Tag Archives: Something for the Weekend

Four Woke Baes

★★★★

Underbelly Cowgate

Four Woke Baes

Four Woke Baes

Underbelly Cowgate

Reviewed – 16th August 2019

★★★★

 

“a clever, awkward and incredibly tense comedy”

 

Four Woke Baes, written by Jonathan Caren, directed by Teddy Bergman and presented by Hidden People; the show features the true story of four men on a stag party drinking beers and barbecuing out in the woods. Everything changes, however, when an alluring female approaches their campsite.

The show builds in awkward tension and uses the breaking of this tension to create most of its comedic moments. None of the guys are particularly good at holding a conversation with Emma (Lyndsy Fonseca) not just because of her ravishingly “symmetrical features”, but because of her vastly superior intellect and ability to dissect each of the guys’ behaviour. So a large amount of this performance sits you in a pool of awkwardness, begging to be alleviated by someone. Oftentimes, Boardman (Quincy Dunn-Baker) is the person that provides this. Dunn-Baker’s performance has the audience in hysterics as his heavy-handed comments land at almost perfect moments to assuage the tension in the room. However, some of the more pure comedy for comedies sake moments aren’t as sound and serve, in the context of the quality of the performance, to feel slightly cheapening.

Consistent brilliance shines from each of the actors as they work through a well-written story to hook you in. Learning about each of the guys’ lives through Emma’s diagnosing of them helps to build a strong connection to each character. When the show reaches its precipice, a do it or don’t do it moment, you can hear a pin drop… it’s skin-crawlingly tense.

Emma’s soothingly calm yet aggressively inquisitive demeanour often has the guys on the back foot and being very defensive. Though the conversation is not often elevated into any form of argument, you can feel the unwillingness of the four men to allow themselves to be read by, or to learn from, a woman. The piece’s overall tone appears to be one of a feminist nature, and achieving this with a male-dominated cast is incredibly impressive.

Colin Grenfell’s lighting and Jeff Gardener’s sound design are a highlight of the play, being integral in creating a natural feel to the performance. Together, they ease the piece through time and slowly travel from a sunset evening into the dead of night. It is done so carefully and concisely you almost don’t notice it happening, such understated and considered tech is hard to come by.

Four Woke Baes is an exceptionally interesting piece. Knowing that the story is true, you feel as if you’re watching some of the most intimate moments of a person’s life, which is quite a unique feeling. It’s a clever, awkward and incredibly tense comedy but overarchingly is a thought provoking piece of theatre.

 

Reviewed by Craig Unadkat

 


Four Woke Baes

Underbelly Cowgate until 25th August as part of Edinburgh Festival Fringe 2019

 

 

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Murder She Didn’t Write – 4 Stars

Murder

Murder She Didn’t Write

Leicester Square Theatre

Reviewed – 23rd September 2018

★★★★

the audience entered into the spirit of the show with gusto

 

Degrees of Error are an improvised theatre company based in Bristol, and ‘Murder She Didn’t Write’ has been touring the UK since 2013. It is a fun romp of a show. One pianist, one lady detective and five other actors had the audience in stitches and had a lot of fun in the process.

I always feel slightly sorry for actors who are preset on stage, and the detective had to sit and peruse her books for a good fifteen minutes before the show began. The pianist played in the background, creating a good atmosphere before the action. Unfortunately I was not able to get a cast list, so these talented improvisors will remain unnamed, which is a shame.

The detective got the show off to a good start, getting people to look around suspiciously at their fellow audience members, as ‘there is a murderer in the room.’ One person was nominated as Jerkins, the hapless assistant, and suggestions were solicited as to the location of the crime and the murder weapon. And so we watched a crazy tale set in a plastic surgery hospital in Basildon, where a foul murder was carried out using a syringe made of ice!

So ‘who done it?’ Was it Mr Green with a stick in the morgue? Miss Violet in the office with poison? Mr Blue in the consulting room with a plant? Well, we knew it would be a syringe, but neither the audience nor the actors knew more than that!

The actors enjoyed themselves immensely as the plot thickened around them, and the audience entered into the spirit of the show with gusto, and a lot of laughter. Watching the cast get themselves and each other out of tricky situations, and accept the twists and turns of the story that were thrust upon them was delightful and hilarious. The detective’s interjections changed the ’scenes’, ably assisted by simple lighting changes. The story was told with the use of minimal set and props; a table, a wicker screen and a couple of plants, a walking stick, a bottle and not much else.

Degrees of Error are performing the show at the Leicester Square Theatre once a month at the moment and, if you fancy some madcap entertainment on a Sunday afternoon, I suggest you go and see them. Who knows where the crime scene will be next time, and who will be the villain? Wherever it will be, and whoever will commit the crime, a lot of fun will be had by all.

 

Reviewed by Katre

Photography by Jamie Corbin

 


Murder She Didn’t Write

Leicester Square Theatre – next performances 14th October & 18th November

 

Related
Previously reviewed at this venue
Sh*t-faced Shakespeare’s Romeo and Juliet | ★★★★ | June 2018
Sh*t-faced Shakespeare: The Merchant of Venice | ★★★★ | April 2018
Sh*t-faced Showtime: Oliver With a Twist! | ★★★ | September 2018

 

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