Tag Archives: Phoebe Cole

Midlife Cowboy

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Pleasance Theatre

Midlife Cowboy

Midlife Cowboy

Pleasance Theatre

Reviewed – 19th September 2019

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“All in all this is a lovely little show with the feel good factor”

 

Grab your stetson, pull on your cowboy boots, it’s time to dosey doe your way down to… Swindon. Yes, you heard right. In comedian Tony Hawks’ infectiously loveable new musical, the β€˜tourist-free’ town plays host to the action. Following the everyday lives of its locals, who have a penchant for Country and Western, it’s a warm and relatable tale. What starts out as a wobbly and nerve-filled beginning to the show gives way to an assured, barn stomping second half.

Jane (Debra Stephenson) and Stuart (Tony Hawks) are a married couple who run the dwindling Swindon Country and Western Club, which is at a crossroads – much like their marriage. With only one other member, the socially inept Graham (Duncan Wisbey), they are in dire need of some fresh blood, especially if they want to win the coveted Railway Museum Gala Evening prize for best reenactment group. When two new members arrive, the vivacious Penny (Georgina Field) and kind natured Dan (James Thackeray), it certainly helps to shake things up, for better and for worse. Following the personal ups and downs of this motley crew, can this bunch of West Country cowboys put their issues to one side and show Swindon just what they can do?

It’s a welcome change to have a storyline about middle-aged relationships, especially when musicals are littered with young or first love. The writing and performances can turn a little melodramatic or predictable at times but nevertheless it’s still enjoyable to see a couple stuck in the mud, demonstrating how relationships aren’t always rosy. It’s even more refreshing witnessing Penny and Graham trying to find love again, later in life, forced to use such modern necessities as dating apps.

Tony Hawks and Debra Stephenson don’t quite have the acting chops that the other three supporting roles of Penny (Field), Graham (Wisbey), and Dan (Thackeray) have, but they seem fully aware, as a wonderfully tongue in cheek one liner about the β€˜characters’ acting ability proves.

The songs certainly carry the show, highlighting Hawks’ comedy writing talent at its best. While some follow the generic Country music themes of love and heartbreak, others unconventionally ponder over Tinder and the joys of Swindon. The musical talents of the cast are admirable, particularly of the the supporting three who all alternate between playing drums, keys, guitar, bass, sax and oboe to name but a few. Stephenson also shows off her delicately pretty voice that suits her character well.

All in all this is a lovely little show with the feel good factor. It takes the cast time to find their feet but when they do it really does click. The story in Midlife Cowboy may be fairly slight with room to find more depth within relationships, but at the end of the day it’s a musical, there to entertain and play some catchy tunes, which it succeeds in doing. A well and truly yee-hawing good time!

 

Reviewed by Phoebe Cole

Photography by Adam Trigg

 


Midlife Cowboy

Pleasance Theatre until 6th October

 

Previously reviewed at this venue:
Aid Memoir | β˜…β˜…β˜… | October 2018
One Duck Down | β˜…β˜…β˜…β˜…β˜… | October 2018
The Archive of Educated Hearts | β˜…β˜…β˜…β˜… | October 2018
Call Me Vicky | β˜…β˜…β˜… | February 2019
Neck Or Nothing | β˜…β˜…β˜…β˜… | April 2019
Night Of The Living Dead Live | β˜…β˜…β˜… | April 2019
Don’t Look Away | β˜…β˜…β˜…Β½ | May 2019
Regen | β˜…β˜…β˜… | May 2019
The Millennials | β˜…β˜…Β½ | May 2019
Kill Climate Deniers | β˜…β˜…β˜…β˜… | June 2019

 

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As You Like It

As You Like It

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Queen’s Theatre Hornchurch

As You Like It

As You Like It

Queen’s Theatre Hornchurch

Reviewed – 25th August 2019

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“Her witty modern-day lyrics are reminiscent of the work of Lin-Manuel Miranda”

 

β€œAll the world’s a stage, and all the men and women merely players”. Those immortal words the Bard penned in his rustic comedy, As You Like It, seem as true as ever in this recent musical adaptation of the play which makes its European debut. Produced by Queen’s Theatre Hornchurch in partnership with the National Theatre’s Public Acts, a national initiative to make inclusive, community theatre, it brings a one hundred-strong cast from all walks of life together to create this vibrant version which is unlike any other production of As You Like It you will have seen.

In a condensed telling of Shakespeare’s tale we find Duke Senior (Rohan Reckord) has been banished from the court by his brother Duke Frederick (Curtis Young), finding solace and a new home within the Forest of Arden, where many of his supporters begin to converge and take commune. In paranoid rage, Duke Frederick lashes out at anyone that threatens his authority, including his niece, Rosalind (Ebony Jonelle), who is exiled. Taking on a male disguise, she similarly flees to the Forest of Arden bringing in tow her cousin Celia (Marjorie Agwang), and the trusty clown Touchstone (Vedi Roy). However, before her banishment, Rosalind falls head over heels in love with Orlando (Linford Johnson) whom she must conceal her true emotions from when their paths cross again in the forest.

The original songs that interject this adaptation, help to flesh the characters out further, giving their actions and motives more depth. Composed by American Shaina Taub, she is certainly a name to listen out for in the future. Her witty modern-day lyrics are reminiscent of the work of Lin-Manuel Miranda and help to give a nearly 400-year old story a current relevance.

This may be a community project, but by and large the main characters are played by trained actors. Stand outs include the incredibly watchable Ebony Jonelle who offers a vivacious Rosalind, whilst Vedi Roy as Touchstone delivers the sassiest clown in town. Rohan Reckord has such a smooth voice it will undoubtedly give you goosebumps when he sings.

Nevertheless, it is the amalgamation between the trained actor and the β€˜average Joe’ that really is something special, proving that a passion for theatre is what truly wins out and that anybody has a right and the capability to perform on stage. During the colossal group scenes, it is nigh impossible to not feel moved seeing a broad range of people of all ages, abilities, cultures, and backgrounds coming together. The sheer joy that beams from the stage is infectious. The carnival-like atmosphere and colourful costumes (Hayley Grindle and Daisy Blower) make it a party you never want to leave.

 

Reviewed by Phoebe Cole

Photography by Camilla Greenwell

 


As You Like It

Queen’s Theatre Hornchurch until 27th August

 

Previously reviewed at this venue:
Rope | β˜…β˜…β˜…β˜… | February 2018
The Game of Love and Chai | β˜…β˜…β˜… | April 2018
Priscilla, Queen of the Desert | β˜…β˜…β˜… | May 2018
Abi | β˜…β˜…β˜…β˜… | September 2018
Abigail’s Party | β˜…β˜…β˜…Β½ | September 2018
Once | β˜…β˜…β˜…β˜…β˜… | October 2018
Haunting Julia | β˜…β˜… | November 2018

 

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