Tag Archives: Samantha Barks

FROZEN THE MUSICAL

★★★★

Disney+

FROZEN THE MUSICAL

Disney+

★★★★

“the most important thing is that it is joyously fun”

A queen who accidentally plunges Arendelle into an eternal winter, with her secret powers. The quest of her sister to find her and save their kingdom. This is the story you all know but as you’ve never seen it before. Filmed at London’s grand Theatre Royal Drury Lane, Frozen The Musical is an astonishing production that brings the songs, sorcery and wonders of the phenomenon movie to the stage, without losing any of the drama or magic of the original.

At the beginning of act one, a Greek chorus introduces a young Princess Elsa of Arendelle (Elizabeth Lyons) and her younger sister, Princess Anna (Martha Bailey Vine) playing in their bedroom. Anna, unaware of her sister’s magical powers is accidentally injured in the excitement, a scene which is the genesis of what is to follow. Sisters that will not see each other until the day before Elsa’s coronation due to the elder’s fear of hurting her sister. It is a magnificent opening to the show led by the two young actresses with excellent acting accompanied by harmonious vocals. It is remarkable how they own the space of the stage at such young ages. The only shame is that their parts are restricted by the narrative to just the prologue.

Years pass. The day before the coronation is where Samantha Barks and Laura Dawkes take over the roles of Elsa and Anna, respectively. The coronation passes without issue, however, Elsa unintentionally unleashes her powers in front of the gathered attendees, before running away to the North Mountain, unaware that she has left Arendelle in an eternal winter. Anna and ice harvester Kristoff set off after Elsa, leaving Anna’s fiancé Prince Hans, initially set up to be the Prince Charming of the piece, in charge of the kingdom.

The first act draws to a close with a powerful rendition of ‘Let it Go’ from Queen Elsa. Samantha Barks is an unstoppable force as the Queen, with extraordinary singing and authentic acting. The same is true of Laura Dawkes as Princess Anna, who demonstrates an astounding range of vocals and imperious performance, which retains its energy remarkably given that she remains on stage for almost all of the production.

The second act is equally enchanting, even if a little rushed at times. The musical contains twelve new songs alongside some of the classics of the original. This might be slightly too many as there is a noticeable drop in force of delivery when Elsa or Anna are not leading the songs. It also doesn’t quite give enough space to the story around the music, with the major plot twist of the show almost glossed over. This is a weakness as it is central to the resolution that then follows.

However, despite bringing the animated film to the stage, the show does not lose any of its magic. The film is emboldened by special effects which fall into place with perfect timing. These include instant costume changes and intriguing transitions between different sceneries. The production stretches what was thought possible for a live-action remake. The use of multiple camera angles brings us into the action. It does not feel like we are separated from the actors by a screen, it is as if we are a part of the action in a theatre or it is happening in our living rooms.

The direction (Michael Grandage) is pinpoint throughout and the dance choreography is flawless. The dancers add incredible depth to the songs, a feature that the film could not have achieved. However, the most important thing is that it is joyously fun in a natural way. In an age, of constant live-action remakes, this is certainly one worth seeing.



FROZEN THE MUSICAL

Available to stream on Disney+

Reviewed on 20th May 2025

by Luke Goscomb

Photography by Johan Persson © Disney

 

 


 

 

 

Reviews of other live theatre recorded screenings:

SIX THE MUSICAL LIVE | ★★★★ | April 2025
MACBETH | ★★★★ | January 2025

 

 

FROZEN

FROZEN

FROZEN

First Date

First Date

★★★

Online

First Date

First Date

Online stream from Crazy Coqs

Reviewed – 22nd October 2020

★★★

 

“the memorable songs and the impressive performances carry this funny and relatable take on the dating world”

 

The year is 2020, a pandemic has turned singletons everywhere horny (sound familiar?), and the musical ’First Date’ is here to find out if we can still believe in love!

In the Crazy Coqs bar we meet Aaron (Simon Lipkin) and Casey (Samantha Barks) on a blind date and setting eyes on each other for the first time. Queue a series of fantastically funny songs alighting on all the truisms of first dates from the friend you have lined up to fake an accident to the awkward pauses and who pays the cheque at the end of it all! The pair navigate small talk and their differences, to see whether this could be something. Our two daters are surrounded by a fantastic chorus who pop-up Grecian-esque as bartenders, exes, bad boys and even Google embodied!

The songs, written by Alan Zachary and Michael Weiner, are consistently brilliant. There are cabaret numbers, comedy numbers, ballads, duets and a lovely five-person opening. Accompanied by a live piano, the songs are well-written, well-sung and all great fun! The script (Austin Winsberg) between songs, however, is not up to the standard of the song writing at all. Whilst there’s some promise in there, it is overly long and slow, and needs some serious tightening up to meet the quality which is so evident in the lyric writing.

The cast are really strong, directed by Dean Johnson. They all boast fantastic voices, brought together with musical direction from John Winstone. Barks and Lipkin sing wonderfully, working hard on a slow script, although lacking in chemistry between them. Some favourite characters in the panopoly that the chorus play include Nick McLean’s Reggie and Danielle Steers’ dead grandma! The shining star of the whole show is Oscar Conlon-Morrey who is irresistibly funny in every role he plays: a feast to watch, even when he is just making comments during the internal (a lovely touch). I could’ve watch him all day.

Unfortunately the quality of the music and performers is let down by the audio (Matt Ide) and videography (Sam Diaz) quality, both of which are wildly inconsistent, so much so that they are disruptive to the piece*. The green screen backdrops are really fun and work really well, but in the space itself the lighting is bizarre and doesn’t respond to lighting changes mentioned in the script, silence buzzes, and it would be impossible to watch this through without regularly adjusting the volume up and down on your television or laptop. Given that it is presented like a film, it needs to have the basic production values of one. It is such a shame, given the quality of the actors and the material.

Production quality aside, the memorable songs and the impressive performances carry this funny and relatable take on the dating world.

 

Reviewed by Amelia Brown

Photography courtesy Lambert Jackson

 

* This show was reviewed on an advance link so sound and video quality may be improved on the released production

 


First Date

Online stream from Crazy Coqs

 

Last ten shows reviewed by Amelia:
Germ Free Adolescent | ★★★★ | The Bunker | October 2019
Before I Was A Bear | ★★★★★ | The Bunker | November 2019
I Will Still Be Whole (When You Rip Me In Half) | ★★★★ | The Bunker | November 2019
My White Best Friend And Even More Letters Best Left Unsaid | ★★★★ | The Bunker | November 2019
Potted Panto | ★★★★ | Southwark Playhouse | December 2019
The Girl With Glitter in Her Eye | ★★½ | The Bunker | January 2020
Essence | ★★½ | The Vaults | February 2020
Flights | ★★★½ | Omnibus Theatre | February 2020
Maliphantworks3 | ★★★★★ | The Coronet Theatre | February 2020
Globaleyes | ★★★★ | Online | September 2020

 

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