Tag Archives: X25

ALICE IN WONDERLAND

★★★

Theatre Peckham

ALICE IN WONDERLAND

Theatre Peckham

★★★

“brimming with energy, colour, music and dance”

Theatre Peckham’s ‘Alice In Wonderland’ delivers a spirited, modern spin on Lewis Carroll’s classic, brimming with festive family fun. True to the company’s mission, the production showcases local young talent, offering a lively, inclusive show that makes for a great family outing this Christmas.

Like most kids, Alice is glued to her phone – until Snowy B drags her down a rabbit hole she can’t just Google her way out of. A festive tale of wit and problem solving, will she outsmart Wonderland and make it home in time for Christmas?

Geoff Aymer’s exuberant script offers a modern spin on Carroll’s classic, exploring technology’s influence on children while encouraging self reliance and problem solving. Inventive touches add richness – from a chess savvy, catwalk stomping Queen of Hearts, to the charming ‘Chesh’ the cat – and varied audience participation creates a panto feel. The dialogue, infused with Multicultural London English and code-switching, is sharp and funny. That said, the plot largely mirrors the original, avoiding bolder departures, and some additions, such as Van Goo and the singing forest sequence, feel less essential.

With director Dr Suzann McLean MBE, Theatre Peckham’s Artistic Director, and assistant director Joe Bernstein at the helm, the production champions accessibility and representation with an ensemble of local talent. Creative staging, high energy choreography, vibrant music, and frequent audience participation create a party atmosphere, while varied use of the ensemble allows individuals to shine. That said, the nearly 20 strong cast occasionally feels cramped and the pacing dips towards the end, but overall it’s full of vitality and drive.

Jordan Xavier’s vibrant score, with musical direction by Ben Christopher, weaves in reggae, soul, gospel and more, keeping the audience clapping and bopping throughout. Infectious rhythms and standout numbers – including Ignatius’ gospel infused anthem and the Hatter’s exuberant Tea Jam – showcase musical flair. Paired with Aymer’s witty lyrics, the contemporary sound lands effortlessly.

Shakeil Edwards’ movement direction is contemporary and fun, prioritising accessibility over complexity for the young ensemble. However, standout hip hop solos and rousing group numbers – especially the Hatter’s Tea Jam – provide real highlights. The execution could be sharper, but the result remains spirited and engaging.

The set design is striking and versatile, with the checkerboard floor gaining meaning as the story unfolds. Archways and silver screens inventively create levels and movement, especially in Act 2, though more roses for speedy Van Van would heighten the visual impact. Sasha Howe’s sound design makes playful use of well timed effects, adding humour and texture. Sometimes the mix overpowers the cast, with lyrics lost in faster or ensemble sections, and occasional missed mic cues leave some lines unheard. Jahmiko Marshall’s colourful lighting design adds spark, though the blackouts at the end of each finale number are a little puzzling. The costume design is striking: the Queen’s red ensemble has the flair of a catwalk piece, while Guru Carter’s blue velvet sleeves and bubble sax add a quirky touch.

Oscar Sinclair impresses as the Queen of Hearts and other roles, offering strong characterisations, magnetic stage presence and fabulous vocals. Felicity Ison brings charm to Snowy B and other roles, elevating the material with assured versatility and an expressive singing voice. Siphiwo Mahlentle brings charisma to Chesh and other roles, delivering engaging performances and smooth vocals. Carma Hylton as Alice radiates warmth and presence, with promise in both singing and rapping, though working on breath-supported projection would allow more nuance. The Team Cerasee ensemble is endearing and energetic. Standout contributions come from Alexander Joseph’s larger than life Hatter, Theo Esson’s impressive dancing, and Flo Swann’s expressive singing.

Theatre Peckham’s ‘Alice In Wonderland’ is a joyful celebration of South London’s diversity and heritage, brimming with energy, colour, music and dance. A charming piece of community theatre, it promises fun for the whole family this Christmas.



ALICE IN WONDERLAND

Theatre Peckham

Reviewed on 9th December 2025

by Hannah Bothelton

Photography by Ahmed Kamara


 

Most recently reviewed at this venue:

DO YOU WANT SOMETHING TO CRY FOR | ★★★½ | May 2025
RAPUNZEL | ★★★ | December 2023

 

 

ALICE IN WONDERLAND

ALICE IN WONDERLAND

ALICE IN WONDERLAND

THE FIT PRINCE …

★★★★★

King’s Head Theatre

THE FIT PRINCE … 

King’s Head Theatre

★★★★★

“panto not just with bells on but with real balls attached”

A member of the audience makes their way to the stage. As he enters the coffin, he is now in-role as the dead King of the fictional European country – Swedonia. And thus begins a wonderfully camp parody of heteronormative holiday rom-coms and a joyous queer love story. Written by and starring Linus Karp and Joseph Martin, as the romantic leads, this is one hell of a festive joyride.

The unmarried Swedonian Prince (beautifully played by Linus Karp) is in line to the throne and must tie the knot soon or he will forfeit his right to the crown. His many suitors, mostly male – who make cameo appearances on large multimedia screens – are all hilariously unsuitable for a whole host of reasons. Yet there is one particular suitor, Aaron Butcher, a baker living in New York who is still getting over his callous ex-boyfriend. Boo! Encouraged by ever the optimist – friend, fellow baker and puppet – Jenny Puppetson – Aaron is commissioned to bake a cake for the prince’s imminent wedding and travels to Swedonia.

‘The Fit Prince’ is produced by Awkward Productions and King’s Head Productions. The puppetry alone merits a visit to this all-round incredible show. A darker fairy-tale element and note of absurdity is introduced with the entrance of the incredible ‘Gerta McMurder – a disturbing-looking, life-size puppet who runs a local orphanage in Swedonia. She is masterly operated by Joseph Martin who delivers her lines in a pitch-perfect Scottish accent!

And then there are the pop songs! The original music is by Golden Globe nominated writer and producer, Leland. The pop duo BAAB (a parody of ABBA) belt out numbers like ‘The Loser Gets Nothing’ and ‘Movement King’ to the sheer delight of the audience.

‘The Fit Prince’ is big on audience participation. I did somewhat squirm when I initially heard about this. However, it was often the audience members who stole the show as they ad-libbed, improvised and gave a fresh and unrehearsed delivery of the lines that appeared on autocue. The multimedia guest stars who made digital cameo appearances also helped to give a sense of a much larger-scale production. Kate Butch (from RuPaul’s Drag Race UK) as Angel Merkel, Tove Lo as the Prime Minister of Swedonia and Geri Allen as the Queen of England added even more sparkle, chaos and high campery to the twists and turns of the turbo-charged plot.

There is so much to enjoy here – including the delightful and hilarious sexy shenanigans that transpire in the sauna scene between the prince and the baker! The glorious design and costumes (Stella Backman, Wez Maddocks and Zack Pinset) and the choreography (Sam Carlyle) transform the show to another level. This, ladies and gentlemen, is panto not just with bells on but with real balls attached. ‘Fit Prince’ may be unashamedly queer, camp, and highly theatrical yet there is an element of social and political commentary that hits just the right note without ever threatening to overshadow the joy and festive good cheer. As Aaron the baker asks Jenny Puppetson if she thinks a puppet can end fascism, she retorts: ‘This is theatre!’ Point taken – it’s our job to do that in a world increasingly governed by authoritarian regimes!

If there is one panto you should go see this Christmas, it’s this one. Best panto EVER! And I mean that. ‘Fit Prince’ fully deserved the standing ovation last night. I wish all the creatives and your good selves a very Merry Christmas and Happy New Year.



THE FIT PRINCE (WHO GETS SWITCHED ON THE SQUARE IN THE FROSTY CASTLE THE NIGHT BEFORE (INSERT PUBLIC HOLIDAY HERE)) 

Reviewed on 8th December 2025

by Tim Graves

Photography by Anna Clare


 

Most recent shows reviewed at this venue:

FANNY | ★★★½ | October 2025
THE PITCHFORK DISNEY | ★★★★★ | September 2025
FOUR PLAY | ★★½ | July 2025
REMYTHED | ★★★★ | May 2025
THE GANG OF THREE | ★★★★ | May 2025
(THIS IS NOT A) HAPPY ROOM | ★★★ | March 2025

 

 

THE FIT PRINCE

THE FIT PRINCE

THE FIT PRINCE