 2021

WHY AM I SO SINGLE?

WHY AM I SO SINGLE?

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Diary of a Gay Disaster cast

Diary of a Gay Disaster

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King’s Head Theatre

DIARY OF A GAY DISASTER at the King’s Head Theatre

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Diary of a Gay Disaster cast

“The energy is infectious, with belting performances from all three cast members.”

 

When Mark Ravenhill and Hannah Price took over as artistic directors of the King’s Head Theatre in 2021, Ravenhill promised that the theatre would seek to represent β€˜the full spectrum of experiences symbolised by the rainbow flag’. This Pride Month festival is doing just that, four guest artistic directors front ‘The Takeover’ season with Diary of a Gay Disaster being part of Tania Azevedo’s MT Pride Lab Season.

The show is a joyous and unapologetic exploration of the young queer female experience, bursting with riotous pop songs and tightly written one-liners. It’s specific, and plays to an audience who will relate, but that’s the beauty of it.

Ellis (Elly Fenton) is a new flatmate, joining intense and over the top Mia (Talya Soames) and chilled out Finlay (Liv O’Connor), who she’s met via Spare Room. In a desperate attempt to bond, Mia steals Ellis’ diary and insists they have a big night together reading it, to celebrate Ellis’ arrival. All three women are queer, and the diary documents the experiences of Ellis, growing up as a queer woman. They quickly find they’ve shared many of the same experiences, and each chapter is dissected, and sung about, in a string of poppy and peppy tunes.

The energy is infectious, with belting performances from all three cast members. Their passion shines in their comedy, and it stays high octane for most of the show. The more emotional, heartfelt moments are a little weaker, the characters are quite broadly sketched, meaning their own relationships are less interesting than the universal, relatable experiences that they sing about. But the commentary on current queer dynamics, on growing up queer and navigating finding a community is fresh and fantastic. One of the catchiest songs, β€˜Is she queer or just a hipster’ will be an earworm for the foreseeable future. The conversations being raised are important, but are dealt with deftly and lightly.

Much of what works is thanks to the tightly written script, by Rachael Mailer, and the dynamic directing of Tara Noonan (as well as musical director Cerys McKenna). For the right audience, this play is liberating and relatable, perfectly articulating many people’s lived experience. It is also very funny. Strangely, if it were just the songs, and had less of a plot, it might even be stronger. There is a romantic plot shoehorned in, which doesn’t have time to develop, so comes a bit out of the blue. The characters are kept, on the whole, as tropes, to sum up different experiences. But it is fresh, and very funny. For several of the creative team, and cast, it is their theatre debut, and for a first foray, it is very strong.

The set is a bold, but simple, living room arrangement. Colourful bean bags, cushions and a sofa, which the three women slouch around on, pop up dramatically from behind. The lighting (Billy Highfield) is great fun, changing based on each song’s energy.

This show is bursting with catchy tunes, and tongue in cheek, very real commentary on the young queer female experience. It is a delight to watch, and a testament of the exciting new queer theatre that the King’s Head is showcasing.

 

Reviewed on 17th July 2023

by Auriol Reddaway

 

Previously reviewed at this venue:

 

The Black Cat | β˜…β˜…β˜…β˜…β˜… | March 2023
The Manny | β˜…β˜…β˜… | January 2023
Fame Whore | β˜…β˜…β˜… | October 2022
The Drought | β˜…β˜…β˜… | September 2022
Brawn | β˜…β˜… | August 2022
La BohΓ¨me | β˜…β˜…β˜…Β½ | May 2022
Freud’s Last Session | β˜…β˜…β˜…β˜… | January 2022
Beowulf: An Epic Panto | β˜…β˜…β˜…β˜… | November 2021
Tender Napalm | β˜…β˜…β˜…β˜…β˜… | October 2021

 

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