Tag Archives: Tristan Bernays

Old Fools – 5 Stars

Fools

Old Fools

Southwark Playhouse

Reviewed – 15th March 2018

★★★★★

“poignantly explores the highs and lows that come with a long-term relationship”

 

Over the years there have been some iconic love stories that have been shown on stage and screen: Romeo and Juliet, Kathy and Heathcliff, Elizabeth Bennett and Mr Darcy, Sandy and Danny, Harry once he met Sally … the list is endless. However, it is very rare that you get to see beyond the happy ever after (or the tragic young death in the case of poor Juliet and her Romeo). Old Fools, at the Southwark Playhouse, poignantly explores the highs and lows that come with a long-term relationship. As the show’s playwright, Tristan Bernays, explains: “sometimes (relationships) they’re amazing; sometimes they’re f*****g hard; but that’s the deal. Can’t have one without the other”. With no set and no stage directions, this is a very stripped back and honest piece of theatre. It’s the actors and nothing else, baring their souls and crushing the audience with their honesty.

Through a series of snapshots, we are introduced to the couple Tom (Mark Arends) and Viv (Frances Grey). From their first meet in Paris, right up until their twilight years where Viv is lovingly caring for Tom now struck down with Alzheimer’s, we weave back and forth between the key moments of their life together.

Bernays’ skilful use of language cleverly draws scenes together by topping and tailing them with the same line of dialogue – just under different contexts. Likewise, movement director Lucie Pankhurst proves originality in the way she can smoothly make a moment turn from the embrace of young lovers, to an elderly wife lowering her incapacitated husband down to sit.

The chemistry between the actors Mark Arends and Frances Grey is truly magnificent. Grey effortlessly shifts between the characters of wife, daughter, doctor, whilst Arends gives a heart-breaking performance as a man who is gradually caught in the dreadful grips of such a debilitating disease. The real triumph is seeing Alzheimer’s exposed on stage in such a brutally true light. With statistically more of us likely to develop some form of dementia, Old Fools is a stark reality check of what could lie ahead in our future. Nevertheless, as much as Bernays’ work elicits many a tear and a sniffle from the audience, it also produces some heart-felt belly laughs at his witty repartee between Tom and Viv.

 

Reviewed by Phoebe Cole

Photography by Nat James

 

Southwark Playhouse | Theatre and Bar

Old Fools

Southwark Playhouse until 7th April

 

Related
Teddy | ★★★★★ | Watermill Theatre & UK Tour | January 2018
Frankenstein| ★★★★ | Wilton’s Music Hall | March 2017

 

 

Click here to see more of our latest reviews on thespyinthestalls.com

 

 

Teddy – 5 Stars

Teddy

Teddy

Watermill Theatre

Reviewed – 15th January 2018

★★★★★

“a toe-tapping re-invention of the spirit of the era, interwoven with zippy and witty dialogue”

 


If, like me the music of the fifties is pretty much a closed book to you, but you’ve noticed the energy and appeal of classic numbers like ʽBlue Suede Shoes’ and ʽThat’ll be the Day’, then can I recommend a rocking show at the Watermill in Newbury which will really knock your socks off?

Dedicated fans of the music of the era should also go and see this compelling show, which is enthusiastically presented by a talented and vibrant young cast in the intimate and atmospheric old mill.

Described as ʽa story of teenage rebellion and the birth of a new musical era’, Teddy had its debut at the Southwark Playhouse in 2015 when it won Best New Musical at the Off West End Awards. It was written by Tristan Bernays with music by Dougal Irvine. In this fizzing revival, cast member Harrison White provides musical direction.

The show’s title refers both to the Teddy boys of the post-war era and to one of two central characters, who is named Teddy (George Parker). He and Molly Chesworth as Josie provide the dramatic focus for the piece, with the plot interweaving music and action provided by Andrew Gallo (drums), Freya Parks (bass guitar), Harrison White (lead guitar and keyboard) and Dylan Wood as the heart-throb vocalist Johnny Valentine.

The Teddy boys were Britain’s own response to American rock ʽn’ roll of the fifties. Their fashion style was inspired by a revival of Edwardian looks, and it was the Daily Express that first shortened the word Edwardian to Teddy.

But this show is more than just a nostalgia trip to the smoke-filled nightclubs and grim bomb sites of post-war London, with soundtrack to match. The music is a toe-tapping re-invention of the spirit of the era, interwoven with zippy and witty dialogue that has a real rhythmic poetry all of its own.

If Judy, the other name for the Teddy girls, was better known, ʽTeddy’ could almost be re-named after them, since it’s Molly Chesworth’s character that often takes centre stage. She and bassist Freya Parks have some witty riffs on the theme of women taking no nonsense from men.

An evocative split-level set-design by Max Dorey is complemented by moody lighting from Christopher Nairne. There’s a great dance number, and some brilliant music that will send you out humming. A great show not to miss.

 

Reviewed by David Woodward

Photography by Scott Rylander

 


Teddy

Watermill Theatre Newbury until 10th February

ahead of UK tour

 

 

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