Gavin Kalin Productions Archives - thespyinthestalls.com

★★★★

“If this site, lacks the in-your-face flash of Disneyworld, it more than makes up for it in the energy and commitment of its large and diverse cast”

Dedicated Whovians are in for a treat. The BBC has found a site, allegedly hidden around 1942 but only recently rediscovered, that offers an exciting adventure travelling through time and space with at least some of your favourite characters from the iconic television show. I say “at least some” because this elaborately staged production not only leads the audience through a series of well designed sets, but divides them into small groups, and smaller sets, for exclusive mini adventures. The audience is reunited twice — for a much appreciated break during the middle of the show (complete with your drink of choice and live music) — and at the end of the show for the apocalyptic breakdown and grand finale. If this site, cleverly concealed in a quiet mews just down the road from Bond Street tube, lacks the in-your-face flash of Disneyworld, it more than makes up for it in the energy and commitment of its large and diverse cast. Both “alien” and “human.”

I’d like to tell you more, but the Doctor threatened me (very nicely, of course) with a total mindwipe if I said anything about the plot. “The first rule of Time Fracture is….” — so I hope, prospective intrepid time traveller, that you’ll forgive me.

I can say that for me (and my companion) this was a great way to spend an evening in London. Social distancing seems less noticeable when the audience is constantly on the move and involved in the action. There was plenty of recognizable timey-wimey stuff going on for Doctor Who fans, and if it was a bit shouty-wouty — well, there was a lot going on all over the place, and with different groups of people. The actors managed this remarkably well, considering that they were costumed from head to foot (often unrecognizably so) in small spaces on the hottest and most humid evening in London this year. They also had to be very deft with the improvised conversations, and to deal with audience members who tried to change the plot on them, or claimed to be at least one thousand years old. In some ways Doctor Who: Time Fracture will feel a bit like the haunted house exhibits for Hallow’een. In this show, however, the sets and costumes are way more cool, and yes, scarier in at least one instance. No, I’m not going to tell you. Spoilers!

Doctor Who: Time Fracture would be a good choice of event for a blind date or even a first date. You won’t be able to talk to each other with all the noise and excitement going on, but by the end of the evening, you will know if your prospective is Time Lord material — or just a mere mortal destined to be jettisoned straight back into the universe’s dating pool.

Reviewed by Dominica Plummer

Photography by Mark Senior

The Great Gatsby

Immersive | LDN

Reviewed – 22nd October 2020

★★★★★

“Post lockdown, this show still manages to feel like a party, despite some of our freedoms taken away from us”

A year ago, we were collectively gearing up for what we hoped would be the “Roaring Twenties”; a replica of that momentous decade in history, particularly American history, that was chronicled so beautifully by F. Scott Fitzgerald. Little did we know what a colossal car crash we were heading for just around the corner. The characters portrayed in Fitzgerald’s novel tend to run away from their difficulties. “They were careless people… they smashed up things, and let other people clean up the mess they had made”. Jay Gatsby himself, however, was exempt from this, and his indomitable spirit lives on in “The Great Gatsby”, the immersive theatre show (London’s longest running) staged like a party at Gatsby’s mansion.

“So we beat on, boats against the current…” Those words resonate more powerfully than ever. The flow of events seems to change daily; what may be possible today might not be tomorrow, so the zeitgeist of the American dream follows us, reminding us to seize the day while we can. Post lockdown, this show still manages to feel like a party, despite some of our freedoms taken away from us. But hey, prohibition never stopped people having a good time. We’re not quite there ourselves, but in a neat echo Nick Carraway (James Lawrence) hushes the audience during the second curtain-call, as the clock strikes ten, to announce that “normally we’d be getting out of costume now and join you in the bar. But that’s illegal!”

But let’s start from the top. The first thing you notice is the detail. The venue, once you’ve passed through the temperature checks and security, sweeps you back into the Jazz Age. We are welcomed like old friends; like regulars in a Speakeasy, complicit in some sort of illicit pleasure. It is difficult not to reflect occasionally, however, what a logistical precipice the producers, creatives and cast had to scale to get the show back up and running; but these thoughts are soon dislodged by the sheer energy of the performance. Gatsby’s glamour is delivered with a punch that leaves you reeling to the bar for another cocktail at interval.

There is a common misconception about “The Great Gatsby”, so much so that the word ‘Gatsby’ itself has become synonymous with glitz. Alexander Wright’s direction obviously embraces this but also manages to cast a light onto the personalities that Fitzgerald hints at. As the key scenes are played out before us, we can witness the intimate nuances up close. Not quite as up close as we’d sometimes like. It is still immersive theatre but the interaction, like the audience, is partially veiled. It is also quite hit and miss whether you will be invited into one of the other side rooms. Understandably the promenade aspect of the show has been significantly cut back – one cannot wander around freely as before. The upside is that you don’t miss out on any of the main action.

Nick Carraway, the novels’ narrator, shares this burden with the rest of the ensemble. In fact, we see the story unfold through each character’s eyes, often overlapping at times letting us choose who to follow. And it’s a hard choice as each cast member seduces you with a riveting performance. James Lawrence beautifully takes us on his journey from mild amusement and non-judgemental confusion through to his eventual revulsion. Ivy Corbin is gorgeously watchable as she heaps humour onto the self-centred cynicism of Jordan Baker. Daisy Buchanan is given short shrift by Fitzgerald, but Lucinda Turner dresses her innate hollowness with layers of mystery and vulnerability that give her the allure for you to believe in Gatsby’s dream, while Dean Graham’s unshakeable Tom Buchanan does his best to kill that dream. Meanwhile, on the wrong side of the tracks, other dreams die. Tom’s mistress, Myrtle Wilson, is given a brilliant mix of strength and tragic energy by MJ Lee, while her long-suffering husband, George, is brought out of the shadows and given vibrancy and musicality by Lucas Jones.

The revelation is Craig Hamilton’s Gatsby. The tragic hero who pays the price for living too long with a single dream. Hamilton hits the nail on the head, playing him not as the dreamy matinee idol, but as an awkward outsider, socially clumsy, almost on the spectrum, but hugely likeable and charismatic.

What the entire cast do share is their ability to bring out the comedy too. And with Holly Beasley Garrigan’s choreography and Phil Grainger’s sound design and choice of music that give an electric modernity, the evening is a sumptuous tribute to Fitzgerald. In the ‘Roaring Twenties’ the people pursuing the American Dream within his novel were desperate to have fun. Similarly, in our current times, we are just as hungry for it. Gatsby’s mansion in Mayfair is just the place to find it.

Unit HQ

Reviewed – 16th June 2021

★★★★

“If this site, lacks the in-your-face flash of Disneyworld, it more than makes up for it in the energy and commitment of its large and diverse cast”

I’d like to tell you more, but the Doctor threatened me (very nicely, of course) with a total mindwipe if I said anything about the plot. “The first rule of Time Fracture is….” — so I hope, prospective intrepid time traveller, that you’ll forgive me.

Reviewed by Dominica Plummer

Photography by Mark Senior

Doctor Who – Time Fracture

Unit HQ until April 2022

Reviewed this year by Dominica:

Immersive | LDN

Reviewed – 22nd October 2020

★★★★★

“Post lockdown, this show still manages to feel like a party, despite some of our freedoms taken away from us”

Reviewed by Jonathan Evans

Photography by Mark Senior

The Great Gatsby

Immersive | LDN until 31st January 2021

Last ten shows reviewed by Jonathan: