Tag Archives: Seven Dials Playhouse

THE MURMURATION OF STARLINGS

★★★

Seven Dials Playhouse

THE MURMURATION OF STARLINGS

Seven Dials Playhouse

★★★

“a heart-warming story about past and present coming together”

Balancing Act first came to be in 2001 and they have been around long enough to know how to create a world full of colour, humour and deep connections onstage. It’s clear that this company knows how to touch on people’s emotions in a gentle, almost respectful manner. ‘The Murmuration of Starlings’ is one of those shows that doesn’t attempt to achieve too much, but instead offers a pleasant, if not bittersweet at times, evening that will encourage its audience to interpret the story, and its meaning, as they see fit.

Man and Woman return from their walk and talk about what kind of soup they’ll have for lunch. Everything feels calm and normal till Man encounters Boy and together they try to decipher the entity, the predator, who seems to be disturbing the peace, while attempting to protect what’s most dear to them. But is the predator what they think it is? And why does time seem to tangle and go many different directions instead of forward?

The cast of four come on and go off the stage quietly, yet surely, in an almost magnetising manner. There is some lovely chemistry and each one of them bring a relatable and grounded air. Man (played by Steve Hay) and Boy (played by Jonny Dagnell) bounce back and forth with their almost ADHD energy full of interesting twists and turns. Everything they talk about becomes fascinating and balance Man’s maturity with Boy’s childlike enthusiasm perfectly. Jenny Johns is great as Woman, the voice of protection, reason and care, while Jennifer Barton as Girl feels a bit too staged, as if trying to remind the audience that she comes from a different era.

Joe Graham, writer and director of the show, focuses on imagery and riveting dialogue, selecting just the right amount of themes and ideas to move forward with the plot, rather than overdoing it as it happens with quite a few shows that choose messy quantity over quality. Having said that, the script does feel like, at times, it’s losing its way to the point of rambling before returning back to what is actually happening onstage. 

The set is neat and highlights the colours red and blue to attract the audience’s attention. Crates are smartly used as chairs, fortresses, shelves or as a means to demonstrate the characters’ emotional state. Also, a set of projections in the background add an extra flair, especially when all the different entities, birds and predators, and locations, woods and bus tops, are mentioned, which helps maintain a level of visual variation.

It’s a heart-warming story about past and present coming together and merging into an adventure that at times feels a bit fragmented. However, it does reveal a compassionate and tender perspective on human relations and how personal battles sometimes need to be shared in order to be won.

 



THE MURMURATION OF STARLINGS

Seven Dials Playhouse

Reviewed on 4th March 2026

by Stephanie Christodoulidou

Photography by Steve Randall


 

 

 

 

THE MURMURATION OF STARLINGS

THE MURMURATION OF STARLINGS

THE MURMURATION OF STARLINGS

THE CHRISTMAS THING

★★★★★

Seven Dials Playhouse

THE CHRISTMAS THING

Seven Dials Playhouse

★★★★★

“a heartwarming celebration of the spirit of Christmas”

The Christmas Thing is a skit based on traditional TV variety shows. It’s entertainment with enough good-natured warmth to melt the heart of the biggest Grinch. This is brightly-coloured, ebullient comedy that’s ideal as your family festive theatre outing this year. Suitable for kids and teens, it will also charm elderly Morecambe & Wise fans. Part The Two Ronnies, part Muppet Show, it has a look and feel similar to Noel’s House Party.

Written, directed and performed by comedy duo Tom Clarkson and Owen Visser (with additional material from Dan Clarkson), the format is deliciously simple. You’re part of the studio audience for a live Christmas television special, complete with remote-controlled cameras, drumming robots, surprise guests, running gags, songs, Christmas games, and video sketches. Audience members become the star guests. Their participation is so expertly handled that it’s difficult tell whether “volunteers” are plants or remarkably game punters. Clarkson and Visser create a familial atmosphere where everyone feels comfortable playing along and where everyone’s silly, heart-warming talents are celebrated. In a world where we are reduced to consumers and observers, this show deserves full marks for encouraging the audience to be participants, joiners-in, have-a-goers and creatives.

Between song and dance numbers, Clarkson is the energetic host, whilst Visser works his technical magic upstage. The duo have risen with apparent ease to the technical challenges. Multimedia content is created and integrated into the show on the hoof. Audience-provided noises are remixed to produce the perfect sound effect at precisely the right moment. Somehow, it all comes together. By the end, it’s apparent that unlike most variety shows, the show has a compelling storyline.

The creative team delivers impressive work. Jack Garratt’s original music and Andy Chisholm’s musical direction provide festive sparkle, whilst Gus Melton’s video design and Bob Visser’s lighting transform the intimate Seven Dials space into a fully functioning TV studio. Multiple cameras beam audience members onto screens, creating moments that oscillate between laughter and good-natured embarrassment.

The staging evokes nostalgic mid-twentieth-century TV talk shows with bright colours, kitsch furniture, applause signs, and lots of retro gadgets. This is comedy on a limited budget that’s both very silly and very clever, combining finely-tuned craft with gleeful anarchy.

What makes The Christmas Thing special is its heart. This is a heartwarming celebration of the spirit of Christmas, capturing the joyful chaos of family gatherings and the magic of vintage festive television, executed using contemporary multi-media. There’s genuine warmth and nostalgia without sentimentality. The Christmas Thing is bonkers, nostalgic, and completely Christmassy.



THE CHRISTMAS THING

Seven Dials Playhouse

Reviewed on 3rd December 2025

by Elizabeth Botsford

Photography by Nia Visser

 

 

Previously reviewed at this venue:

DADDY’S FIRST GAY DATE | ★★★½ | October 2025
MONSTER | ★★★½ | September 2025
STORMS, MAYBE SNOW | | September 2025
BLUE | ★★★★ | March 2024

 

 

THE CHRISTMAS THING

THE CHRISTMAS THING

THE CHRISTMAS THING