★★★★

“a witty, pacey and up-to-the-minute thriller”

Theatre Royal Windsor’s current offering is ‘Closure’ – a brand new thriller by experienced writing duo Catherine O’Reilly and Tim Churchill. They were given enthusiastic support in developing this fast-moving premier by the late Bill Kenwright, the renowned producer whose company owns and operates the theatre.

Family tensions run very high indeed in the first half of the evening as normality unravels like it is going very rapidly out of fashion. Josh and Emma Carlisle (Joseph Thompson and Roxanne McKee) are holding a dinner party at their impressive new country home (set design un-credited) to which they have invited their extended family. Their guests include Susan Penhaligon as Libby Kennedy, a rather splendidly dipsomaniac matriarch with more than a passing infatuation for several bottles of Merlot. Just what is it with all the conspicuous consumption of booze in plays like this? She is partnered by another equally experienced actor (and sometime Blue Peter presenter) Peter Duncan. He plays an ex-cop of what turn out to be rather dubious morals.

Hollyoaks’ Jemma Donovan and Christopher Jeffers make impressive entrances as the couple’s younger daughter Becca and her new boyfriend Alex – both of them rather splendid Love Island wannabes (costumes Hilary Bloomfield).

Director Charlotte Peters ably turns the theatrical spotlight on each of these flawed characters in turn. What happens when good people do bad things? When the pressure mounts, what cracks will appear? And when bad turns to worse, can we the audience guess just what these increasingly manic characters will do next? As well as all this edge-of-the-seat action, there are some daft comedic twists which mean that the dramatic tension is reliably interspersed with laughter. The cast list is competed by Marcus Adolphy who plays a senior police officer with a talent for turning up just when he is least wanted.

‘Closure’ takes a few heavy-handed pot shots at the Insta generation, with lighting effects designed by Douglas Kuhrt. A darker story about trauma and grief underpins the plot, but this is not the kind of play which holds these weighty themes up to serious examination. ‘Closure’ is not conceived as a traditional murder mystery in the style of Agatha Christie’s ‘Mousetrap’ and other such theatrical workhorses. It is most certainly a witty, pacey and up-to-the-minute thriller which at tonight’s packed performance did not fail to disappoint its enthusiastic audience.

BOATMAN TOWN at Isis Farmhouse

★★★★★

“a delightful evening, skilfully performed by a great ensemble, proof positive of the magic of theatre”

The moon was full and the air icy as we made our way back to the car tonight. Thick mist was rising towards us and angry water swirled beneath our feet as we crossed the river. Few theatre trips are quite as atmospheric as a walk to the Thames-side Isis Farmhouse in Oxford, one of several pubs in Oxfordshire, Hertfordshire and London chosen by Creation Theatre company for their bold and engaging new play, ‘Boatman Town’.

Creation are Oxfordshire’s largest producing theatre company, specialising in adapting classic texts in unusual locations. They employ a cast of full-time actors.

Award-winning poet, playwright and librettist Glyn Maxwell wrote this contemporary story as a response to the medieval play ‘The Summoning of Everyman’. In the late 15th century original, Death summons Everyman, who stands for all of us humans, to give an account of his life as he must face final judgement in Heaven. Everyman asks for companions on their journey, but who amongst their friends will choose to go with them?

This religiously inspired morality play has been inventively transformed by both Glyn Maxwell and the company into a pacey tale of a group of boozy holidaymakers stuck in an English-themed bar on a mysterious foreign island. Tonight it was performed in the centre of one of the pub’s function rooms by a strong cast of seven, with us audience members very much part of the story. Director Helen Eastman and seven fine performers ensure that even in this unusual space – without stage lights or sets – our attention is always held.

Anna Tolputt as Yvonn opens the evening with a beautifully written and rendered monologue which immediately sets up the proposition for a show which runs for just over an hour. It might not have been immediately apparent to all watching, but she is the central character of the medieval original: Everyman, or Anyone as the playwright describes her.

Highly experienced movement director Sam Rayner has a pivotal role as the mysterious waiter who gives orders as much as he takes them. Ailsa Joy gives a spirited performance as Amelia. Alongside Herb Cuanolo as the big man Denny she discovers that something about the English Pub is not quite what it seems. Miranda Foster is the older woman Elaine and Nicholas Osmond the money-minded and enigmatic businessman Nick.

Every one of the pub’s customers – both the characters and their audience – will be tested in this captivating show which demands our active engagement. It was a delightful evening, skilfully performed by a great ensemble, proof positive of the magic of theatre.

Tag Archives: David Woodward

CLOSURE

★★★★

Theatre Royal Windsor

CLOSURE at the Theatre Royal Windsor

★★★★

“a witty, pacey and up-to-the-minute thriller”

CLOSURE at the Theatre Royal Windsor

Reviewed on 28th February 2024

by David Woodward

Photography by Jack Merriman

Previously reviewed at this venue:

THE GREAT GATSBY | ★★★ | February 2024

ALONE TOGETHER | ★★★★ | August 2023

BLOOD BROTHERS | ★★★★★ | January 2022

THE CHERRY ORCHARD | ★★★★ | October 2021

CLOSURE

CLOSURE

Click here to see our Recommended Shows page

BOATMAN TOWN

★★★★★

Touring pubs in Oxfordshire and London

BOATMAN TOWN at Isis Farmhouse

★★★★★

“a delightful evening, skilfully performed by a great ensemble, proof positive of the magic of theatre”