Tag Archives: Scott le Crass

Country Music
★★★★

Omnibus Theatre

Country Music

Country Music

Omnibus Theatre

Reviewed – 31st May 2019

★★★★

 

“amidst a mixed bag in terms of design and script, there lays a five-star performance from Cary Crankson”

 

At least on the face of it, or on any level I can fathom, Simon Stephens’ ‘Country Music’ is not about country music – much to the disappointment, I presume, of the front row who have all come prepared in their rhinestone cowboy hats. The set (Liam Shea), consisting of a raised platform with ropes pulling tight at its corners – a boxing ring? Or maybe a boat? – is another red herring. Whatever it’s meant to be, it’s unclear.

But beyond this initial confusion is a beautiful ninety minute performance. Cary Crankson plays the part of Jamie with such pain-staking nuance – the slight drawl, almost rhythmic; wide eyes and slow but purposeful movements conveying both psychopathic aggression and boyish sweetness – it’s near impossible to imagine him playing any other role. We follow him over a twenty year span, first as a thuggish eighteen-year-old running away from a violent crime, with fifteen-year-old Lynsey (Rebecca Stone), then ten years later, on his second stint in prison with visiting stepbrother Matty (Dario Coates), and finally as a repentant middle-aged man with a daughter he hardly knows (Frances Knight), before winding back twenty years to a sunny afternoon just before it all went irreversibly wrong.

Plot details are drip-fed organically via casual conversation, leaving the audience to work a little to put the pieces together, but the characters are so well developed, there is the impression that the performers know their parts far beyond what the script alone has given them. The dialogue is perfectly paced, allowing for believable patter – funny silences trying to chew through a sweet, accidentally talking over each other, strained small-talk when it’s clear so much more is going unsaid.

Creative lighting (Benny Goodman) and sound are used almost exclusively between scenes to denote a leap in years – Kid-A-style snippets pair with slowly pulsating yellow lighting, like an old movie projector. The abrupt lack of any distractions during the scenes, in comparison to these poetic passages of time, creates an honest starkness. There are no jazz hands, no light relief, except that which the characters themselves create – a small joke or two, eked out amidst moments of distress and frustration.

All of this added up, however, doesn’t quite make a full plot. Either it should have been a half hour shorter – a perfect tableau of a man’s life – or it needed a second half. There is no excess, and the audience is focussed throughout, but in short, Scott Le Crass’ direction sees a beautiful and heart-breaking portrayal of an unfinished story. That said, amidst a mixed bag in terms of design and script, there lays a five-star performance from Cary Crankson. Whilst his co-stars all fulfil their duties honourably, Crankson’s ability is masterful, taking this production from mediocre to a must-see.

 

Reviewed by Miriam Sallon

Photography by Bonnie Britain

 


Country Music

Omnibus Theatre until 23rd June

 

Last ten shows reviewed at this venue:
Gauhar Jaan – The Datia Incident | ★★★★ | April 2018
The Yellow Wallpaper | ★★★★ | June 2018
Blood Wedding | ★★★ | September 2018
Quietly | ★★★ | October 2018
To Have to Shoot Irishmen | ★★★★ | October 2018
The Selfish Giant | ★★★★ | December 2018
Hearing Things | ★★★★ | January 2019
The Orchestra | ★★★ | January 2019
Lipstick: A Fairy Tale Of Iran | ★★★ | February 2019
Tony’s Last Tape | ★★★★ | April 2019

 

Click here to see more of our latest reviews on thespyinthestalls.com

 

Never Trust a Man Bun
★★★★

Stockwell Playhouse

Never Trust a Man Bun

Never Trust a Man Bun

Stockwell Playhouse

Reviewed – 18th March 2019

★★★★

 

“All the cast get their good share of laughs in a play packed with very funny dialogue and well-timed comic moments”

 

Pedantic pain-in-the-arse Lucy (Katherine Thomas – who also wrote the show) is ready to settle for a night in. Room-mate Gus (Calum Robshaw) has got other plans. He’s dating Rachael (Natasha Grace Hutt), and the pair aim to invite ‘man bun’ Caps (Jack Forsyth Noble) over to make the evening a double date and try to set Lucy up. Thomas’ writing debut is cynicism turned up to eleven but delivers its sour grapes with hilarious results.

There’s an interesting quirk Thomas has given to her character Lucy: a love for the television show Gogglebox. Sneering at people’s reactions and life choices is exactly what she spends the whole play doing. Even though she makes you laugh, Lucy is truly detestable. Thomas plays her like a completely joyless version of Chandler from Friends, barely cracking an honest smile throughout. It could have been the plays failing – after all, what’s the point of a comedy straight-man you can’t stand? But her heady levels of sarcasm are tethered by a strong and evenly matched supporting cast.

Thomas is the kind of writer actors wish for. All the cast get their good share of laughs in a play packed with very funny dialogue and well-timed comic moments. The pick of the crop being a game of charades that had us all belly laughing throughout. More confidence could have been placed on the actors and their delivery though, as there was a slight tendency to go a line too long on some jokes and spell out the gag.

Unfortunately, the design elements were noticeably bland and did nothing to make the large space of the Stockwell Playhouse feel domestic. A clothes horse, desk lamp and sofa appear to have been thrown on stage indiscriminately and said nothing of a shared living situation. More attention here would have made the threats of eviction in the play feel worth it.

Katherine Thomas shows a clever knack of finding unimportant social norms, unravelling them to nonsensical degrees and using it to frame her comedy and drama. The trick is not pushing it too far. I look forward to what she does next.

 

Reviewed by Paul Pinney

Photography by Ali Wright

 

Stockwell Playhouse

Never Trust a Man Bun

Stockwell Playhouse until 24th March 2019

 

Previously reviewed at this venue:
V for Victory | ★★★★ | March 2018
The Diana Tapes | ★★ | June 2018
Spring Awakening the Musical | ★★★★ | August 2018

 

Click here to see more of our latest reviews on thespyinthestalls.com