Tag Archives: David Ellis

Shit-Faced Shakespeare: Romeo and Juliet

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Leicester Square Theatre

Sh*t-Faced Shakespeare: Romeo and Juliet

Leicester Square Theatre

Reviewed – 14th July 2022

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“They know their business, and they know their audiences, well”

 

If you saunter along to the Leicester Square Theatre expecting traditional Shakespeare, you are in for a rudeβ€”a very rudeβ€”surprise. This ain’t your father’s Shakespeare. Oddly enough it is the kind of Shakespeare the Bard himself might enjoy. Enjoyβ€”if he’d gone on a mad pub crawl beforehand, and decided to stop by the theatre to see the latest production of Romeo and Juliet. If well fortified beforehand, he’d enjoy the showβ€”and probably not notice how the cast have changed the ending. And quite a few other things. But then, good times, fuelled with lots of alcohol, are what Sh*t-faced Shakespeare are all about. They know their business, and they know their audiences, well.

Sh*t-faced Shakespeare’s brand of Shakespeare (touring since 2010) β€œseeks to introduce a new generation of theatregoers to the works of the Bard by reviving the raucous, interactive and vibrant nature of Elizabethan theatre with a very modern twist.” This is one of the most accurate descriptions of a show I’ve ever seen in press materials put out by a company, and they win my admiration for that. It’s great to see such a young crowd turn out for Shakespeare in a comedy club setting. Veterans of the Sh*t-faced approach will know in advance the set up. To summarize: one of the company comes on stage as MC to announce that another member of the company has been chosen to be the drunk for the evening’s performance. Drinking heavily for several hours before the show, this performer will also be expected to drink more every time a bell or gong is struck by a member of audience. While performing Shakespeare.

On this particular evening, it was Juliet’s turn to take one for the team. But there’s not just drinking and slapstick involved here. There’s audience participation that involves acting as well. Short of a County Paris for this performance of Romeo and Juliet, a good sport sporting a β€œSlayer” tee shirt was selected to play the part of Juliet’s father-approved fiancΓ©. Very appropriate. Out of this formula the cast of Sh*t-faced Shakespeare proceeds to build an entertainment that pays no attention to the tragedy of Romeo and Juliet. They just focus on the comedy instead. You didn’t know Romeo and Juliet was a comedy?

Seriously, kudos to the cast. David Ellis, Louise Lee, Jessica Brindle, Richard Hughes, Christopher Lane, John Mitton, Lucy Farrar and Stacey Norris are all seasoned soldiers of the Sh*t-faced scene, which includes knowing just how badly to mess up the best known speeches while maintaining eye contact with the audience most of the time. Amazingly enough, no one got hurt as the evening (and the drinking) progressed. These actors are tough, and experienced. It’s also impossible to know whether they have been drinking, which speaks well of their classical training. The programme reassuringly points out that company members are never expected to drink on consecutive nights, or more than four times a month. They consider themselves to be more temperate drinkers than the average West End actor.

In short, if you feel your friends need a bit more culture, and fewer nights at the pub, take them to a Sh*t-faced Shakespeare show. They will have a good time, and might not even notice that they are no longer at their local. And rest assured that the β€œreal” Shakespeare’s reputation will survive, despite the β€œrough magic” dealt out by Sh*t-faced Shakespeare.

 

Reviewed by Dominica Plummer

Photography by Rah Petherbridge

 


Shit-Faced Shakespeare: Romeo and Juliet

Leicester Square Theatre

 

Previous Shit-Faced shows at this venue:
Sh!t-Faced Macbeth | β˜…β˜…β˜…β˜…β˜… | July 2021
A Pissedmas Carol | β˜…β˜…β˜…β˜…β˜… | December 2021

 

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Sh!t-Faced Showtime: A Pissedmas Carol

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Leicester Square Theatre

A Pissedmas Carol

Sh!t-Faced Showtime: A Pissedmas Carol

Leicester Square Theatre

Reviewed – 28th November 2019

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“bountiful instances of quick-witted, gleeful silliness”

 

Audiences are a voyeuristic bunch – from found-footage horror films to The Play That Goes Wrong, there is a proven appetite for watching things where what’s being shown feels like it shouldn’t be seen. So it’s no surprise that Magnificent Bastard Productions have struck gold with their format in which they get one of their actors drunk and have to roll with whatever punches they throw during the show. They’ve found success with both Sh*t-Faced Shakespeare and Sh*t-Faced Showtime previously, and that can now be counted as a triumvirate of triumphs with their new festive show, A Pissedmas Carol.

A Pissedmas Carol follows the plot of Charles Dickens’ classic A Christmas Carol with a cast of five and a script by Lewis Ironside. Or it intends to follow the plot, anyway, although the actor who’d got through two beers, a shot of vegan Baileys, and two thirds of a bottle of Captain Morgans over the course of four hours preceding the show lobbed most of the script out the window. The rules set out by the show’s MC (who incidentally, was Charles Dickens – played with adorable joviality by Will Seaward) dictate that whatever that actor chooses to do, the others must improvise around it. With a group of exceptional improvisers such as this, such a format leads to boundless hilarity. Once this performance’s drunk actor Daniel Quirke chooses to lick a castmate’s nose as a greeting, it becomes a running gag throughout the show, and when Quirke changes the ending of the story on the fly by putting Scrooge in a coma for forty years, the change is embraced fully by the other actors. The fundamental rule of improv – always say yes – is taken very seriously, which results in bountiful instances of quick-witted, gleeful silliness.

The improv and alcohol-heavy nature of the show could very easily lead to wearisome indulgence in the performances, but thankfully there is a keen awareness from the cast, as well as clear measures to ensure the experience is always firmly centred around audience enjoyment – the MC will sometimes usher things along, or Charlotte Brooke’s piano accompaniment will lead the scenes forward. The audience are also invited to deepen the chaos, as select members are able to put another drink in the inebriated actor’s hand when they so wish. By the end of the show, Quirke had got through a further three beers, which kept the voyeuristic excitement ramping up.

As mentioned, the performances are roundly excellent, and the fun that these actors are clearly having on stage with each other permeates through to the audience. They capitalise on every unexpected comic opportunity, with James Murfitt as Scrooge and Katy Baker (who also directed) as the Ghost of Christmas Past standing out in a scene where – thanks to Quirke’s machinations – their rendition of ‘Walking in the Air’ as they flew to the past brought on reams of laughter. That’s not the only song either – A Pissedmas Carol features a host of Christmas classics, all fantastically sung, from Issy Wroe-Wright’s scene-stealing ‘Last Christmas’ to the gorgeous harmonies in ‘Fairytale of New York’.

A Pissedmas Carol has carved out a format that sets it apart from any other Christmas show, yet also puts it head and shoulders above them. Forget panto – this is the most fun you’re going to have in a theatre this festive season.

 

Reviewed by Ethan Doyle

Photography by Rah Petherbridge

 


Sh!t-Faced Showtime: A Pissedmas Carol

Leicester Square Theatre until 5th January

 

Previously reviewed at this venue:
Murder, She Didn’t Write | β˜…β˜…β˜… | February 2018
Sh!t-faced Shakespeare:Β The Merchant of Venice | β˜…β˜…β˜…β˜… | April 2018
Sh!t-faced Shakespeare’s Romeo and Juliet | β˜…β˜…β˜…β˜… | June 2018
Murder She Didn’t Write | β˜…β˜…β˜…β˜… | September 2018
Sh!t-faced Showtime:Β OliverΒ With a Twist! | β˜…β˜…β˜… | September 2018
Stick Man | β˜…β˜…β˜…Β½ | October 2018
Sh!t-Faced Showtime: Oliver With A Twist | β˜…β˜… | March 2019
Sh!t-Faced Shakespeare: The Taming Of The Shrew | β˜…β˜…β˜…β˜…β˜… | April 2019
Sh!t-Faced Shakespeare: Hamlet | β˜…β˜…β˜… | June 2019

 

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