Tag Archives: Hiba Elchikhe

In Pieces


Online via stream.theatre

In Pieces

In Pieces

Online via Stream.theatre

Reviewed – 21st April 2021



“the songs are so samey that it takes away any sort of specificity or distinction from the show’s voice”


Song cycles often have a sense of purity about them. Unrestrained by trivialities such as plot or character arcs, they’re a platform for composers, lyricists, and performers to put their talents centre stage with a diverse range of songs framed around a loose connective theme. It’s a compelling and proven format, and can launch careers if done well – see Jason Robert Brown’s Songs for a New World, for example. In Pieces, however, doesn’t quite manage to hit the mark.

Assembled from songs by Joey Contreras and directed by Louis Rayneau, In Pieces is a musical film from Future Spotlight Productions, focusing on the pieces that make up the love lives of eight unconnected New Yorkers (and their dance ensemble). The songs explore typical romantic moments such as crushes, first kisses, and wistful run-ins with ex-partners using the pop-heavy anthemic musical theatre style that Pasek & Paul have dominated new musicals with through the likes of Dear Evan Hansen and The Greatest Showman. Unfortunately, In Pieces suffers from all of Contreras’ songs sounding like this.

With every song being so similar in style, length, and subject matter, it causes the show to tonally flatline and brings the pace down to a crawl. Contreras’ music is certainly easy on the ear, but there are only so many ballads on wanting to be loved you can hear in a row. There are some standouts, however: Jordan Luke Gage brings some earthy angst with This is Not Me, Beccy Lane delivers poignant storytelling with Another New York Love Story, and Hiba Elchikhe and Luke Street ratchet up the tempo with I Could Fall. The opening and closing songs, which feature the whole cast, give the opportunity for some absolutely gorgeous harmonies and make you wish there were more group numbers outside of those bookends. All the cast are on top form vocally, particularly Kyle Birch, who constantly impresses without ever coming off as showy.

There’s also some great choreography on offer from Rachel Sargent, especially in numbers such as First Sign of Forever where it’s utilised for some really sweet storytelling. Other times, the use of the dance ensemble feels underthought, or neglected by the cinematography. The filming took place in Kidzania, a child-scaled indoor city in London, presumably to try to evoke New York, but it unfortunately makes the set look somewhat tacky and amateurish.

It’s clear that In Pieces was made with the best intentions: everyone commits 100% to the material, and it’s great to see the unabashed queer representation and celebration on display. However, the songs are so samey that it takes away any sort of specificity or distinction from the show’s voice, and as a result In Pieces struggles to engage.



Reviewed by Ethan Doyle

Photography by Liz Heinrichs


In Pieces

Online via stream.theatre until 26th April


Reviewed by Ethan this year:
Shook | ★★★★★ | Online | February 2021


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Southwark Playhouse



Southwark Playhouse

Reviewed – 5th July 2019



“The writing avoids stereotypes and subverts expectations in surprising ways; it’s cleverly done”


There is something rather wonderful about watching a high quality musical in a small venue. The closeness to the actors and the sense of being almost surrounded by their glorious voices in an intimate space brings a sense of emotional involvement that is much harder to achieve in a large theatre. Fiver, written by Alex James Ellison and Tom Lees fills the space with vibrant energy and passion, taking the audience on a roller coaster ride as it charts the journey of an ordinary five pound note from pocket to wallet, through the hands of dozens of characters. The cast of five morph into a host of women and men, all linked by the fiver’s travels. There are some characters who appear as threads in the interwoven storylines, and many more who appear just once, maybe just for a minute, but still make an impact.

This is very much an ensemble piece, performed by a cast of five talented actors. Hiba Elchikhe, Luke Bayer, Aoife Clesham, Dan Buckley and Alex James Ellison make a great team, bouncing off each other’s energy and telling many human stories with heart, humour and compassion. The writing avoids stereotypes and subverts expectations in surprising ways; it’s cleverly done. Justin Williams’ well designed flexible set, and the lighting and sound design, by Alex Musgrave and Chris Taunton respectively, give the action a hugely varied physical context, beautifully supporting the storytelling.

The piece works well musically too. There were tears in the audience during the moving and achingly beautiful ‘You’ll be a man, my son’ which segued into a school scene that brought back memories of the effortless cruelty of children. The story of the letter, and the repeated refrain of ‘have you prayed tonight teacher?’ was intriguing and eventually chilling. There was also plenty of uproarious laughter throughout.

There was some confusion in the second act when the time line felt muddled. This was such a huge disconnect that it threw me out of the story for a while, as I tried to follow the logic. It’s a shame, as in the rest of the show the stories twined together with amazing coherence. This could be fixed by reorganising the scenes, and I hope Ellison and Lees consider doing so before the show has its next outing.

The ‘adventures’ of the humble fiver provide a framework on which Ellison and Lees have hung tales of love, loss, joy, sadness and what it’s like to be human. It’s a lovely piece.


Reviewed by Katre

Photography by Danny With A Camera



Southwark Playhouse until 20th July


Last ten shows reviewed at this venue:
The Funeral Director | ★★★★★ | November 2018
The Night Before Christmas | ★★★ | November 2018
Aspects of Love | ★★★★ | January 2019
All In A Row | ★★ | February 2019
Billy Bishop Goes To War | ★★★ | March 2019
The Rubenstein Kiss | ★★★★★ | March 2019
Other People’s Money | ★★★ | April 2019
Oneness | ★★★ | May 2019
The Curious Case Of Benjamin Button | ★★★★★ | May 2019
Afterglow | ★★★½ | June 2019


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