Tag Archives: Danny Kaan

MIDNIGHT DANCER

★★★★

UK Tour

MIDNIGHT DANCER

Peacock Theatre

★★★★

“The night is Nikita’s, and it is a joy to see him on stage.”

Nikita Kuzmin’s dancing dream came true tonight as he opened his own dance show Midnight Dancer at the Peacock Theatre, which will be dancing its way round the UK.

Nikita thanks his Strictly Come Dancing family several times during the evening, as without that TV show, this show may not have been possible. As one of Strictly’s professional dancers, he wows millions of viewers with his passionate dance, youthfulness and delightful personality. And it is all of that which his fans will be coming to see, and why they won’t be disappointed.

The story of Midnight Dancer, as much is made that there is one, there isn’t one, but it doesn’t matter: nice guy Nikita meets film star (Andrea Toma) with a jealous agent (Seamus McIntosh). There follows as invite to a ball where the handsome Nikita wins the day, and they all live happily ever after.

The music choices and songs are great with Shakira, Moulin Rouge, sing along hits and LaLa Land with the whole cast keeping the energy flowing, working very hard throughout the show with very little time to draw breath as the dancing keeps coming, as do the quick costume changes in between.

The end of the first half is the ball, with a twenty-four-hour electric clock ticking away on the backcloth. It has a feel of Baz Luhrmann’s Romeo and Juliet, an obvious waltz builds up to a tango sequence, and blackout as Nikita is separated from his love, by the baddy agent.

The second act is more lyrical, with contemporary choreography which suits Nikita well, and indeed the other dancers are more in sync in this style, with bare feet. There is a point in the show where usually he brings a random member of the audience on stage to dance with him. Tonight though, he chose his best friend and fellow Strictly professional dancer Vito who was in the audience saying, “Vito will kill me for this”!

The eight supporting dancers all have very different personalities with different dance styles which is wholly intentional but, when they dance as a group, they need to be totally together with equal and tight spacing between them. The leading lady, Andrea Toma, is  an international ballroom and Latin dancer with slick and tight moves, which when dancing with the other girls does show up some of their lack of ballroom technique.

Seamus McIntosh, as the baddy, has an extraordinary and beautiful dance technique with a touch of hip hop style as a bonus. Rebecca Lisewski is the only singer in the show and performs and sings very strongly throughout, even holding the audience’s attention when she sings a solo power ballad, as the cast are off stage doing another quick change.

The costumes (Rachael Ryan) are a mishmash often with trench coats on top, to enable an on-stage reveal of the next costume change. As expected, there is a lot of sparkle especially on Nikita, who ends up in delicious slashed to the navel sequined purple two piece.

Nikita is listed as both creator and choreographer of Midnight Dancer and possibly could have done with a bit more support from creative director and choreographer Tom Jackson Greaves to give a little more variety, not in choreographic styles, but by adding height and dimension with more lifts, jumps and jetés to the routines.

The night is Nikita’s, and it is a joy to see him on stage.



MIDNIGHT DANCER

Peacock Theatre

Reviewed for thespyinthestalls on 21st March 2025

Photography by Danny Kaan

 

 


 

 

 

Previously reviewed at Sadler’s Wells venues:

THE DREAM | ★★★★★ | March 2025
DEEPSTARIA | ★★★★ | February 2025
VOLLMOND | ★★★★★ | February 2025
DIMANCHE | ★★★★ | January 2025
SONGS OF THE WAYFARER | ★★★★ | December 2024
NOBODADDY (TRÍD AN BPOLL GAN BUN) | ★★★★ | November 2024
THE SNOWMAN | ★★★★ | November 2024
EXIT ABOVE | ★★★★ | November 2024
ΑΓΡΙΜΙ (FAUVE) | ★★★ | October 2024
STORIES – THE TAP DANCE SENSATION | ★★★★★ | October 2024

MIDNIGHT DANCER

MIDNIGHT DANCER

MIDNIGHT DANCER

ONE DAY WHEN WE WERE YOUNG

★★★

Park Theatre

ONE DAY WHEN WE WERE YOUNG

Park Theatre

★★★

“A very British tale of love lost during the second world war years”

In the intimate 90 studio at Park Theatre is One Day When We Were Young, written by Nick Payne in 2009. A three scene, time shifting two-hander about the lives of Leonard (Barney White) and Violet (Cassie Bradley).

A dowdy room in a Bath hotel where the young unmarried couple are spending what appears to be their first night together, and possibly their last, the night before Leonard heads off to war. It is 1942 and with promises of waiting for each other forever, the nerves and innocence of the couple shows; one is terrified to go to war and the other naively wants the night to be romantically perfect for them. It is not and they are interrupted by the bombs of the Baedeker raid.

The blitz is shown with blinding lights flashing and loud sound effects – and a very simple “special effect” showing the window suddenly broken. Dramatically that all works well. But then the actors were suddenly shouting that they must get dressed and get to the bomb shelter, whilst taking the bed covers off the bed and rolling them up, running off and on with bits of furniture as they take the bedroom apart and replace it with a park bench.

Scene two is a snowy park in the early 1960s. This middle scene should have been the most heart-breaking but the dynamics between the couple does not quite gel in both script and acting. Clearly Violet had not waited for Leonard and she has been married since 1944 to her music teacher husband, has a 16-year-old son and 12-year-old daughter plus washing machine and television, living her perfect life; whilst Leonard is a broken man having survived being a POW in Japan. He lives with his mum in Luton.

The final scene – and post more rather unnecessary moving of furniture around the small set – it is 2002, which makes the pair now at least in their late seventies. Leonard is still totally devoted to Violet, and Violet is now a widow… Old age and Leonard sadly has onset dementia as he repeatedly asks how with the train delays her journey to his Luton home has been. There is a confusing power cut (unexplained historically, mea culpa if wrong), and one rather lovely moment when Leonard lights a pair of sparklers for light.

The sound (Aidan Good) uses music from each period to set each scene, but if you didn’t know the snippets of music playing it didn’t help. Scene two has continual low-level playground sounds which worked to show they were in a park. But in the third scene the inclement British rainstorm sound keeps disappearing and then returning; and it would have carried more gravitas of the doomed love affair, if it had continued throughout the final scene, even at a low-level.

A very British tale of love lost during the second world war years. One Day When We Were Young shows how we Brits have an inability to show emotions and to say what truly should not be left unsaid. The script doesn’t fill in those complex undertones, so feels a tad unfinished. In the final scene, Violet’s rendition of “their song” is sung without Leonard present, which seems an odd directorial decision by director James Haddrell – as that could have shown each of their true feelings in that moment.

 



ONE DAY WHEN WE WERE YOUNG

Park Theatre

Reviewed on 3rd March 2025

by Debbie Rich

Photography by Danny Kaan

 


 

Previously reviewed at this venue:

ANTIGONE | ★★★★★ | February 2025
CYRANO | ★★★ | December 2024
BETTE & JOAN | ★★★★ | December 2024
GOING FOR GOLD | ★★★★ | November 2024
THE FORSYTE SAGA | ★★★★★ | October 2024
AUTUMN | ★★½ | October 2024
23.5 HOURS | ★★★ | September 2024
BITTER LEMONS | ★★★½ | August 2024
WHEN IT HAPPENS TO YOU | ★★★★★ | August 2024
THE MARILYN CONSPIRACY | ★★★★ | June 2024
IVO GRAHAM: CAROUSEL | ★★★★ | June 2024
A SINGLE MAN | ★★★★ | May 2024

 

ONE DAY WHEN WE WERE YOUNG

ONE DAY WHEN WE WERE YOUNG

ONE DAY WHEN WE WERE YOUNG