Tag Archives: Paul Marlon

TRUE COLOURS

★★★★

The Hope Theatre

TRUE COLOURS at The Hope Theatre

★★★★

True Colours

 

“the play zips along with the next gag never more than a moment away”

 

With the preponderance of baggy sportswear on the streets, The Lion King set to be the summer blockbuster and the White House occupied by a smooth-talking sex pest, you could be forgiven for checking your calendar to check we haven’t slipped back into the 1990s.

It’s the start of this hopeful decade in which True Colours is set, a one-act play written and directed by Paul Stevens about a pair of laddy decorators. Ray Stanford (Paul Marlon) and Leon Goodwin (Jack Harding) are the sort of people you don’t see on the stage all too often, but they’re instantly recognisable characters – wise-cracking, wide-accented manual labourers that spend more time on leisurely tea breaks than they do applying a second layer to the doorframes. They both channel that unique brand of hyper-aggressive masculinity where you’re not entirely sure if they’re best friends or if they completely hate each other, ready to immediately jump down the other’s throat at a moment’s notice for misdemeanours as minor as reading a graphic novel or taking body-conditioning classes.

It’s a pretty simple set-up (design by Kala Sinton): two foldable camp chairs, a thermos flask, a couple of paintbrushes and a copy of The Sun brandished brilliantly at one point for a big laugh. The first half is spent shooting the proverbial about mixed-up orders at the caff, all with the chummy humour that’s in vogue with sitcoms at the moment, such as Mum, Lee and Dean, and Home. As the show goes on, however, their respective insecurities and latent ambitions gently fester and eventually bubble up to the surface. Of course, being blokes, the only thing they can’t talk about is their feelings. Both Marlon and Goodwin are spot-on at capturing the awkward way in which some men approach their emotions as if they’re some sort of inconvenience. Their unenthusiastic heart-to-hearts involve half-finished sentences, evaded eye contact and much shoe-shuffling, before one of them loses their rag at a harmless misinterpretation. The pair have developed a convincing chemistry between them, which veers into father-son territory at points. You’re willing them to just hug it out, but that’s not their style.

Clocking in at an hour, the play zips along with the next gag never more than a moment away and there’s certainly no worry of any of the audience reaching for a lazy ‘paint’ and ‘drying’ analogy. Setting it in 1993 doesn’t really add much to the equation, and without the Technotronic blaring out the speakers, you probably wouldn’t be able to tell otherwise. There’s even a mobile phone used at one point, which fans of pedantry will be more than happy to baulk at.

All in all though, Stevens has put his name to an original play that’s both touching and timely, bolstered by two understated performances from the leading pair. They may be handy when it comes to glossing a skirting board, but hopeless when it comes to admitting what they really want from life.

 

Reviewed by Joe Holyoake

Reviewed – 20th May 2019

 


True Colours

Hope Theatre

 

Last ten shows reviewed at this venue:
The Lesson | ★★★★ | September 2018
Jericho’s Rose | ★★★½ | October 2018
Gilded Butterflies | ★★ | November 2018
Head-rot Holiday | ★★★★ | November 2018
Alternativity | ★★★★ | December 2018
In Conversation With Graham Norton | ★★★ | January 2019
The Ruffian On The Stair | ★★★★ | January 2019
Getting Over Everest | ★★★ | April 2019
Thrill Me: The Leopold & Loeb Story | ★★★★★ | April 2019
Uncle Vanya | ★★★★ | April 2019

 

Click here to see more of our latest reviews on thespyinthestalls.com

 

The Greater Game – 2 Stars

The Greater Game

The Greater Game

Waterloo East Theatre

Reviewed – 1st November 2018

★★

“It is incredibly important that such a story as this is told on a theatrical platform”

 

Based on the book ‘They Took the Lead’ by Stephen Jenkins, The Greater Game is a play written by Michael Head and directed by Adam Morley that follows the true story of the players of what was then called Clapton Orient football club, who as a team fought together in WW1. The production serves as part of the commemorations for the centenary of the end of the Great War as a portion of the ‘Football Remembers’ project.

The backdrop on the stage hosts a number of pictures of the real men involved in the story, each with a small poppy attached to the frame which is both symbolic but also a little confusing given the context of the majority of the play being either before or during the war. This gave the feeling that the design and directorial concept of the piece as a whole wasn’t fully realised. Whilst it is clear what the intention was behind certain decisions, it felt at times a little unfinished and could definitely have gone further. This at times felt like it took away the impact of the story, which in itself is incredibly touching, rather than serving it. Whilst the acting in general was of a decent standard, it was often let down by some of the character’s accents which needed to be a little more refined.

It is incredibly important that such a story as this is told on a theatrical platform, and it is indeed presented with a great deal of respect and sensitivity. This was evident particular with the actors who, by playing characters based on real people, wished to portray them as realistic as possible. It is a story which must not be forgotten, and this is always alluded to throughout the piece.

 

Reviewed by Claire Minnitt

 


The Greater Game

Waterloo East Theatre until 24th November

 

Previously reviewed at this venue:
Doodle – The Musical | ★½ | January 2018
Unburied | ★★★★★ | March 2018
Romeo & Juliet | ★★ | June 2018
Liberty Rides Forth! | ★★★★★ | October 2018

 

Click here to see more of our latest reviews on thespyinthestalls.com