Tag Archives: Zoe Spurr

A Midsummer Night’s Dream

★★★★

Criterion Theatre

A Midsummer

A Midsummer Night’s Dream

Criterion Theatre

Reviewed – 10th December 2019

★★★★

 

“If you need a boost, a good laugh and some quality theatre, get yourself along to enjoy this treat of a show.”

 

This production by the National Youth Theatre, in association with Knee High, is delightful. It was lovely to see and hear the energetic and talented young cast speaking Shakespeare as naturally as if they were out with their mates; different accents relished too.

The NYT says in the programme, ‘We are more than a theatre company. We put young people centre stage. We empower young people to be part of something BIGGER. We create amazing shows. We nurture tomorrow’s creatives …We celebrate the individuality and diversity of Britain’s youth in all it’s forms.’ In this production they showcased a wonderful ensemble who brought Shakespeare’s cherished comedy to vibrant life and kept the audience well entertained.

Bottom was played by Jemima Mayala with enormous energy and bubbling humour. She had us all in stitches, and she can really sing too. Ella Dacres gave us a contemporary teenage Puck, mischievous and cool and Bede Hodgkinson was a remarkably strong and mature Oberon, with more humanity in his fairy meddling that is often evident. Helena and Hermia, played by Jamie Foulks and Julia Kass were particularly fun in the famous row in the woods. It worked having a male Helena, and Foulks managed it without a trace of affectation. Billy Hinchliff’s Lysander was so changed by the fairy influence that he became a posturing, hilarious dandy, strutting and puffing out his chest, a bit like a bonobo on heat. It was brilliant. Every cast member, even those with smaller parts, was memorable; Jordan Ford Silver’s Wall and Joseph Payne’s Lion were lovely comedy gems, and Raj Singh made his little ‘moon’ shine brightly.

Director Matt Harrison has allowed his young cast to unleash their naturalness and enjoyment in this ageless text, giving it a contemporary, playful and relatable feel. The abridgement was accomplished by Kate Kennedy without losing any of the essential story or charm of the piece, and bringing it in at ninety minutes. The action is set in Athens on Sea, a playful imagining with a waltzer car, a fish and chip shop and balloons, a perfect setting for the action, which includes some punchy dance numbers, choreographed by Rebecca Cuthbertson and performed with sparkle and pzazz by the ensemble.

This was the first National Youth Theatre production that I have seen, and it won’t be the last. If you need a boost, a good laugh and some quality theatre, get yourself along to enjoy this treat of a show.

 

Reviewed by Katre

Photography by Helen Murray

 


A Midsummer Night’s Dream

Criterion Theatre until 17th January

 

Previously reviewed at this venue:
The Comedy About a Bank Robbery | ★★★★★ | April 2018

 

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The Cat in the Hat
★★★

Rose Theatre Kingston & UK Tour

The Cat in the Hat

The Cat in the Hat

Rose Theatre Kingston

Reviewed – 10th April 2019

★★★

 

“a cabaret of excitement and a fabulous family romp”

 

As the Dr Seuss classic has entertained the minds of young readers for half a century, this Rose Theatre Kingston and Curve co-production of The Cat in the Hat (originally adapted by Katie Mitchell) has a lot to live up to. So how do you translate the unique writing style of such a celebrated artist to stage? Throw in an abundance of acrobatics, a plethora of singalong songs and a water gun or two and you have got a spectacle that will keep the under fives transfixed.

The story we all know and love is that of two children whose miserable rainy day is thankfully interrupted by a cat, in a hat of all garments. While trying to entertain Sally (Melissa Lowe) and her little brother, the cat in the hat (Nana Amoo-Gottfried) gets up to all sorts of tricks and chaos ensues. Standout performances are Sam Angell as Boy, Sally’s incongruously Scottish yet harmlessly endearing little brother and Charley Magalit as the ever bubbly and surprisingly operatic Fish. With direction from Curve’s Associate Director Suba Das, the second half revs up the pacing to fourth gear when Thing 1 and Thing 2 (Celia Francis and Robert Penny) bamboozle the crowd with seemingly infinite combinations of attractive acrobatics.

The clever design of The Cat in the Hat (Isla Shaw) repeatedly takes the audience by surprise with imaginative costume choices and a cleverly camouflaged, movable set, that plays host to a range of elements bursting out, popping up and dangling all over the place. The beautifully oversized, cartoon backdrop, inspired by Ted Geisel’s original illustrations (with every prop giving a nod to the fifty-two year old publication), is set with angles and colourful lighting that reads like a book.

Performance teeters on the edge of pantomime as each character in turn asks the boys and girls (and grownups) to stand up and call out before, during and after each interactive number. Although this musical is filled with fun fantastical compositions from Tasha Taylor Johnson, most of the melodies are quite forgettable considering the rhyming genius of the source lyrics.

The Cat in the Hat is a cabaret of excitement and a fabulous family romp, albeit some way off the purrfect execution of a page to stage adaptation that one might hope for.

 

Reviewed by Vivienne King

Photography by Manuel Harlan

 

The Cat in the Hat

Rose Theatre Kingston until 21st April completing UK Tour

 

 

 

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