Ethan Doyle Archives - Page 13 of 19

Sh!t-Faced Showtime: A Pissedmas Carol

Leicester Square Theatre

Reviewed – 28th November 2019

★★★★★

“bountiful instances of quick-witted, gleeful silliness”

Audiences are a voyeuristic bunch – from found-footage horror films to The Play That Goes Wrong, there is a proven appetite for watching things where what’s being shown feels like it shouldn’t be seen. So it’s no surprise that Magnificent Bastard Productions have struck gold with their format in which they get one of their actors drunk and have to roll with whatever punches they throw during the show. They’ve found success with both Sht-Faced Shakespeare and Sht-Faced Showtime previously, and that can now be counted as a triumvirate of triumphs with their new festive show, A Pissedmas Carol.

A Pissedmas Carol follows the plot of Charles Dickens’ classic A Christmas Carol with a cast of five and a script by Lewis Ironside. Or it intends to follow the plot, anyway, although the actor who’d got through two beers, a shot of vegan Baileys, and two thirds of a bottle of Captain Morgans over the course of four hours preceding the show lobbed most of the script out the window. The rules set out by the show’s MC (who incidentally, was Charles Dickens – played with adorable joviality by Will Seaward) dictate that whatever that actor chooses to do, the others must improvise around it. With a group of exceptional improvisers such as this, such a format leads to boundless hilarity. Once this performance’s drunk actor Daniel Quirke chooses to lick a castmate’s nose as a greeting, it becomes a running gag throughout the show, and when Quirke changes the ending of the story on the fly by putting Scrooge in a coma for forty years, the change is embraced fully by the other actors. The fundamental rule of improv – always say yes – is taken very seriously, which results in bountiful instances of quick-witted, gleeful silliness.

The improv and alcohol-heavy nature of the show could very easily lead to wearisome indulgence in the performances, but thankfully there is a keen awareness from the cast, as well as clear measures to ensure the experience is always firmly centred around audience enjoyment – the MC will sometimes usher things along, or Charlotte Brooke’s piano accompaniment will lead the scenes forward. The audience are also invited to deepen the chaos, as select members are able to put another drink in the inebriated actor’s hand when they so wish. By the end of the show, Quirke had got through a further three beers, which kept the voyeuristic excitement ramping up.

As mentioned, the performances are roundly excellent, and the fun that these actors are clearly having on stage with each other permeates through to the audience. They capitalise on every unexpected comic opportunity, with James Murfitt as Scrooge and Katy Baker (who also directed) as the Ghost of Christmas Past standing out in a scene where – thanks to Quirke’s machinations – their rendition of ‘Walking in the Air’ as they flew to the past brought on reams of laughter. That’s not the only song either – A Pissedmas Carol features a host of Christmas classics, all fantastically sung, from Issy Wroe-Wright’s scene-stealing ‘Last Christmas’ to the gorgeous harmonies in ‘Fairytale of New York’.

A Pissedmas Carol has carved out a format that sets it apart from any other Christmas show, yet also puts it head and shoulders above them. Forget panto – this is the most fun you’re going to have in a theatre this festive season.

Reviewed by Ethan Doyle

Photography by Rah Petherbridge

Sh!t-Faced Showtime: A Pissedmas Carol

Leicester Square Theatre until 5th January

Previously reviewed at this venue:

Murder, She Didn’t Write | ★★★ | February 2018

Sh!t-faced Shakespeare: The Merchant of Venice | ★★★★ | April 2018

Sh!t-faced Shakespeare’s Romeo and Juliet | ★★★★ | June 2018

Murder She Didn’t Write | ★★★★ | September 2018

Sh!t-faced Showtime: Oliver With a Twist! | ★★★ | September 2018

Stick Man | ★★★½ | October 2018

Sh!t-Faced Showtime: Oliver With A Twist | ★★ | March 2019

Sh!t-Faced Shakespeare: The Taming Of The Shrew | ★★★★★ | April 2019

Sh!t-Faced Shakespeare: Hamlet | ★★★ | June 2019

Click here to see our most recent reviews

★

“tries to be about everything, and leaves you feeling nothing”

‘What the f*ck is this show about?’ exclaims one character to another during one of the many improvised scenes of Come to One. Watching the two performers splutter through the scene, unable to agree on a direction or sense of rhythm, it certainly felt like an apt question to ask.

Come to One is an entirely improvised show from Three Worlds about, well…anything, really. The performers ask the audience what’s been playing on their hearts and minds as of late, and take those as themes to improvise around. In this performance, those themes were: missing friends, corrupt politicians, exhaustion, interstellar sources of energy, and gourmet cooking. If you’re wondering how those concepts could possibly intersect, don’t worry – they don’t bother trying; instead, we are then presented with around 20-25 different, largely unconnected scenes that loosely tie into those themes, but seemingly only ever one at a time. In some instances the story in one scene is continued at a later point, but these seemed to cause more problems for the performers than the standalone scenes did.

The company, comprised of Andy St John, Carol Tagg, Michal Nowak, Izzy Glin, Tom Barnes and Zoot Lynam, seem to really struggle with the lack of structure they’ve imposed on themselves. Many other improv-focused shows will ask for plot details such as settings, characters, and motivations, and Come to One makes it clear why that is. With only vague concepts such as gourmet cooking to go off, it felt like the actors were fighting to find a sense of direction or momentum to their scenes, initially locking horns with their pre-conceived notions of where they wanted to take the conversation, then floundering to move it along as neither listens to the instincts of the other. It more often than not felt like the audience had sat in on an improv workshop that was for the benefit of the performers, rather than watching skilled improvisers show off their craft for entertainment.

The lack of command the actors had over their own show resulted in it being a tonal disaster. One plot thread about an astronaut overstepping boundaries with the humanoid AI accompanying him felt like it was supposed to be hard-hitting and thought-provoking, but this was severely undermined when another performer chose to swoop by every so often pretending to be a passing star. There was a definite uneasiness in the audience as to whether to laugh or not, and whether the laughter was with or at the actors.

It’s difficult not to feel guilty writing such a negative review because it’s clear that the performers were giving it their all, but they simply weren’t developed enough in their craft to take on the freeform nature of the show they’ve conceived. Come to One tries to be about everything, and leaves you feeling nothing.

Reviewed by Ethan Doyle

Photography courtesy Three Worlds

Leicester Square Theatre

Reviewed – 28th November 2019

★★★★★

“bountiful instances of quick-witted, gleeful silliness”

A Pissedmas Carol has carved out a format that sets it apart from any other Christmas show, yet also puts it head and shoulders above them. Forget panto – this is the most fun you’re going to have in a theatre this festive season.

Reviewed by Ethan Doyle

Photography by Rah Petherbridge

Sh!t-Faced Showtime: A Pissedmas Carol

Leicester Square Theatre until 5th January

Previously reviewed at this venue:

Etcetera Theatre

Reviewed – 15th November 2019

★

“tries to be about everything, and leaves you feeling nothing”

‘What the f*ck is this show about?’ exclaims one character to another during one of the many improvised scenes of Come to One. Watching the two performers splutter through the scene, unable to agree on a direction or sense of rhythm, it certainly felt like an apt question to ask.

Reviewed by Ethan Doyle

Photography courtesy Three Worlds

Come to One

Etcetera Theatre until 15th December

Last ten shows reviewed at this venue:

‘What the fck is this show about?’ exclaims one character to another during one of the many improvised scenes of Come to One*. Watching the two performers splutter through the scene, unable to agree on a direction or sense of rhythm, it certainly felt like an apt question to ask.