Tag Archives: Underbelly Cowgate

Four Woke Baes

★★★★

Underbelly Cowgate

Four Woke Baes

Four Woke Baes

Underbelly Cowgate

Reviewed – 16th August 2019

★★★★

 

“a clever, awkward and incredibly tense comedy”

 

Four Woke Baes, written by Jonathan Caren, directed by Teddy Bergman and presented by Hidden People; the show features the true story of four men on a stag party drinking beers and barbecuing out in the woods. Everything changes, however, when an alluring female approaches their campsite.

The show builds in awkward tension and uses the breaking of this tension to create most of its comedic moments. None of the guys are particularly good at holding a conversation with Emma (Lyndsy Fonseca) not just because of her ravishingly “symmetrical features”, but because of her vastly superior intellect and ability to dissect each of the guys’ behaviour. So a large amount of this performance sits you in a pool of awkwardness, begging to be alleviated by someone. Oftentimes, Boardman (Quincy Dunn-Baker) is the person that provides this. Dunn-Baker’s performance has the audience in hysterics as his heavy-handed comments land at almost perfect moments to assuage the tension in the room. However, some of the more pure comedy for comedies sake moments aren’t as sound and serve, in the context of the quality of the performance, to feel slightly cheapening.

Consistent brilliance shines from each of the actors as they work through a well-written story to hook you in. Learning about each of the guys’ lives through Emma’s diagnosing of them helps to build a strong connection to each character. When the show reaches its precipice, a do it or don’t do it moment, you can hear a pin drop… it’s skin-crawlingly tense.

Emma’s soothingly calm yet aggressively inquisitive demeanour often has the guys on the back foot and being very defensive. Though the conversation is not often elevated into any form of argument, you can feel the unwillingness of the four men to allow themselves to be read by, or to learn from, a woman. The piece’s overall tone appears to be one of a feminist nature, and achieving this with a male-dominated cast is incredibly impressive.

Colin Grenfell’s lighting and Jeff Gardener’s sound design are a highlight of the play, being integral in creating a natural feel to the performance. Together, they ease the piece through time and slowly travel from a sunset evening into the dead of night. It is done so carefully and concisely you almost don’t notice it happening, such understated and considered tech is hard to come by.

Four Woke Baes is an exceptionally interesting piece. Knowing that the story is true, you feel as if you’re watching some of the most intimate moments of a person’s life, which is quite a unique feeling. It’s a clever, awkward and incredibly tense comedy but overarchingly is a thought provoking piece of theatre.

 

Reviewed by Craig Unadkat

 


Four Woke Baes

Underbelly Cowgate until 25th August as part of Edinburgh Festival Fringe 2019

 

 

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F. Off

★★★★

Belly Button Underbelly

F. Off

Underbelly Cowgate

Reviewed – 14th August 2019

★★★★

 

“Not only does ‘F. Off’ talk about issues, it lays them out for you, right in front of your face”

 

The National Youth Theatre has been the home of the best young talent in the country, and ‘F.Off’ demonstrates this in spades. It is an interactive theatrical gem, putting Facebook’s creator Mark Zuckerberg on trial in front of the people. Well, Zuckerberg doesn’t actually make an appearance, but an excitable audience member takes his place. The play exposes the disturbing truth behind algorithms, social media and politics. Did you know that the average person shares 27,000 pieces of data on their profile? Did you know that you can be tracked even if you don’t use Facebook? All of these facts bubble to the surface through improvised interactions with audience members. Masterful directorial decisions are made in this piece, (Paul Roseby and Meghan Doyle) such as asking a viewer if they can look on their Facebook page in real time and tell the audience what information it gives away. Not only does ‘F. Off’ talk about issues, it lays them out for you, right in front of your face.

The stage design (Libby Todd) captures the central metaphor of the play, as said in one of the first lines of text: ‘Why build a net unless you want to catch something?’. The stage has a bare frame, covered in blue netting that ensnares various props as the drama progresses. Every detail, from the set to the direction, has been thoroughly thought-through and has a clear purpose.

There is potential for a show on this topic to become preachy and overly-didactic. However, the three main storylines display the effects of the internet in a variety of ways: through a political campaign, the effect the campaign has on the politician’s child, and the courtroom itself. The ensemble is strong in terms of characterisation and movement (Tim Jackson). Stylised physical theatre sections move the action along between scenes, building a sense of growing momentum. Amelia Braithwaite’s performance of the politician’s daughter is of particular note as she portrays the typical adolescent struggle of trying to fit in, with authenticity and nuance. The ensemble uses music for comedic effect, keeping in line with the tongue-in-cheek tone used throughout. A highlight of this is their adaption of Stevie Wonder’s classic anthem ‘Superstition’, with new lyrics about reading the ‘Terms and Conditions’, as a viewer signs away their freedom.

‘F. Off’ tows the line between informative content and comedic delivery, while remaining attentive to the quality of the storytelling. This piece of theatre should be viewed with no less validity and merit than the adult shows produced by the same company. I can’t wait to see what this bunch of budding actors goes on to do next.

 

Reviewed by Emily Morris

 


F. Off

Underbelly Cowgate until 25th August as part of Edinburgh Festival Fringe 2019

 

 

Click here to see more of our latest reviews on thespyinthestalls.com