The Other Palace
Reviewed – 15th July 2022
“Hannah Benson’s immersive staging bubbles with an energy”
There is, and always has been, debate about the purpose or usefulness of demographic tags. But whether we like them or not, or whether they influence an individual or a group of personalities, the labels are here to stay.
If you are a ‘Millennial’ you witnessed the 9/11 terrorist attacks that shook the world, and were likely to be old enough to comprehend its historical significance. You grew up in the shadow of the wars in Iraq and Afghanistan; you will have watched the erosion of the global political climate. Reaching adulthood, you would have walked headlong into the height of an economic recession. And the internet has pretty much always been there for you.
Is this significant?
If you are a ‘Millennial’ (according to psychologists) you are likely to be confident, but also confused. You are tolerant, but have an overblown sense of entitlement. You are generous, but at the same time narcissistic. In other words, you merely possess the contradictions that make us human.
Elliot Clay has written a song cycle that tells these Millennials’ stories. But he runs up against the same problems. For the most part they come across as merely human stories; under the Millennial banner. And it is a banner that is waved flamboyantly. Colourful yet superficial. There is little that earmarks a Millennial’s ownership of the subject matter. So we are left with a song cycle. And there is nothing wrong with that. Clay has composed some very fine numbers here. But a trick has been missed, and what is slightly frustrating about the show is the awareness that some sort of thread could have been weaved into the overall concept; or something to bind the characters into some sort of collective. To give them a real, solid context or journey.
Fortunately, that reservation in no way extends to the presentation. Hannah Benson’s immersive staging bubbles with an energy that sweeps aside the misgivings and allows us just to have fun. Andrew Exeter’s design matches, and supersedes, the sheer pizzazz. The Other Palace is transformed into a candied, Wonka-like, emporium. Part disco, part adventure playground; shimmering with colours that overflow with e-numbers. You can taste the sweetness of the set.
The performances are the main attraction. Despite most of their energy being channelled into Tinovimbanashe Sibanda’s slick choreography, the cast of six unleash their glorious voices to the crowd with the dynamism and craftmanship befitting the cream of Musical Theatre. Clay’s songs and lyrics are given the starry treatment and they have the appeal to stand their ground, but “Millennials”, as a show, lacks the cohesive ingredients to ensure a similar longevity. But as a gig, it’s a pretty good night out.
Reviewed by Jonathan Evans
Photography by Mark Senior
The Other Palace until 7th August
All our reviews this month so far – click to read:
I Can’t Hear You | ★★★★ | Theatre503 | July 2022
The Hive | ★★★ | Hoxton Hall | July 2022
Report to an Academy | ★ | Old Red Lion Theatre | July 2022
Barefoot in the Park | ★★★★ | The Mill at Sonning | July 2022
Flat and Curves | ★★★★★ | Toulouse Lautrec | July 2022
Hungry | ★★★★★ | Soho Theatre | July 2022
Pennyroyal | ★★★★ | Finborough Theatre | July 2022
Shit-Faced Shakespeare: Romeo & Juliet | ★★★★ | Leicester Square Theatre | July 2022
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